Category Archives: TEDDY TODAY

Day 7: Friends will be Friends

I like funny holidays. Whether National Hugging Day or National Chocolate Cake Day, in any case the not quiete serious commemoration day are diversified. And today as well is one these days. Today, we celbrate the ‘Contract new Friendship Day’. This day is about to find new friends. Go out and meet new people. To say it in the words of Freddie Mercury: ‘Hold out your hand cos friends will be friends right till the end’.

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Cyclops Observes the Celestial Bodies
Cyclops Observes the Celestial Bodies

USA 2014
15′
Director: Ken Jacobs

“Cyclopean 3D is the most 3D a single eye can come up with. This means the celestial horde on display here can only seem to be galloping through space. Actual seeing into depth must be denied, it’s the law.” (Ken Jacobs)

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12.30 pm, Kino Arsenal 1


Orchard Street
Orchard Street

USA 1955
27′
Director: Ken Jacobs

Presented for the first time in the originally planned half-hour cut: Avant-garde filmmaker Ken Jacobs’s first foray into the world of cinema – a document of the vibrant Jewish neighborhood in Manhattan where Jacobs grew up.

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12.30 pm, Kino Arsenal 1


El hombre nuevo
The new man

Uruguay/Chile 2015
79′
Director: Aldo Garay

At the tender age of twelve, Roberto supported the Sandinista revolution in Nicaragua and fought for education and social reforms. He was to continue his political struggle fighting alongside the communist Tupamaros in Uruguay. Thirty years later he is struggling to live his life as a woman named Stephanía and striving to be accepted by both society and his family. Documentary filmmaker Aldo Garay has followed Stephanía for over twenty years. In El Hombre Nuevo he provides a personal and tender portrait of a woman who can look back on a tempestuous life in which violence, drugs, prostitution and political commitment all found its place. Scenes from her day-to-day life are interspersed with interview material that includes conversations with old friends, fellow-travellers and siblings, as well as a passionate, heated exchange with her mother. The picture of society that emerges is as diverse as it is intimate, and spans a time of great political upheaval in the 1970s to the present day.

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14.00 pm, Kino International


 I am Michael
I am Michael

USA 2015
100′
Director: Justin Kelly
Cast: James Franco, Zachary Quinto, Emma Roberts

San Francisco in 1998. Queer activist Michael is passionately committed to supporting gay and lesbian youths. His own deep longing to belong means that he is tirelessly engaged in redefining his own existence, absorbing with apparent ease young Tyler into his long term relationship with his friend Bennett. The trio decides to travel America to record on film the lives of gay teenagers. They subsequently manage to raise the cash to launch Michael’s own LGBT magazine. But Michael isn’t happy with the way he’s living his life. Following a suspected heart attack he strives to find a way to balance sexuality and spirituality and decides to leave his chosen family and friends. After engaging in meditative contemplation and heterosexual experiments, he firmly embraces Christianity.In his sensitive directorial debut, Justin Kelly deftly juxtaposes different periods of time to describe the unusual transformation of Michael Glatze, the co-founder of the magazine ‘Young Gay America’ and a one-time inspirational figure of the LGBT community who, after prolonged and persistent soulsearching, decided to reject homosexuality and become a preacher.

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14.30 pm, Cubix 9


Fassbinder – lieben ohne zu fordern
Fassbindern – to love without demands

Denmark 2015
109′
Director: Christian Braad Thomsen
Cast: Rainer Werner Fassbinder, Irm Hermann, Harry Baer, Andrea Schober

Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the
enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical.

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14.30 pm, CineStar 7


La Isla está Encantada con Ustedes
The Island is enchanted with You

USA/Switzerland/Australia 2014
28′
Director: Alexander Carver, Daniel Schmidt
Cast: Raul De Nieves, Lydela Leonor, Lea Cetera, Carlos Solis-Keyser

In 1511, indigenous people in Puerto Rico seduced and murdered a representative of colonial power. Some 300 years later, a further chapter of colonial history: In 1803, by order of the Spanish Crown, a doctor named Francisco Javier de Balmis travelled to Puerto Rico with a number of orphans. They were carriers of the live vaccine with which Balmis executed one of the first mass immunisations
against smallpox. A glance to the present day: In 2014, Puerto Rico produced an enormous amount of pharmaceuticals with subsidies from the USA. By interweaving strands of colonial and postcolonial history, the filmmakers of La Isla está Encantada con Ustedes have created a lyrical work that mirrors and completes the dynamics of power and lust. A modern roundelay, that restages the past in the present. Lead by a gaze of sexual subtext, this is a comedy in which reality is subordinate to strategies of power –while revealing the closely intertwined nature of health and economics, in the past and present.

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16.00 pm, CinemaxX 5


The Mad Half Hour
The Mad Half Hour

Argentina/Denmark 2015
22′
Director: Leonardo Brzezicki
Cast: Julian Larquier, Diego Echegoyen, Laila Maltz, Martina Juncadella

Once a day, domestic cats go completely mad. A total burst of energy. It’s all over within half an hour. No one knows why. That’s just how it is.Juan is rather similar. He doesn’t know why, it just seizes him. The loss of commitment. Why should he bother to hit a ball over the net and wait for it to be returned, while making sure it stays within the white line? Does he still love Pedro, no, perhaps yes?
Pedro is used to it and takes him by the hand. They venture into the night together and stray, likes cats, through the streets of Buenos Aires. Far more than pursuing narrative logic, the film follows
human feelings without ever fully relinquishing the threads of the storyline.

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16.00 pm, CinemaxX 5


Untitled (Human Mask)
Untitled (Human Mask)

France 2014
19′
Director: Pierre Huyghe

A macaque monkey, trained to work as a waitress at a restaurant in Japan, sits alone in a deserted dining hall. Waiting amid the dystopian setting for her moment to perform, the monkey seems trapped within her role, forced to enact the human condition.

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16.15 pm, Kino Arsenal 1


Kumu Hina
A Place in the Middle

USA 2014
25′
Director: Dean Hamer, Joe Wilson

She feels more like a boy than even most boys. This documentary follows eleven-year-old Hawaiian girl Ho’onani who dreams of leading her school’s traditional hula group. Hula is a mixture of dance and theatrical performance that is central to the culture of the Hawaiian people and requires a lot of practice. Here too, Ho’onani would like to dance on the boys’ side. Normally she wouldn’t be allowed to do so but Ho’onani is fortunate to have as her teacher the charismatic Kumu Hina, who assigns Ho’onani a special place in the middle. In ancient Hawaii there was always a life between genders, and a place for those who embrace both men and women. Kumu Hina knows what she is talking about for, twenty years ago, she was a man. Kumu Hina uses her profound knowledge to convey to her pupils the culture of their ancestors – a culture that has not been forgotten, in spite of years of influence by Christian missionaries. The magic word is ‘aloha’, meaning a life in harmony with nature. It also means that every man and every woman should be loved, respected and valued.

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17.30 pm, CinemaxX 7


 Je suis Annemarie Schwarzenbach
My name is Annemarie Schwarzenbach

France 2015
85′
Director: Véronique Aubouy
Cast: Julia Perazzini, Nina Langensand, Megane Ferrat, Pauline Leprince

Annemarie Schwarzenbach was a shimmering figure of bohemian society of the 1920s. A talented writer, she was lesbian, addicted to drugs, a globetrotter, bewitchingly androgynous and – much to her domineering Nazi-loving mother’s chagrin – also anti-fascist. Berlin photographer Marianne Breslauer described her as the most beautiful creature she had ever encountered. Schwarzenbach died young at the age of 34. She remained forgotten until the 1980s when her books began to be republished and her biography reconstructed. Director Véronique Aubouy does more than merely save Annemarie Schwarzenbach from obscurity, she brings her into the present. Sixteen young actors of both genders slip into different roles in order to play Schwarzenbach, her friends and lovers. Increasingly fascinated by the pull of this figure, their oscillations between genders becomes a joint project. Something that begins as an audition in which the young actors are asked to attach their biographies to that of the writer, ends in a dance of relationships in which the borders between reality and dramatization are blurred.

