Category Archives: News 2014

TEDDY Winner 2014

Yesterday night this year’s TEDDY AWARDS were given away in the Komische Oper Berlin. Here you will find all the winners, trailers and jury statements!


Best Feature_Preistraeger Teddy_2014The TEDDY AWARD for the best feature film goes to:

HOJE EU QUERO VOLTAR SOZINHO, (The Way He Looks)
by Daniel Ribeiro, Brazil

A046_C002_0101D2Giovana is Leo’s best friend. They spend their afternoons at the pool, awarding points for the level of their boredom and just hanging out. Leo is rather self-contained; even his schoolmates’ barbs can’t dent his sense of his own independence. This blind fifteen-year old hoje_eu_quero_voltar_sozinho_2wants to take control of his own life. The arrival of a new pupil, Leo, at school prompts Leo to reassess his daily routine. As naturally as Leo becomes aware of his feelings for Gabriel, the more he allows himself to feel unsettled by his friend’s tentative advances. The winner of the hoje_eu_quero_voltar_sozinho_32008 Crystal Bear has the protagonists of his first feature-length drama orbit each other in an emotional universe of fierce attractions.

Jury Statement: A joyous debut feature from a director who combines great writing, characterization, performance, camera, and music to deliver a film that soars above the well-explored coming of age genre, giving new meaning to the old adage ‘love is blind’.


Best_Doc_Preisträger 2014
The TEDDY AWARD for the best documentary/essay film goes to:

DER KREIS (The Circle)
by Stefan Haupt, Switzerland

Founded in the early 1940s, the networkDer_Kreis_2 around the magazine DER KREIS (’The Circle’) was the only gay organisation to survive the Nazi regime. Legendary masked balls in Zurich provided 800 visitors from all over Europe. It is there that timid teacher Ernst Ostertag falls in love with drag star Röbi Rapp. Ernst searchDer_Kreis_1-e1391437968704es for a way to fight for his gayness to be accepted as normal outside the boundaries of ‘The Circle’ network without losing his employment as a teacher.
Stefan Haupt’s new film uncovers the fascinating universe of one of the first gay liberation communities. Enriched by impressive conversational records with Ernst Ostertag and Röbi Rapp, the film depicts a decades-long love story.

Jury Statement: A film that reflects on personal Queer histories in mid-twentieth century Switzerland, brings to light the necessity and urgency to resist and engage with homophobia as it proliferates around the planet.


Shortfilm_Preistraeger Teddy_2014
The TEDDY Award for the best short film goes to:

MONDIAL 2010
by Roy Dib, Lebanon

A Lebanese gay couple decides to take a road trip to Ramallah. The film is recorded with their camera as they chronicle their journey. The protagonists and the viewers are invited through the couple’s conversations into the universe of a fading city.

Jury Statement: A film that takes us on a journey, both literal and personal through a hazardous landscape where invisibility is a necessary aspect of Queer survival.Mondial_2010


The Special Jury Award goes to:

PIERROT LUNAIRE
by Bruce LaBruce, Germany, Canada

A young woman that regularly dresses as Pierrot_Lunaire_2a man falls in love and seduces a young girl that has no clue that her lover is of the same sex. When the girl introduces ‘her boyfriend’ to her father he becomes skeptical and unmasks the fraud.

 

Jury Statement: The Teddy Jury would like to recognize Bruce LaBruce’s important new piece Pierrot Lunaire as a significant addition to his oeuvre, that continues to explore the notion of ‘Queer’ in every sense. Melding theatricality with edgy cinematic language, a remarkable performance by Susanne Sachsse, with sophisticated use of music, Bruce recombines these elements to renew the classic avant-garde.


David Kato_Preistraeger Teddy_2014David Kato Vision and Voice Award for Sou Sotheavy

Cambodian transgender activist Sou Sotheavy has spent the last two decades working to establish a national network of organizations to support lesbian, gay, bisexual, and transgender (LGBT) people across the country.

