Tag Archives: trans

Special TEDDY AWARD goes to Jenni Olson

In addition to the awards for current films, the TEDDY Foundation also presents the Special TEDDY AWARD for outstanding achievement and long-term service to a figure from the creative industries whose work has made an exceptional contribution to a wide-scale public perception and reception of queer perspectives in art, culture and the media. Previous winners of the Special TEDDY AWARD include Tilda Swinton, Werner Schroeter, Ulrike Ottinger, Monika Treut, John Hurt, Udo Kier, Christine Vachon, Joe Dallesandro, Evita Bezuidenhout, Rosa von Praunheim and Elfi Mikesch.

This year’s Special TEDDY AWARD goes to the film curator, archivist, filmmaker, writer and LGBT film historian Jenni Olson for her decades of bridge-building work with which she has made queer film history visible and tangible.

Jenni Olson’s enthusiasm for the medium of film manifests itself in innumerable ways. She always finds the right instrument with which to put her curiosity and fascination into practice. She fights for the preservation and distribution of cinematic legacies and orphaned film copies, promotes emerging talents and has created her own cinematic oeuvre. She draws on a queer film network she herself has strengthened and expanded over the decades with her collaborations and influence. Jenni Olson embodies, lives and creates queer film culture.

Queer Academy – A Directors Exchange 2020

Curated by Panorama and organised with the Queer Academy, A Directors Exchange analyses the work of filmmakers whose films are being presented at the festival and are in contention for the TEDDY AWARD.

TIMETABLE

11.30am – 12.30pm: A Directors Exchange on Queering the Framework – In conversation with Patric Chiha and Matthew Rankin

Patric Chiha, director of Si c’était de l’amour, and Matthew Rankin, director of The Twentieth Century, use various styles and artistry in their films to queer the framework where stories told through dance and theatrical staging become celebrations of transformation.  

Patric Chiha & Matthew Rankin

Patric Chiha:
Born in Vienna, Austria in 1975, he studied fashion design in Paris and then film editing at the INSAS film school in Brussels. His short and documentary films have screened at several festivals. His feature film debut Domaine, starring Béatrice Dalle, premiered at the 2009 Venice Film Festival. His documentary Brothers of the Night screened in the 2016 Panorama.

Matthew Rankin:
Born in Winnipeg, Canada in 1980. He studied at the Department of History and Classical Studies at McGill University in Montreal, as well as Université Laval in Quebec. In 2011, Rankin participated at Berlinale Talents. Following numerous short films, The Twentieth Century is his first feature film.

Moderation: Ana David

1pm – 2pm: A Directors Exchange on New Queer German Cinema – In conversation with Faraz Shariat and Leonie Krippendorff

Two films with a fresh take on coming of age and coming to terms with ideas of home and belonging in a post-migrant society. Faraz Shariat, director of Futur Drei and Leonie Krippendorff, director of Kokon, talk about their motivations, inspirations and desires for creating their own stories. 

Faraz Shariat & Leonie Krippendorff

Faraz Shariat:
Born in Cologne, Germany in 1994, he worked first as a director and actor at Schauspiel Köln and on video installations for the Staatstheater Hannover before studying dramatic arts at the University of Hildesheim. His work focuses on post-migrant experiences and stories about immigrant families. His debut feature film, Futur Drei, evolved from his autobiographical documentaries exploring his family history and from his work as a translator for refugees. The film was developed in collaboration with Paulina Lorenz and Raquel Molt in the Jünglinge film collective, where the three have been working together ever since they met at university.

Leonie Krippendorff:
Born in Berlin, Germany in 1985, she studied directing at the Film University Babelsberg Konrad Wolf from 2009 to 2016. Her graduation film, Looping, was nominated for numerous national and international prizes and won several. The screenplay for her debut feature film, Kokon, was selected for the 2018 Berlinale Talents Script Station. She is currently working on the screenplays for two new feature film projects. Variety chose her as one of “10 Europeans to Watch 2020.”

Moderation: Nastaran Tajeri-Foumani 


Free admission / The events are held in English.

Queer Academy Summit 2020

The Queer Academy is an annual convention of international filmmakers and festival organizers in the gay-lesbian-transgender context at the Berlinale. The QUEER ACADEMY aims to establish itself as an institute of queer cultural memory. The ACADEMY will become an archive of queer culture and history that binds together queer cultural productions and cooperates with other organizations. Since memories are essential for the identity construction, the QUEER ACADEMY will offer an opportunity for queer people to form and find their identity in queer memory.

TIMETABLE

1pm – 1.30pm: 
KEYNOTE – Darick Qin, Director of Operations, ShanghaiPRIDE

Established in 2009, ShanghaiPRIDE has faced extraordinary challenges in its fight to show queer films. Battling censorship and legal issues, every year it is more than a film festival, becoming a central cultural community event sharing screen stories about the love, hardships, growth and triumphs of LGBTQI* in China.