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17.30 pm, CineStar 7


Blood Below the Skin
Blood Below the Skin

USA 2015
32′
Director: Jennifer Reeder
Cast: Jennifer Estlin, Kelsey Ashby-Middleton, Morgan Reesh, Marissa Castillo

‘Blood Below the Skin’ chronicles a week in the lives of three teenage girls who attend the same high school class. Coming from different social circles, the girls prepare for the most important night of their life – Prom Night. They have formed a dance group and rehearse the choreography. Two of the girls are drawn to one another and fall in love. The third is forced to take care of her distraught mother in the wake of her father’s disappearance. Each girl finds refuge in her room and bed, comfort and a place to explore new feelings. The music blasting from the turntable provides a magical synchronicity between them all – the space-time continuum is expanded by the dimension of music.Jennifer Reeder tells everyday stories with stylistic elements of magic realism that recall Latin American cinema. All it takes is the power of thought in order to express your love to another.

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17.45 pm, Colosseum 1


54: The Director’s Cut
54: The Director’s Cut

USA 2015
106′
Director: Mark Christopher
Cast: Ryan Philippe, Salma Hayek, Neve Campbell, Mike Myers

We’ve revolutionised going out‘, pronounces club owner Steve Rubell. At the legendary Studio 54, the mother of all nightclubs since the invention of disco, clubbing was much more than just socialising to music. In 1998, director Mark Christopher created a cinematic monument to this ostentatious mixture of Art Deco and plush, frivolous 1970s hedonism and drug-induced 24-hour party people. At the producers’ behest his film about this up-market disco in New York was changed considerably prior to its theatrical release and an extra 25 minutes of new material was added – including an ending that differed from the one in the original screenplay. Now, seventeen years after the premiere of the producers’ version, the Panorama is presenting for the first time the painstakingly reconstructed original version telling the story of young, curly-haired blond Jersey boy Shane O’Shea who loses himself in the bewitchingly glamorous world of sex, drugs and disco and who only just manages to jump ship before the club is closed down by the police. This reintegrated version is weightier, darker, more drug-addled and above all queerer than the version that received the nod at the time.

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17.45 pm, CineStar 3


 Eisenstein in Guanajuato
Eisenstein in Guanajuato

Netherlands/Mexico/Finland/Belgium 2015
105′
Director: Peter Greenaway
Cast: Elmer Bäck, Luis Alberti, Rasmus Slatis, Jacob Öhrmann

In 1931 the Soviet director Sergei Eisenstein travels to Guanajuato to direct his film Que viva México. There he encounters a new culture and its dealings with death; he also discovers another revolution – and his own body. Peter Greenaway depicts Eisenstein as an eccentric artist who travels to Mexico filled with the hubris of being an internationally celebrated star director. Once there, he gets into difficulties with his American financier, the novelist Upton Sinclair. At the same time he begins, in the simultaneously joyful and threatening foreign land, to re-evaluate his homeland and the Stalinist regime. And, in doing so, he undergoes the transition from a conceptual filmmaker into an artist fascinated by the human condition. Under his gaze, the signs, impressions, religious and pagan
symbols of Mexican culture assemble themselves anew.Making use of extreme close-ups, splitscreens and a dramatic montage – all to enact the transformation of a hero who presents himself as a tragic clown – Greenaway deliberately quotes and modifies Eisenstein’s own cinematic tools. Scene by scene the film gets closer to Eisenstein the man, who finds himself surprised by an unexpected desire.

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19.00 pm, Berlinale Palast


 Haftanlage 4614
Prison System 4614

Germany 2015
60′
Director: Jan Soldat

https://www.youtube.com/watch?v=tMg9po7DP2Q

In the world of fetishes there’s a niche for every type of proclivity. Arwed caters to a special type of customer: he runs a private prison where he is happy to find all sorts of ways to bully and victimise his paying guests on the other side of the bars. As prison director he is master of ceremonies; during the course of one week, he and his partner Dennis help fulfil their prisoners’ wildest fantasies. The inmates treat the days and nights they spend in handcuffs and leg irons as a real holiday – here at last is a place they can finally switch off and relax. The role play looks a bit like improvised theatre, especially when director Arwed and his assistant Dennis plan the next day’s performance in the bare cells and corridors of their institution. But even when using the whip these ‘torturers’ never forget to be humane and, in spite of their tough prison warder guise, they are fully aware, in way that is almost caring, of their responsibility for those in ‘detention’. Director Jan Soldat poses his questions offscreen, in the same interview style that he adopted in his short films.

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20.00 pm, CineStar 7


Wonderful World End
Wonderful World End

Japan 2015
82′
Director: Daigo Matsui
Cast: Ai Hashimoto, Jun Aonami, Yû Inaba, Gô Rijû

In her Gothic Lolita guise 17-year-old Shiori attracts a lot of followers for her blogcast. Whenever she can she talks about herself, offers make-up tips and is delighted at the growing number of visitors to her site. After a music video shoot, confident Shiori meets a strange young girl named Ayumi. The girl is a big fan of Shiori’s and tries to copy her style. She also seems to be rather distracted and monosyllabic, as if she had nothing of her own to say, but she has run away from home to be with Shiori. Hesitant, but also flattered, Shiori allows herself to be drawn in by this girl. This story of the odd friendship between these two girls is also a multi-coloured romp through the artificial world of Japanese teenagers. They do crazy things and dream of making it big. Their private thoughts are shared only in blogs. The film also reflects the disintegration of traditional forms of communication in its aesthetical approach: online chats pop up regularly over the proceedings. It’s as if the smartphone display has been brought to the big screen. Based on two music videos by Seiko Oomori – Shiori’s favourite female musician in the film – the drama ends like a comic book dream.

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20.00 pm, HKW Kino 1


Bizarre
Bizarre

France/USA 2015
98′
Director: Étienne Faure
Cast: Pierre Prieur, Adrian James, Raquel Nave, Rebekah Underhill

Maurice, a reticent young homeless man somehow manages to get by in Brooklyn; he spends his nights in parked cars until he finds himself at ‘Bizarre’, an underground club renowned for its burlesque shows. Maurice is fascinated by the club’s playful revues celebrating self-determined sexuality and creative otherness, and the two female club owners both adore him. He soon becomes a part of their chosen family, and begins to bond with introverted Luka. But Maurice turns his back on Luka’s growing affection. Running away from his true emotions he drifts aimlessly through the city. He tries to find his feet at a boxing club, where he meets Charlie. Unable to withstand the pressure of his repressed feelings, Maurice unleashes a mounting foment of emotions, pervaded by tenderness and menace. Étienne Faure shot his film on location at ‘Bizarre’. Illuminating the promise of an independent future for his aimless escapees in the resplendent creations of ‘Bizarre’s’ artistes, Faure moulds his keenly sensitive observations of these lost, disturbed souls to form a mesmerising trance.

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20.15 pm, CineStar 3


Gineva
Gineva

Switzerland 2014
43′
Director: Nicolas Cilins

Adi and Florin, two illegalized migrants from Romania, earn money working as escorts in various Geneva bars. Extracted from reality in front of a blue screen, they are reenact their own experiences and talk about their dreams of money and cinema.