 
Special TEDDY AWARD for Elfi Mikesch
Special Teddy_Preistraeger Teddy_2014Elfi Mikesch is an author, photographer and filmmaker and, as one of the first camerawomen of her generation, a role model for a whole series of artists who followed. The oeuvre of this pioneer cannot be surpassed using conventional means. Elfi Mikesch is always looking for a challenge, exploring and transgressing boundaries. Her artistic method involves a dreamlike slowing of the gaze, fusing art and life in a fascinating symbiosis.

Special TEDDY AWARD for Rosa von Praunheim

Rosa Von Praunheim is particularly well known for his pioneering 1970/71 film Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt [It is not the homosexual who is perverse, but the society in which he lives] that played a crucial role in launching the gay and lesbian political movement, especially in West Germany. In making this group production, he demonstrated at an early stage of his career film’s considerable potential for bringing about social change. He wins audiences over with the wide range of direct emotions and social commitment portrayed in his films. The realism that characterises his works is radically open, honest and eccentric, provocative in a positive sense and excites and sharpens the senses.

TEDDY Movies 2014


52 TUESDAY
(52 Tuesdays)

Billie can’t believe her mother has decided to undergo gender reassignment surgery. James – as her mother now prefers to be known – has always wanted to be a man. Nonetheless, James tries to observe his motherly responsibilities, while he goes through this change. There’s plenty going on in Billie’s own life, too. Enthralled by a clandestine amorous encounter between two pupils, she joins in. When James tries to protect Billie, their already fragile relationship threatens to collapse.
Sophie Hyde, known for her documentary films, makes use of a documentary style in her first drama. Filming took place chronologically over a period of one year with the story being developed alongside.

52_Tuesdays_2 52_Tuesdays_1

Kino, Uhrzeit


AS ROSAS BRANCAS
(The White Roses)

A group of people dance at a sports ground to the music of Supertramp. The siblings take flowers to a grave in the deep snow, wearing floral wreaths in their hair. The father directs them. They embrace one another. Memories are invoked by pictures enclosed inside Gabriel’s, the brother’s, amulet. The mother is dead – how will they fill the void she left behind? Each individual family member tries to find their way, is obliged to redefine their course. Calm are the images and gestures that lead us through this film. Of the utmost importance however, is the question of how to proceed with the mother inside one’s heart.

as_rosas_brancas_1   as_rosas_brancas_7

Kino, Uhrzeit


BIM, BAM, BOM, LAS LUCHAS MORENAS
(Bim, Bam, Bom, las luchas morenas)

Three women/three sisters/three professional luchadoras, part of the Dynasty Moreno: Rossy, Esther and Cynthia are competitive wrestlers on the ring. But they also bring lucha libre into life, wrestling with knives, pig heads, flowers and feathers! bim_bam_boom_1

Kino, Uhrzeit


CARAVAGGIO
(Caravaggio)

On his deathbed, the painter Michelangelo Caravaggio (1571–1610) looks back on his life. In flashbacks we see his Milan, the man who fostered his talent, and above all, his relationships with his models. Caravaggio finds the models for his mainly religious paintings among outsiders. On his forays into the world of the poor, criminals, and drunkards, he meets the gambler Ranuccio and his lover, the prostitute Lena. The passionate love triangle comes to an abrupt end when the body of a pregnant Lena is pulled from the Tiber.
Derek Jarman charts the (fictional) portrait of an artist lived between debauchery and social protest, transferring Caravaggio’s art with an artistic verve of his own onto the screen.

Caravaggio_1   Carvaggio_2

Kino, Uhrzeit


CASTANHA
(Castanha)

52-year-old actor and transvestite João has his best years behind him. He’s ill, has lost both lovers and companions along the way and appears weary, even if none of this stops him from living the way he always has. João shares two rooms with his mother in a housing complex closed off to the outside; at night he performs in small theatres and gay bars.
The film makes just as much time for solitary moments in shabby backstage areas as it does for João’s performances and his unforgettable face, exploring a milieu at once tender, brutal and cruel with precision, its fleeting glamour only skin-deep. Its complex layers of documentary observation and fictional elements coalesce into a story of life and death.