1.30pm – 3.30pm: 
PANEL: From Shorts to Series – Interdisciplinary Storytelling in Queer Narratives

In conversation with:
Athina Rachel Tsangari,
Director of Trigonometry, Berlinale Series

Lia Hietala & Hannah Reinikainen,
Directors of Always Amber, Berlinale Panorama

Ray Yeung,
Director of Suk Suk, Berlinale Panorama

Omer Sterenberg,
Director of HaMa’azin (Listening In), Berlinale Shorts

Gil Baroni,

Director of Alice Júnior, Berlinale Generation

Athina Rachel Tsangari, Lia Hietala & Hannah Reinikainen,
Ray Yeung, Omer Sterenberg and Gil Baroni

Moderation: Kristian Petersen

The queer narratives on display are strong examples of the different approaches taken by filmmakers to share their stories. Series delve into the complex layers of a character; fiction features experiment with different forms of storytelling to communicate our desires; documentaries present the courage of people taking authorship of their stories; shorts compress a complex story conveying more with images than words. With the diverse guests from this year’s festival the potentials of cinematic approaches will be analysed and discussed.


Free Admission / The event is held in English.

CSD 2018 – A Moment of Remembering

Christopher Street Day has arrived in Berlin for the 40. time and promises to be bigger and more colorful than ever. The annual celebration of the LGBTQI* community is certainly one of the most fabulous events of the year, however (and this is important) it is also a demonstration. While the Western world can rightfully be proud (no pun intended) of its achievements regarding tolerance and acceptance, it is also crucial to remember that LGBTQI* lives are under constant threat in many parts of the world; that different members of the community are treated differently by the hegemonic domain and by the community itself as well; that CSD should not be taken for granted; and that looking at the history of this joyous event is a must.

The sun shines, the summer heatwave still strikes hard, and with the magic of last night’s lunar eclipse in the air everything is given for a wonderful parade in the center of Berlin. Music, dancing, pride, and a vibrating feeling of freedom will fill the streets today. This in itself is very powerful. But the underlying political drive is what makes CSD (and any other pride event) special. Granting visibility to an oppressed community (very much present tense here), reclaiming public spaces, and protesting oppression, exploitation, ignorance, and discrimination with loud music, loud colors, glitter, and the most exuberant dance moves makes CSD striking. Politics mixed with happiness and proud self-expression. The flamboyance, playfulness, and excess of expressions is beyond mere merriment and gaiety: it all is something of the core of queer politics. It is subversive, it is liberating, and it is empowering.

While the party vibes are certainly appealing, it is also important to remember what we celebrate and what are we marching for. We should honor the astonishing achievements of the community and the queer social movements across the globe because these are hard-fought achievements. But let me focus on the hard-fought element today, as I believe this is something that sometimes fades away under the pulsing beats. On this day, I would like to dance, yes. But I would also like to take my time to remember.

I would like to remember today all those who fought unstoppably for a world in which I don’t have to hide my desire and love.
I would like to remember those who passed away in the fight.
I would like to remember the first stones thrown.
I would like to remember the tears, the laughter, the sweat, and the love that characterized the journey to this day.
I would like to remember the very first march.
I would like to remember how other social movements helped our cause and how we helped others.
I would like to remember the bravery, the creativity, and the immense will-power of those who fought for LGBTQI* lives and causes.

I would like to remember so I would not forget how we got here. Looking into the past is crucial. It fights forgetting, and for the LGBTQI* community this is especially important. Our his/herstory_ies are not detailed in history books and the materiality of these is not safeguarded in publicly funded institutions. We need to remember. We must. Otherwise what are we building our future on?

But today I would also like to think of others who need our thoughts and support.

I would like to think of those whom are still fighting really hard.
I would like to think of those whose fight is characterized by fear for their lives and physical well-being.
I would like to think of those whom are running away from their homelands out of fear for their lives and with the hopes for a freer and happier future only to find themselves being detained and interrogated in their chosen land of “tolerance”.
I would like to think of the trans* people who have been murdered for being trans*.
I would like to think of all those kids and young people who have been and whom are being bullied in their local communities for being different.
I would like to think of those who still hate themselves for being different.

And as the parade begins and I start to walk and dance with the crowd on the heat-vomiting asphalt sea of Berlin I would like to keep remembering and thinking of others with whom I cannot share this joyful parade. Perhaps this is where some of the power of CSD lies.

The TEDDY AWARD wishes everybody a happy, liberating, and empowering CSD.

13. XPOSED Quer Film Festival

This year, 43 queer shorts films from all over the world have done just this and found their way into the XPOSED program. 43 shorts that explore and celebrate queerness in filmmaking, finding a way of storytelling that challenges not only heteronormativity but also conventional cinema. Queer film icon Mara Mattuschka opens XPOSED by personally presenting her newest work PHAIDROS and will be our guest of honor at the Artist in Discussion session in Aquarium.

>>http://www.xposedfilmfestival.com/