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20.30 pm, AKD Hanseatenweg


Viaggio nella dopo-storia
Journey into Post-History

France 2015
80′
Director: Vincent Dieutre
Cast: Simon Versnel, Vincent Dieutre, Emmanuel Pierrat

A couple travels to Italy. During their trip, the state of their relationship becomes clear to them: They argue, take different paths and wonder whether to divorce. Vincent Dieutre has remade Viaggio in Italia and adapted it to his own life. Alex and Kate have become Alex and Tom, played by Vincent himself and his partner Simon. This new couple goes to the same places, experiences similar things, but their time in Naples is inevitably not the same. The city has changed, as has the nature of relationships, tourism has become more digital. As the two become increasingly alienated, Vincent the filmmaker moves through the city with his camera. He talks about how Rossellini’s film shaped him. We hear his thoughts about a remake, notes to himself, his discussions with a copyright lawyer. Isabella Rossellini says she doesn’t want to be involved. In Vincent and Simon’s world, much like that of Tom and Alex, the procession of the final scene gives way to a football match. What was still sacred back then becomes a riot here. Yet the miracle of Rossellini’s film remains, inscribing itself on the bodies of the two men: voices superimposed on to images and images superimposed on to bodies.

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21.45 pm, CinemaxX 4


 Sueñan los androides
Androids Dream

Spain/Germany 2014
61′
Director: Ion de Sosa
Cast: Manolo Marín, Moisés Richart, Marta Bassols, Coque Sánchez

The year may be 2052, yet this is a future with one foot in the past. Between the strangely artificial skyscrapers along the coastline and the neon-lined broadwalk, there’s nothing here to suggest it isn’t still 1975, 1995 or 2015. But there are fewer people around nowadays and many apartments lie empty, a tranquil wasteland of exposed wires, unfinished plasterwork and endless dust. Those that remain are at least house-proud, eager to show off their knickknacks and traditional costumes, when not meeting up for the occasional dance. Hardly the most obvious place for a bounty hunter, but the robots still need to be exterminated, particularly as they already look so much like you and me. Ion de Sosa’s spare, enigmatic adaptation of Philip K. Dick’s “Do Androids Dream of Electric Sheep?” is at once a minimalist genre piece, an oblique treatise on difference and an essayistic almost-documentary on the unreal status quo of contemporary Spain. And as the title suggests, these androids do indeed dream: of far-off places and new opportunities; of the songs of past summers; of a shared embrace, a sheep on a leash, as the towers and mountains open out beyond.

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22.00 pm, AKD Hanseatenweg


 San Cristóbal
Saint Christopher

Chile 2015
29′
Director: Omar Zúñiga Hidalgo
Cast: Samuel González, Antonio Altamirano

Lucas and Antonio. Two young men meet and fall in love in a remote fishing village in the south of Chile. One lives there, the other is visiting. Sensuality dictates the pace of the narrative and the lives of both in the days to follow: Being one another’s mirror. Recognising one another. Yielding to one another. When the village rebels against their love, the experience of this limitation marks a momentous step in Lucas’ and Antonio’s adulthood.A simple story of love and devotion, shot in the style of Direct Cinema. A not-so-simple setting, in Chile’s Deep South, where anything that breaks out of the perceived norm is to be destroyed immediately, punished. The characters know of the limitations within the village. The romantic notion of resistance is brief; of greater importance are life and the love that is found. Going further. Going beyond the self.

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22.00 pm, CinemaxX 3


Onthakan
The Blue Hour

2015
97′
Director: Anucha Boonyawatana
Cast: Atthaphan Poonsawas, Oabnithi Wiwattanawarang, Duangjai Hirunsri, Panutchai Kittisatima

Tam, a timid loner, is bullied regularly by his fellow pupils at school. He is met with similar rejection and suspicion within the narrow confines of his parents’ dingy home, where his father beats him. One day Tam arranges online to meet Phum at a derelict swimming pool. They are both looking for sex, but their encounter leaves them with a feeling of comfort and security. A close bond develops between the two boys and, before long, they are roaming the rubbish heaps and dark corners of the city together, day and night. Phum opens a door for Tam, revealing a fantastical parallel universe full of spirits and dangerous encounters. Although he feels safe and loved for the first time in his life, Tam can no longer differentiate between dream and reality and finds himself increasingly drawn into a spiral of paranoia and violence.In his feature debut Boonyawatana leads his protagonist into an ambiguous microcosm full of chasms, at the same time cleverly toying with the conventions of different genres.

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20.00 pm, Zoo Palast 1


 The Yes Men Are Revolting
The Yes Men Are Revolting

USA/Germany/France/Denmark/Netherlands
2014
92′
Director: Laura Nix, Andy Bichlbaum, Mike Bonanno

After almost two decades of humorous guerrilla activism against economic greed and political corruption as The Yes Men, everyday life and a crisis of identity seem to have caught up with the duo: Mike Bonanno now has a wife and children, and Andy Bichlbaum has not given up hope of a lasting relationship with his male partner. Their critical interventions, in which amongst other ruses they pretended to be spokespeople for the US Chamber of Commerce or for Shell and announced a change of tack to nonplussed members of the press have fizzled out without having had the desired effect. Growing responsibilities in their private lives have influenced their ability to stage interventions together. In spite of this they still feel a duty to oppose climate change – which far overshadows any of humanity’s other problems – with all they have. Alternating between Andy and Mike’s diary-like perspectives, this third film about The Yes Men (2009 Panorama Audience Award), describes the ups and downs of a creative friendship and takes an amusing look at the duo’s successful and not so successful interventions from 2009 to the present.

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22.30 pm, CineStar 7

Day 5: A TEDDY for smooching

The kiss of an loving mother, the wedding kiss or a farewell kiss – a kiss can mean a lot.
The most beautiful kisses of the last year was delivered by the campaign #Mundpropaganda – Gentlemen against homophobia. Herbert Grönemeyer kissed Agust Diehl, Ken Duken smooched Kostja Uhlmann and Fettes Brot made it in a threesome. They and a lot of other german stars kissed to take a stand against homophobia and prejudices.

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You will  also find one or other kiss scene in our today’s TEDDY films.


How to Win at Checkers (Every Time)
How to Win at Checkers (Every Time)

Thailand/USA/Indonesia 2015
80′
Director: Josh Kim
Cast: Thira Chutikul, Ingarat Damrongsakkul, Iirah Wimonchailerk, Arthur Navarat

The poor outlying districts of Bangkok are a world where you grow up very quickly. After both their parents die, eleven-year-old Oat, his little sister and his older brother Ek move in with their aunt. Ek
works in a bar for male prostitutes and transvestites. His relationship with Jai, the son of rich parents, began when he was still at school. Their uneven love for one another is put to the test when the day of the annual conscription arrives; this is when a lottery decides who must do military service and who can stay at home. Young Oat steals money from the local mafia boss in order to buy their beloved brother and family breadwinner out of the army. His actions have dramatic and traumatic consequences.Told from the younger brother’s point of view, the film takes a refreshingly unadorned and impartial look at an essentially loving environment where social conditions are governed by venality, corruption and false ideals.

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11.00 am, Habbel am Ufer
20.30 pm, Cubix 9
20.30 pm, Cubix 7


Nasty Baby
Nasty Baby

USA 2014
100′
Director: Sebastián Silva
Cast: Kristen Wiig, Sebastián Silva, Tunde Adebimpe, Agustin Silva

Freddy is an artist whose desire for a baby has become something of an obsession. He surrounds himself with photographs of his childhood and is working feverishly on a fresh piece about new-borns. He and his partner Mo have even managed to persuade their best friend Polly to have their baby. However, after numerous failed attempts to conceive, this proves to be more difficult than they first
envisaged. Freddy’s planned video installation also turns out to be rather more complicated than he thought. And then, when the ‘Bishop’, their rather deranged neighbour, begins tormenting them
with his serious chicanery, their hitherto carefree existence starts to go dangerously awry. A series of surprising events bring their frustrations to a head and before long, Freddy and his friends begin
to lose their grip on reality.Sebastiàn Silva’s savagely satirical film is an angry portrait of a group of presumptuous and self-absorbed bohemians. The director himself plays the role of Freddy, infusing
his performance with the complacency, doggedness, ignorance and egomania of a social circle which is in the process of becoming estranged from their original visions and dreams.