Castanha_3 Castanha_2   Castanha_

Kino, Uhrzeit


TEDDY Winner 2013

DER KREIS
(The Circle)

Founded in the early 1940s, the networkDer_Kreis_2 around the magazine DER KREIS (’The Circle’) was the only gay organisation to survive the Nazi regime. Legendary masked balls in Zurich provided 800 visitors from all over Europe. It is there that timid teacher Ernst Ostertag falls in love with drag star Röbi Rapp. Ernst searches for a way to fight for his gayness to be accepted as normal outside the boundaries of ‘The Circle’ network without losing his employment as a teacher.
Stefan Haupt’s new film uncovers the fascinating universe of one of the first gay liberation communities. Enriched by impressive conversational records with Ernst Ostertag and Röbi Rapp, the film depicts a decades-long love story.

Der_Kreis_1

Kino, Uhrzeit


DER SAMURAI
(The Samurai)

Der SamuraiRegie: Till KleinertDeutschland 2013Caption: Pit Bukowski

People in the Brandenburg countryside are scared of wolves. But once this night is over people will wish it had just been a wolf that had come to haunt them. Instead, a nightmare in the shape of a nameless stranger with a samurai sword appears at the edge of the forest and leaves a trail of destruction in the village. For young local police officer Jakob the encounter with the warrior forces him to confront his own demons and face long-buried aspects of his personality. The more doggedly Jakob tries to maintain his moral armour and uphold his sense of law and order against the onslaught of the irrational, the more irresistible becomes his secret urge to accept his opponent’s gift.

 Der_Samurai_2  Der_Samurai_7

Kino, Uhrzeit


EL CARRO AZUL
(The Blue Car)

el_carro_azul_2

After his grandmother’s death Hansel returns to Cuba from San Francisco to look after his brother, Marcos, who has trisomy 21. The brothers have drifted apart. Marcos misses his grandmother and refuses to accept that she has died. She was the only one he trusted, the only one to look after him so patiently, and to teach him so much about the world. At first Marcos sees Hansel as an intruder in his world. He spends most of his time on the balcony looking up and down the street and playing a game he always used to play with his grandmother: waiting for an orange car. Hansel tries to approach his brother, albeit somewhat awkwardly. He begins to play the game with him, in his own way – hoping to regain his brother’s trust.

el_carro_azul_1   el_carro_azul_7

Kino, Uhrzeit


FELICE QUI È DIVERSO
(Happy to be Different)

felice_chi_e_diverso

An older gay couple in a city in northern Italy talk about their decades-long relationship. A man describes how he was physically abused by his father because of his sexual identity. Gay men from across the social classes and regions of the country have their say and discuss the different conditions which determined gay life in Italy. There is a discomfiting and controversial discrepancy between the reality of the individual accounts and the media coverage. The latter often portrays gay people with a discriminatory irony or is manipulating, especially where intellectuals are concerned. With FELICE CHI È DIVERSO, Gianni Amelio relates a gay history of Italy since fascist times. His analysis of social conditions is both moving and enraging and refuses to allow the audience to remain indifferent.

Kino, Uhrzeit


FERIADO
(Holiday)

Feriado_4

A001_C018_08132UIn 1999, Ecuador’s banking system collapsed in the wake of a corruption scandal. These events provide the historical context for sixteen-year-old Juan Pablo’s enforced sojourn with his rich uncle and his family. One night he observes his uncle’s cronies brutally mishandling a man A001_C018_08132Uthey discover tampering with their cars. After Juan Pablo helps one of the victim’s companions to escape, the pair soon discovers they have more in common than this incident. Juan Pablo finds the courage to pursue his hitherto unknown feelings for this attractive boy, even though he has no A001_C018_08132Uidea if his feelings are reciprocated. These are turbulent times – and not just for the country, for Juan Pablo himself things are beginning to falter.