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13.00 pm, CinemaxX 7


 Sangailė
The Summer of Sangailé

Lithuania/France/Netherlands 2015
88′
Director: Alanté Kavaïté
Cast: Julija Steponaityté, Aisté
Durité, Juraté Sodyté, Martynas Budraitis

Seventeen-year-old Sangaile is mesmerised by the dance-like loop-de-loop and pirouettes of acrobatic pilots. She herself suffers from vertigo and could never imagine sitting in a cockpit. A quiet and introverted girl, she is spending her summer in the countryside at her parents’ holiday home where she tries to see the local air shows as often as she can. This is where she meets Auste, who lives out her days with impressive confidence and plenty of imagination. Sangailé is fascinated by Auste’s natural assertiveness. Together the girls sample everything that life in the country has to offer. They soon become close and, when Sangailé shares with Auste her most intimate secret, it gives her a sense of security she has never known before and provides her with the courage to fly for the first time in her life. In buoyant, cinematic images suffused with light Alanté Kavaïté brings together the isolated emotions of two very different girls in the universe that is young love. In her sensitive, intensely sensual film, she tells the story of their intimacy, their passionate devotion and delicate collisions; their vulnerability and sense of trust.

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14.00 pm, Kino International


Der letzte Sommer der Reichen
The Last Summer of the Rich

Austria 2015
91′
Director: Peter Kern
Cast: Amira Casar, Nicole Gerdon, Winfried Glatzeder, Heinz Trixner

Young and attractive company executive Hanna von Stezewitz (Amira Casar) has everything, and just takes whatever she doesn’t. She’s an arrogant and unscrupulous manipulator who has politicians
and banks in her pocket – she’s a perfect example of predatory capitalism whose preferred sartorial look is patent leather and leather. To avoid boredom she seeks ever more extreme kicks and sees her abuse of a young girl with hopes of a career merely as collateral damage, nothing money can’t fix. The only person who stands in her way is her bedridden grandfather, the family patriarch, and his reactionary worldview. Desperate to be rid of him, she hires a killer. When Hanna unexpectedly finds a lover who is her equal in the shape of Sarah, the nun who is her grandfather’s nurse, her happiness seems complete. But does she really have everything under control? Peter Kern has succeededin creating an angry,  opulent portrait of manners in which everyone – rich or poor – is corruptible or at least susceptible to seduction, and criminality and capital go hand in glove. A merry dance of corruption in which anyone who steps out of time is simply brushed aside.

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14.30 pm, Cubix 9


El hombre nuevo
The new man

Uruguay/Chile 2015
79′
Director: Aldo Garay

At the tender age of twelve, Roberto supported the Sandinista revolution in Nicaragua and fought for education and social reforms. He was to continue his political struggle fighting alongside the
communist Tupamaros in Uruguay. Thirty years later he is struggling to live his life as a woman named Stephanía and striving to be accepted by both society and his family. Documentary filmmaker
Aldo Garay has followed Stephanía for over twenty years. In El Hombre Nuevo he provides a personal and tender portrait of a woman who can look back on a tempestuous life in which violence,
drugs, prostitution and political commitment all found its place. Scenes from her day-to-day life are interspersed with interview material that includes conversations with old friends, fellow-travellers and siblings, as well as a passionate, heated exchange with her mother. The picture of society that emerges is as diverse as it is intimate, and spans a time of great political upheaval in the 1970s to
the present day.

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14.30 pm, CineStar 7


 San Cristóbal
Saint Christopher

Chile 2015
29′
Director: Omar Zúñiga Hidalgo
Cast: Samuel González, Antonio Altamirano

Lucas and Antonio. Two young men meet and fall in love in a remote fishing village in the south of Chile. One lives there, the other is visiting. Sensuality dictates the pace of the narrative and the lives of both in the days to follow: Being one another’s mirror. Recognising one another. Yielding to one another. When the village rebels against their love, the experience of this limitation marks a momentous step in Lucas’ and Antonio’s adulthood.A simple story of love and devotion, shot in the style of Direct Cinema. A not-so-simple setting, in Chile’s Deep South, where anything that breaks out of the perceived norm is to be destroyed immediately, punished. The characters know of the limitations within the village. The romantic notion of resistance is brief; of greater importance are life and the love that is found. Going further. Going beyond the self.

san_cristobal_b

16.00 pm, CinemaxX 5


Beira-Mar
Seashore

Brazil 2015
83′
Director: Filipe Matzembacher, Marcio Reolon
Cast: Mateus Almada, Maurício José Barcellos, Elisa Brites, Francisco Gick

Having been good friends for years, Martin and Tomaz now find themselves on the cusp of adulthood. Martin’s father sends his son to southern Brazil, where the family is from, to sort out an inheritance matter. Tomaz accompanies him there. For both of them, the brief excursion to the coastal town becomes a journey into themselves. It’s not just the sea that nearly reaches the doors of the country house which exerts a slow, yet relentless pull on them – the two friends have the same effect on one other. Filipe Matzembacher and Marcio Reolon’s richly atmospheric, autobiographically inspired feature debut follows its two main characters on a weekend that will change their relationship forever. Beira-Mar is a wander through the borderlands between love and friendship, exploring sexual orientation and personal identity. The outstanding camerawork picks up on the protagonists’ complex emotional states in the same way as the soundtrack captures the roaring of the sea: gentle and powerful in equal measure. Always on an equal footing with the subject and the characters, the film creates a moment of magic and tenderness. Looking for love and finding it are sometimes one and the same thing.

seashore_b

16.30 pm, Delphi Filmpalast


Calamity qui?
Calamity Who?

Canada/France 2014
4′
Director: Isabelle Prim

Christine Boisson is being interviewed at her Parisian apartment. The things she says and the images that appear seem to have something to do with the legendary character named Calamity Jane. But what exactly is the relationship between the two women?

calmity_qui_b

16.30 pm, AKD Hanseatenweg


Daniel svet
Daniel’s World

Czech Republic 2014
74′
Director: Veronika Lišková

Daniel, a 25-year-old student of literature, lies in the bath. Off-screen we hear his voice: ‘Although I’ve never been with either a boy or a girl, I can’t say my life lacks love.’ But what is it like for a young man who loves boys; a man who, unable to ever fulfil his desire, either has to content himself with sexual fantasies or use medication to suppress his feelings? This film accompanies Daniel in his struggle to accept himself, and his desperate search for a partner. While we watch simple yet wellcomposed images of Daniel at the hairdressers, ice skating, or taking his mother’s dog out for a walk, his off-screen commentary continues to probe and find a way to handle both his coming out and his unfulfilled desires and live a fulfilled life. Not wanting to distort her protagonist’s voice, nor make his face unrecognisable, Veronika Lišková met over twenty paedophiles before choosing to work with Daniel who, in spite of being aware of how vulnerable he is making himself, is exceptionately open about his condition.

daniels_world_b

17.00 pm, CineStar 3


 I am Michael
I am Michael

USA 2015
100′
Director: Justin Kelly
Cast: James Franco, Zachary Quinto, Emma Roberts

San Francisco in 1998. Queer activist Michael is passionately committed to supporting gay and lesbian youths. His own deep longing to belong means that he is tirelessly engaged in redefining his own existence, absorbing with apparent ease young Tyler into his long term relationship with his friend Bennett. The trio decides to travel America to record on film the lives of gay teenagers. They subsequently manage to raise the cash to launch Michael’s own LGBT magazine. But Michael isn’t happy with the way he’s living his life. Following a suspected heart attack he strives to find a way to balance sexuality and spirituality and decides to leave his chosen family and friends. After engaging in meditative contemplation and heterosexual experiments, he firmly embraces Christianity.In his sensitive directorial debut, Justin Kelly deftly juxtaposes different periods of time to describe the unusual transformation of Michael Glatze, the co-founder of the magazine ‘Young Gay America’ and a one-time inspirational figure of the LGBT community who, after prolonged and persistent soulsearching, decided to reject homosexuality and become a preacher.

I_Am_Michael_b

18.30 pm, Zoo Palast 1


Viaggio nella dopo-storia
Journey into Post-History

France 2015
80′
Director: Vincent Dieutre
Cast: Simon Versnel, Vincent Dieutre, Emmanuel Pierrat

A couple travels to Italy. During their trip, the state of their relationship becomes clear to them: They argue, take different paths and wonder whether to divorce. Vincent Dieutre has remade Viaggio in Italia and adapted it to his own life. Alex and Kate have become Alex and Tom, played by Vincent himself and his partner Simon. This new couple goes to the same places, experiences similar things, but their time in Naples is inevitably not the same. The city has changed, as has the nature of relationships, tourism has become more digital. As the two become increasingly alienated, Vincent the filmmaker moves through the city with his camera. He talks about how Rossellini’s film shaped him. We hear his thoughts about a remake, notes to himself, his discussions with a copyright lawyer. Isabella Rossellini says she doesn’t want to be involved. In Vincent and Simon’s world, much like that of Tom and Alex, the procession of the final scene gives way to a football match. What was still sacred back then becomes a riot here. Yet the miracle of Rossellini’s film remains, inscribing itself on the bodies of the two men: voices superimposed on to images and images superimposed on to bodies.

vaiggio_nella_dopo_storia_b

19.00 pm, Delphi Filmpalast


Ausência
Absence

Brazil/Chile/France 2014
87′
Director: Chico Teixeira

Cast: Matheus Fagundes, Irandhir Santos, Gilda Nomacce, Francisca Gavilán

Ever since his father left his family in the lurch, 15-year-old Serginho has been trying hard to cope with the new challenges of his daily life. He works with his uncle at the market, supports his depressed mother as best he can, and takes care of his little brother. But how can he find his place in a world that compels him to grow up in such a hurry? Full of longing for affection, he drifts through São Paulo with his friends Mudinho and Sivinha, visits an aunt who works in a circus on the edge of the city and spends as much time as possible with Ney, who gives private lessons, and to whom he feels especially close. But Serginho is consistently disappointed. He wants more from his mother, his friends, his future – and from Ney. Unfazed by the machismo that pervades his environment, he refuses to give up searching for a path between being responsible and caring and finding emotional security.Matheus Fagundes, who is just 17, lends both charismatic charm and a touching sense of self-confident ease to the role of the emotionally and sexually troubled Serginho. This enables his character to bear the weight of social expectations with profound faith in the possibility of happiness.

Ausencia_b

20.15 pm, CineStar 3


Cyclops Observes the Celestial Bodies
Cyclops Observes the Celestial Bodies

USA 2014
15′
Director: Ken Jacobs

“Cyclopean 3D is the most 3D a single eye can come up with. This means the celestial horde on display here can only seem to be galloping through space. Actual seeing into depth must be denied, it’s the law.” (Ken Jacobs)

cyclops_observes_the_celestial_bodies_b

20.30 pm, AKD Hanseatenweg


 Dyke Hard
Dyke Hard

Sweden 2014
94′
Director: Bitte Andersson
Cast: Peggy Sands, Alle Eriksson, M Wågensjö, Lina Kurttila

After scoring a huge hit with their first single, hip lesbian band Dyke Hard fall into the creative doldrums. When their front woman leaves it looks like curtains for the rest of the band, but then the girls hear of a battle of the bands in the big city in three days’ time and decide to participate and give their maudlin career a kick start. A road trip adventure full of danger, intrigue and all sorts of obstacles ensues. The women find themselves in a haunted house and soon after wind up unjustly accused on death row until a gay prison warder helps them escape. They find brief respite at the home of a sweet old lady with a hidden agenda who almost makes them forget where they’re going. But their luck turns again and, following a battle with cyborgs and ninjas they finally manage to make it to the competition, just in time. ‘Trash as trash can!’ is the ambitious motto of this camp and zany sexploitation-horror-trash-musical guaranteed to be lacking in anything resembling good taste. Told at breakneck speed, this is a tongue-in-cheek, perverse, polymorphic ride that has the potential to vie with cult offerings by the likes of John Waters and Russ Meyer, or the Austin Powers series.

Photo by Nicklas Dennermalm

22.30 pm, Colosseum 1


Onthakan
The Blue Hour

2015
97′
Director: Anucha Boonyawatana
Cast: Atthaphan Poonsawas, Oabnithi Wiwattanawarang, Duangjai Hirunsri, Panutchai Kittisatima

Tam, a timid loner, is bullied regularly by his fellow pupils at school. He is met with similar rejection and suspicion within the narrow confines of his parents’ dingy home, where his father beats him. One day Tam arranges online to meet Phum at a derelict swimming pool. They are both looking for sex, but their encounter leaves them with a feeling of comfort and security. A close bond develops between the two boys and, before long, they are roaming the rubbish heaps and dark corners of the city together, day and night. Phum opens a door for Tam, revealing a fantastical parallel universe full of spirits and dangerous encounters. Although he feels safe and loved for the first time in his life, Tam can no longer differentiate between dream and reality and finds himself increasingly drawn into a spiral of paranoia and violence.In his feature debut Boonyawatana leads his protagonist into an ambiguous microcosm full of chasms, at the same time cleverly toying with the conventions of different genres.

onthakan_b

22.30 pm, CinemaX 7


Al Bahr Min Ouaraikoum
The Sea is Behind

Marocco 2014
88′
Director: Hicham Lasri
Cast: Malek Akhmiss, Hassan Badida, Yassine Sekkal, Mohammed Aouragh

Tarik is unable to shed a tear about the loss of his children, or that his life is in ruins. Instead he shrouds his moustache under a veil and sways his hips to the music as the procession moves down the street. Tarik is a H’Dya, a traditional dancer who appears in women’s clothes. Tarik’s father, who leads the parade down the empty Moroccan streets, bawls his eyes out when his beloved cart horse Larbi refuses to go on, and combs his mane lovingly with his dentures. Tarik’s ex-wife’s bruiser of a partner installs himself in Tarik’s toilet. And Tarik’s friend Murad is threatened and insulted on account of his homosexuality. Was there really something in the water, as everyone claims? Or is it all in Tarik’s mind?In his third feature film, Hicham Lasri tells us, in surreally beautiful black-andwhite images, about traditions and trance, intolerance and violence, friendship and flesh and blood. And about animal love – albeit possibly inappropriate. Aided by raucous Moroccan rock music, Lasri composes a David Lynch-like state of intoxication to produce a truly modern Maghrebi cinematic experience.

Malek Akhmiss

22.45 pm, CineStar 3


Mariposa
Butterfly

Argentina 2015
103′
Director: Marco Berger
Cast: Ailín Salas, Javier De Pietro, Julián Infantino, Malena Villa

A butterfly, a creature symbolising rebirth and a new beginning, epitomises Romina’s and Javier’s world, a world that consists of two parallel realities. In one of them they grow up as siblings who desire each other and try to give shape to their love without sexual fulfilment; in the other they are a young man and woman who form an awkward friendship instead of succumbing to their feelings
for each other. Javier finds himself in a discordant relationship with Mariela. Mariela’s brother is interested in Bruno. Bruno is with Romina, but wants to be with Javier. Playfully alternating between
these two realities, the lovers find themselves drawn into ever new couplings in order to explore their intuitive feelings – cautiously, but at the same time prepared to lose everything.Marco Berger, who
won the 2011 Teddy Award, takes a fascinating film idea and turns it into an impressive universe of endlessly diverse approaches to friendship and love. This is an unusually dynamic space in which
emotional insecurity, sexual confusion, incest, self-deception, intuition and spiritual bonding all find their place.

Mariposa_b

23.00 pm, Cubix 7 & 8

Tag 4: Let’s do the Time Warp again

Let’s start the day with a song.  And so the morning workout will not come off badly, there are also the appropriate dance moves.

day_4_time_warp

It’s just a jump to the left
And then a step to the right
With your hands on your hips

You bring your knees in tight
But it’s the pelvic thrust
That really drives you insane
Let’s do the Time Warp again
Let’s do the Time Warp again

Before I forget, Richard O’Brian is not only the clever mind behind the Rocky Horror Show he is also a TEDDY winner. He won the Special TEDDY for his Life Achievement.


Der letzte Sommer der Reichen
The Last Summer of the Rich

Austria 2015
91′
Director: Peter Kern
Cast: Amira Casar, Nicole Gerdon, Winfried Glatzeder, Heinz Trixner

Young and attractive company executive Hanna von Stezewitz (Amira Casar) has everything, and just takes whatever she doesn’t. She’s an arrogant and unscrupulous manipulator who has politicians
and banks in her pocket – she’s a perfect example of predatory capitalism whose preferred sartorial look is patent leather and leather. To avoid boredom she seeks ever more extreme kicks and sees her abuse of a young girl with hopes of a career merely as collateral damage, nothing money can’t fix. The only person who stands in her way is her bedridden grandfather, the family patriarch, and his reactionary worldview. Desperate to be rid of him, she hires a killer. When Hanna unexpectedly finds a lover who is her equal in the shape of Sarah, the nun who is her grandfather’s nurse, her happiness seems complete. But does she really have everything under control? Peter Kern has succeededin creating an angry,  opulent portrait of manners in which everyone – rich or poor – is corruptible or at least susceptible to seduction, and criminality and capital go hand in glove. A merry dance of corruption in which anyone who steps out of time is simply brushed aside.

A016_C022_1130WE

10.00 am, CinemaxX 7


Sangailė
The Summer of Sangailé

Lithuania/France/Netherlands 2015
88′
Director: Alanté Kavaïté
Cast: Julija Steponaityté, Aisté
Durité, Juraté Sodyté, Martynas Budraitis

Seventeen-year-old Sangaile is mesmerised by the dance-like loop-de-loop and pirouettes of acrobatic pilots. She herself suffers from vertigo and could never imagine sitting in a cockpit. A quiet and introverted girl, she is spending her summer in the countryside at her parents’ holiday home where she tries to see the local air shows as often as she can. This is where she meets Auste, who lives out her days with impressive confidence and plenty of imagination. Sangailé is fascinated by Auste’s natural assertiveness. Together the girls sample everything that life in the country has to offer. They soon become close and, when Sangailé shares with Auste her most intimate secret, it gives her a sense of security she has never known before and provides her with the courage to fly for the first time in her life. In buoyant, cinematic images suffused with light Alanté Kavaïté brings together the isolated emotions of two very different girls in the universe that is young love. In her sensitive, intensely sensual film, she tells the story of their intimacy, their passionate devotion and delicate collisions; their vulnerability and sense of trust.

The_summer_of_Sanile_b

10.30 am, Kino Arsenal 1
22.45 am, CineStar 3


Beira-Mar
Seashore

Brazil 2015
83′
Director: Filipe Matzembacher, Marcio Reolon
Cast: Mateus Almada, Maurício José Barcellos, Elisa Brites, Francisco Gick

Having been good friends for years, Martin and Tomaz now find themselves on the cusp of adulthood. Martin’s father sends his son to southern Brazil, where the family is from, to sort out an inheritance matter. Tomaz accompanies him there. For both of them, the brief excursion to the coastal town becomes a journey into themselves. It’s not just the sea that nearly reaches the doors of the country house which exerts a slow, yet relentless pull on them – the two friends have the same effect on one other. Filipe Matzembacher and Marcio Reolon’s richly atmospheric, autobiographically inspired feature debut follows its two main characters on a weekend that will change their relationship forever. Beira-Mar is a wander through the borderlands between love and friendship, exploring sexual orientation and personal identity. The outstanding camerawork picks up on the protagonists’ complex emotional states in the same way as the soundtrack captures the roaring of the sea: gentle and powerful in equal measure. Always on an equal footing with the subject and the characters, the film creates a moment of magic and tenderness. Looking for love and finding it are sometimes one and the same thing.

seashore_b

12.30 pm, Kino Arsenal 1


Kumu Hina
A Place in the Middle

USA 2014
25′
Director: Dean Hamer, Joe Wilson

She feels more like a boy than even most boys. This documentary follows eleven-year-old Hawaiian girl Ho’onani who dreams of leading her school’s traditional hula group. Hula is a mixture of dance and theatrical performance that is central to the culture of the Hawaiian people and requires a lot of practice. Here too, Ho’onani would like to dance on the boys’ side. Normally she wouldn’t be allowed to do so but Ho’onani is fortunate to have as her teacher the charismatic Kumu Hina, who assigns Ho’onani a special place in the middle. In ancient Hawaii there was always a life between genders, and a place for those who embrace both men and women. Kumu Hina knows what she is talking about for, twenty years ago, she was a man. Kumu Hina uses her profound knowledge to convey to her pupils the culture of their ancestors – a culture that has not been forgotten, in spite of years of influence by Christian missionaries. The magic word is ‘aloha’, meaning a life in harmony with nature. It also means that every man and every woman should be loved, respected and valued.

kumu_hina_b

14.00 pm, CinemaxX 3


Härte
Tough Love

Germany 2015
89′
Director: Rosa von Praunheim
Cast: Hanno Koffler, Andreas Marquardt, Luise Heyer, Marion Erdmann

When karate champ Andreas Marquardt thinks about himself he feels nothing but bitterness: ‘I refused to feel anything. I was cold, like a block of ice, I couldn’t give a shit about anything.’ When he was two years old, his father poured water over him and put him outside on the balcony in subzero temperatures. Another time he crushed his hand. When he was six, his mother began to seduce him: ‘Your prick belongs to me, my little friend.’ Later, Andreas became a pimp and earned millions – until he wound up behind bars. Lovely Marion was the only one who stood by him, who went on the game for him, and gave him the courage to go on … Interspersing interviews with dramatized scenes from Andreas Marquardt’s biography, Rosa von Praunheim describes a life that veers from fear and humiliation to contempt, hatred and brutality. Filmed in stylised sets replete with photographic wallpaper that recall West Berlin décor at the time, the film provides a shocking insight into the deep wounds caused by domestic violence and one man’s desperate attempts at resistance. Is it possible to break out of such a vicious circle? And how does Andreas Marquardt cope with these experiences today?

tough_love_b

14.30 pm, Cubix 9


Stories of Our Lives
Stories of Our Lives

Kenya 2014
60′
Director: Jim Chuchu
Cast: Kelly Gichohi, Janice Mugo, Jimmy Wanjala, Tim Mutungi

Members of the multi-disciplinary art collective NEST spent several months travelling Kenya collecting stories of young LGBTI people – stories about their experiences and their lives in a country that is still extremely homophobic. Based on countless anonymous interviews, they developed five screenplays for short films which provide an insight into the current situation and the problems of these sexually marginalised young people. These short, unadorned scenes are presented by director Jim Chuchu in crisp, poetic black-and-white images and accompanied by a measured soundtrack. The episodes, which address topics such as the search for identity and self-determination, enforced heterosexualisation and the struggle for acceptance, have one thing in common: they all describe the need for love and the fear of fulfilling this love openly. Time and again, their fears prompt the question: it is better to hide away, resign oneself to the situation and leave the country, or to stay and fight openly for sexual diversity? In spite of the film being banned from public screenings in Kenya, the members of NEST have opted for the latter and are determined to continue their struggle for recognition.

stories_of_our_lives_b

17.45 pm, CineStar 3


How to Win at Checkers (Every Time)
How to Win at Checkers (Every Time)

Thailand/USA/Indonesia 2015
80′
Director: Josh Kim
Cast: Thira Chutikul, Ingarat Damrongsakkul, Iirah Wimonchailerk, Arthur Navarat

The poor outlying districts of Bangkok are a world where you grow up very quickly. After both their parents die, eleven-year-old Oat, his little sister and his older brother Ek move in with their aunt. Ek
works in a bar for male prostitutes and transvestites. His relationship with Jai, the son of rich parents, began when he was still at school. Their uneven love for one another is put to the test when the day of the annual conscription arrives; this is when a lottery decides who must do military service and who can stay at home. Young Oat steals money from the local mafia boss in order to buy their beloved brother and family breadwinner out of the army. His actions have dramatic and traumatic consequences.Told from the younger brother’s point of view, the film takes a refreshingly unadorned and impartial look at an essentially loving environment where social conditions are governed by venality, corruption and false ideals.

How_to_win_at_checkers_b

20:00 Uhr, CinemaxX 7


El hombre nuevo
The new man

Uruguay/Chile 2015
79′
Director: Aldo Garay

At the tender age of twelve, Roberto supported the Sandinista revolution in Nicaragua and fought for education and social reforms. He was to continue his political struggle fighting alongside the
communist Tupamaros in Uruguay. Thirty years later he is struggling to live his life as a woman named Stephanía and striving to be accepted by both society and his family. Documentary filmmaker
Aldo Garay has followed Stephanía for over twenty years. In El Hombre Nuevo he provides a personal and tender portrait of a woman who can look back on a tempestuous life in which violence,
drugs, prostitution and political commitment all found its place. Scenes from her day-to-day life are interspersed with interview material that includes conversations with old friends, fellow-travellers and siblings, as well as a passionate, heated exchange with her mother. The picture of society that emerges is as diverse as it is intimate, and spans a time of great political upheaval in the 1970s to
the present day.

the_new_man_b

20.00 pm, CineStar 3


Mariposa
Butterfly

Argentina 2015
103′
Director: Marco Berger
Cast: Ailín Salas, Javier De Pietro, Julián Infantino, Malena Villa

A butterfly, a creature symbolising rebirth and a new beginning, epitomises Romina’s and Javier’s world, a world that consists of two parallel realities. In one of them they grow up as siblings who desire each other and try to give shape to their love without sexual fulfilment; in the other they are a young man and woman who form an awkward friendship instead of succumbing to their feelings
for each other. Javier finds himself in a discordant relationship with Mariela. Mariela’s brother is interested in Bruno. Bruno is with Romina, but wants to be with Javier. Playfully alternating between
these two realities, the lovers find themselves drawn into ever new couplings in order to explore their intuitive feelings – cautiously, but at the same time prepared to lose everything.Marco Berger, who
won the 2011 Teddy Award, takes a fascinating film idea and turns it into an impressive universe of endlessly diverse approaches to friendship and love. This is an unusually dynamic space in which
emotional insecurity, sexual confusion, incest, self-deception, intuition and spiritual bonding all find their place.

Mariposa_b

20.15 pm, CineStar 3


Dyke Hard
Dyke Hard

Sweden 2014
94′
Director: Bitte Andersson
Cast: Peggy Sands, Alle Eriksson, M Wågensjö, Lina Kurttila

After scoring a huge hit with their first single, hip lesbian band Dyke Hard fall into the creative doldrums. When their front woman leaves it looks like curtains for the rest of the band, but then the girls hear of a battle of the bands in the big city in three days’ time and decide to participate and give their maudlin career a kick start. A road trip adventure full of danger, intrigue and all sorts of obstacles ensues. The women find themselves in a haunted house and soon after wind up unjustly accused on death row until a gay prison warder helps them escape. They find brief respite at the home of a sweet old lady with a hidden agenda who almost makes them forget where they’re going. But their luck turns again and, following a battle with cyborgs and ninjas they finally manage to make it to the competition, just in time. ‘Trash as trash can!’ is the ambitious motto of this camp and zany sexploitation-horror-trash-musical guaranteed to be lacking in anything resembling good taste. Told at breakneck speed, this is a tongue-in-cheek, perverse, polymorphic ride that has the potential to vie with cult offerings by the likes of John Waters and Russ Meyer, or the Austin Powers series.

Photo by Nicklas Dennermalm

20.30 pm, Cubix 7 &8


Nasty Baby
Nasty Baby

USA 2014
100′
Director: Sebastián Silva
Cast: Kristen Wiig, Sebastián Silva, Tunde Adebimpe, Agustin Silva

Freddy is an artist whose desire for a baby has become something of an obsession. He surrounds himself with photographs of his childhood and is working feverishly on a fresh piece about new-borns. He and his partner Mo have even managed to persuade their best friend Polly to have their baby. However, after numerous failed attempts to conceive, this proves to be more difficult than they first
envisaged. Freddy’s planned video installation also turns out to be rather more complicated than he thought. And then, when the ‘Bishop’, their rather deranged neighbour, begins tormenting them
with his serious chicanery, their hitherto carefree existence starts to go dangerously awry. A series of surprising events bring their frustrations to a head and before long, Freddy and his friends begin
to lose their grip on reality.Sebastiàn Silva’s savagely satirical film is an angry portrait of a group of presumptuous and self-absorbed bohemians. The director himself plays the role of Freddy, infusing
his performance with the complacency, doggedness, ignorance and egomania of a social circle which is in the process of becoming estranged from their original visions and dreams.

Nasty_Baby_b

21.30 pm, Zoo Palast 1


Sueñan los androides
Androids Dream

Spain/Germany 2014
61′
Director: Ion de Sosa
Cast: Manolo Marín, Moisés Richart, Marta Bassols, Coque Sánchez

The year may be 2052, yet this is a future with one foot in the past. Between the strangely artificial skyscrapers along the coastline and the neon-lined broadwalk, there’s nothing here to suggest it isn’t still 1975, 1995 or 2015. But there are fewer people around nowadays and many apartments lie empty, a tranquil wasteland of exposed wires, unfinished plasterwork and endless dust. Those that remain are at least house-proud, eager to show off their knickknacks and traditional costumes, when not meeting up for the occasional dance. Hardly the most obvious place for a bounty hunter, but the robots still need to be exterminated, particularly as they already look so much like you and me. Ion de Sosa’s spare, enigmatic adaptation of Philip K. Dick’s “Do Androids Dream of Electric Sheep?” is at once a minimalist genre piece, an oblique treatise on difference and an essayistic almost-documentary on the unreal status quo of contemporary Spain. And as the title suggests, these androids do indeed dream: of far-off places and new opportunities; of the songs of past summers; of a shared embrace, a sheep on a leash, as the towers and mountains open out beyond.

sueanan_los_androids_b

22.30 pm, Kino Arsenal 1


Ausência
Absence

Brazil/Chile/France 2014
87′
Director: Chico Teixeira

Cast: Matheus Fagundes, Irandhir Santos, Gilda Nomacce, Francisca Gavilán

Ever since his father left his family in the lurch, 15-year-old Serginho has been trying hard to cope with the new challenges of his daily life. He works with his uncle at the market, supports his depressed mother as best he can, and takes care of his little brother. But how can he find his place in a world that compels him to grow up in such a hurry? Full of longing for affection, he drifts through São Paulo with his friends Mudinho and Sivinha, visits an aunt who works in a circus on the edge of the city and spends as much time as possible with Ney, who gives private lessons, and to whom he feels especially close. But Serginho is consistently disappointed. He wants more from his mother, his friends, his future – and from Ney. Unfazed by the machismo that pervades his environment, he refuses to give up searching for a path between being responsible and caring and finding emotional security.Matheus Fagundes, who is just 17, lends both charismatic charm and a touching sense of self-confident ease to the role of the emotionally and sexually troubled Serginho. This enables his character to bear the weight of social expectations with profound faith in the possibility of happiness.

Ausencia_b

22.30 pm, CinemaxX 7

Day 3: The Day After

Yesterday, the big TEDDY Opening Party took place in Schwuz – and everyone who has not returned home yet can directly go to the cinema now!

http://gifrific.com/wp-content/uploads/2012/09/Everything-Hurts-and-Im-Dying-Parks-and-Recreation.gif

What is more beautiful than getting over a hangover while watching the moving images? The bright pictures will take you to the furthest corners of this world and there will be sad stories from Germany, a dreamy love from the Baltic Sea and a view into Spain in the year 2053. And in the evening? Well, it will go on with 54, the director’s cut of the world famous party movie – so, get up and get going to the Berlinale cinemas and afterwards the next party is awaiting you. After all it is Saturday in Berlin!

Continue reading Day 3: The Day After

Day 2: It’s TEDDY-Party time!

The new year is still young and there is already the perfect reason to throw overboard all the good resolutions. It’s Berlinale and so finally it’s TEDDY time. Beside the films and the stars, there are the parties which provide topics of conversations at these days. The best party traditionally takes place at the SchwuZ. And today is the day. The TEDDY celebrate grand opening party. This is the perfect opportunity to fall down in old habits and revive old vices. Of course, we will introduce the this year’s international jury tonight.

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For all those who are currently panicking because they don’t know what should they wear tonight here are some tips to come down – our today’s TEDDY films.


 Je suis Annemarie Schwarzenbach
My name is Annemarie Schwarzenbach

France 2015
85′
Director: Véronique Aubouy
Cast: Julia Perazzini, Nina Langensand, Megane Ferrat, Pauline Leprince

Annemarie Schwarzenbach was a shimmering figure of bohemian society of the 1920s. A talented writer, she was lesbian, addicted to drugs, a globetrotter, bewitchingly androgynous and – much to her domineering Nazi-loving mother’s chagrin – also anti-fascist. Berlin photographer Marianne Breslauer described her as the most beautiful creature she had ever encountered. Schwarzenbach died young at the age of 34. She remained forgotten until the 1980s when her books began to be republished and her biography reconstructed. Director Véronique Aubouy does more than merely save Annemarie Schwarzenbach from obscurity, she brings her into the present. Sixteen young actors of both genders slip into different roles in order to play Schwarzenbach, her friends and lovers. Increasingly fascinated by the pull of this figure, their oscillations between genders becomes a joint project. Something that begins as an audition in which the young actors are asked to attach their biographies to that of the writer, ends in a dance of relationships in which the borders between reality and dramatization are blurred.

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14.30 pm, CineStar 7


Härte
Tough Love

Germany 2015
89′
Director: Rosa von Praunheim
Cast: Hanno Koffler, Andreas Marquardt, Luise Heyer, Marion Erdmann

When karate champ Andreas Marquardt thinks about himself he feels nothing but bitterness: ‘I refused to feel anything. I was cold, like a block of ice, I couldn’t give a shit about anything.’ When he was two years old, his father poured water over him and put him outside on the balcony in subzero temperatures. Another time he crushed his hand. When he was six, his mother began to seduce him: ‘Your prick belongs to me, my little friend.’ Later, Andreas became a pimp and earned millions – until he wound up behind bars. Lovely Marion was the only one who stood by him, who went on the game for him, and gave him the courage to go on … Interspersing interviews with dramatized scenes from Andreas Marquardt’s biography, Rosa von Praunheim describes a life that veers from fear and humiliation to contempt, hatred and brutality. Filmed in stylised sets replete with photographic wallpaper that recall West Berlin décor at the time, the film provides a shocking insight into the deep wounds caused by domestic violence and one man’s desperate attempts at resistance. Is it possible to break out of such a vicious circle? And how does Andreas Marquardt cope with these experiences today?

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21.30 pm, Zoo Palast 1


Beira-Mar
Seashore

Brazil 2015
83′
Director: Filipe Matzembacher, Marcio Reolon
Cast: Mateus Almada, Maurício José Barcellos, Elisa Brites, Francisco Gick

Having been good friends for years, Martin and Tomaz now find themselves on the cusp of adulthood. Martin’s father sends his son to southern Brazil, where the family is from, to sort out an inheritance matter. Tomaz accompanies him there. For both of them, the brief excursion to the coastal town becomes a journey into themselves. It’s not just the sea that nearly reaches the doors of the country house which exerts a slow, yet relentless pull on them – the two friends have the same effect on one other. Filipe Matzembacher and Marcio Reolon’s richly atmospheric, autobiographically inspired feature debut follows its two main characters on a weekend that will change their relationship forever. Beira-Mar is a wander through the borderlands between love and friendship, exploring sexual orientation and personal identity. The outstanding camerawork picks up on the protagonists’ complex emotional states in the same way as the soundtrack captures the roaring of the sea: gentle and powerful in equal measure. Always on an equal footing with the subject and the characters, the film creates a moment of magic and tenderness. Looking for love and finding it are sometimes one and the same thing.

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21.45 pm, CineStar 8


 Haftanlage 4614
Prison System 4614

Germany 2015
60′
Director: Jan Soldat

https://www.youtube.com/watch?v=tMg9po7DP2Q

In the world of fetishes there’s a niche for every type of proclivity. Arwed caters to a special type of customer: he runs a private prison where he is happy to find all sorts of ways to bully and victimise his paying guests on the other side of the bars. As prison director he is master of ceremonies; during the course of one week, he and his partner Dennis help fulfil their prisoners’ wildest fantasies. The inmates treat the days and nights they spend in handcuffs and leg irons as a real holiday – here at last is a place they can finally switch off and relax. The role play looks a bit like improvised theatre, especially when director Arwed and his assistant Dennis plan the next day’s performance in the bare cells and corridors of their institution. But even when using the whip these ‘torturers’ never forget to be humane and, in spite of their tough prison warder guise, they are fully aware, in way that is almost caring, of their responsibility for those in ‘detention’. Director Jan Soldat poses his questions offscreen, in the same interview style that he adopted in his short films.

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22.30 pm , CineStar 7


Sangue azul
Blue Blood

Brazil 2014
119′
Director: Lirio Ferreira
Cast: Daniel de Oliveira, Caroline Abras, Sandra Coverloni, Rômulo Braga

A ship with a circus on board approaches an island in the South Atlantic. During the evening performance the ringmaster and illusionist Kaleb presents an artiste named Zolah who immediately wins over the hearts of everyone in the audience. Zolah is Pedro, who left the island twenty years previously at the age of nine. His reunion with his mother Rosa and his introverted sister Raquel brings the well-travelled acrobat face to face with old wounds and buried dreams. Raquel’s world is the sea, and she always retreats to its depths. She wishes that Pedro could be a part of it. Questions begin to present themselves to Pedro. Why did his mother send him away all those years ago? Whilst islanders and circus artistes enjoy a lively exchange, Pedro and Raquel seek out a place of their own. Feelings of guilt, rivalry and burgeoning pride soon become a challenge for the whole family. Lirio Ferreira explores these siblings’ willingness to take risks in images of impressively virtuoso circus acts, combining these with elements of classical tragedy and magical images of the sea to create a brilliant cinematic experience.

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22.45 pm, CineStar 3