Kino, Uhrzeit


FIEBER
(Fever)

It’s the early 1950s and little Franzi isFieber_1 growing up in the small Austrian town of Judenburg. Her oppressive family home is dominated by her feverish and mentally ill father, who is rigid and unpredictable. Her father spent several years in the French Foreign Legion – a period which he partly glorifies but which still also haunts him. Franzi immerses herself in this world by looking at an abundance of beguiling yet disturbing photographs taken at the time by her father. Decades later, Franziska, now a successful photographer but still overshadowed by her father’s memory, undertakes a journey back into his youth. She wants to understand his war trauma and shed light on her family’s past.

Fieber_2

Kino, Uhrzeit

(Your Sebastian when he’s got the fever…)


FINDING VIVIAN MAIER
(Finding Vivian Maier)

John Maloof loves forced sales where he Finding_Vivian_Maier_2can acquire items from an individual’s private estate. One day he makes the astonishing discovery of a box of undeveloped films and negatives that were found in an attic. There are a particularly large number of photographs of children, absorbed in play, or staring confidently Finding_Vivian_Maier_1into the lens. But who was behind the camera? And why were the photographs of Vivian Maier never discovered? John Maloof embarks on his research. He is hunting for clues about the life of this woman who for over forty years travelled the world with her camera. His ensuing portrait is a fascinating depiction of an artist with an open gaze to which even strangers consented.

Kino, Uhrzeit


TEDDY Winner 2013

HOJE EU QUERO VOLTAR SOZINHO
(The Way He Looks)

A046_C002_0101D2Giovana is Leo’s best friend. They spend their afternoons at the pool, awarding points for the level of their boredom and just hanging out. Leo is rather self-contained; even his schoolmates’ barbs can’t dent his sense of his own independence. This blind fifteen-year old hoje_eu_quero_voltar_sozinho_2wants to take control of his own life. The arrival of a new pupil, Leo, at school prompts Leo to reassess his daily routine. As naturally as Leo becomes aware of his feelings for Gabriel, the more he allows himself to feel unsettled by his friend’s tentative advances. The winner of the hoje_eu_quero_voltar_sozinho_32008 Crystal Bear has the protagonists of his first feature-length drama orbit each other in an emotional universe of fierce attractions.

Kino, Uhrzeit


IBHOKHWE
(The Goat)

Ukwaluka is an ancient circumcision ritual iBhokhwe_1for young men still widely practiced by the Xhosa in South Africa. It marks the transition from youth to manhood. A boy who has just undergone circumcision sits in semi-darkness in a simple hut on a hill, far away from the village, as prescribed by the initiation ritual. He is covered from head iBhokhwe_2to toe with a paint made from clay which makes him look as white as a goat. This should be a period of healing, but he is cold and in pain. His grandfather, who is supposed to induct him into his new life, has not yet appeared. According to the belief system of the Xhosa, Ukwaluka also purges the boy from homosexual desires, for which there is no place in the world of adults.

Kino, Uhrzeit


MARIO WIRZ
(Mario Wirz)

Mario_Wirz_1

Six weeks before his death from cancer, poet Mario Wirz takes a walk with his friend Rosa von Praunheim during which he candidly shares his final thoughts on, among other things, the power of love and positive thinking: ‘Let’s live!’

Kino, Uhrzeit


TEDDY Winner 2013

MONDIAL 2010
(Mondial 2010)

A Lebanese gay couple decides to take a road trip to Ramallah. The film is recorded with their camera as they chronicle their journey. The protagonists and the viewers are invited through the couple’s conversations into the universe of a fading city.Mondial_2010

Kino, Uhrzeit


LOVE IS STRANGE
(Love is Strange)

When same-sex marriage is legalised in New York in 2011, Ben and George decide to marry after 39 years together. Shortly after this, George, who works as a music teacher at a Catholic school, is dismissed without notice and they lose their apartment in Chelsea. George finds a place to stay with a gay couple and Ben is taken in by his nephew’s family in Brooklyn.
Impressively director Ira Sachs and his ensemble turn a story about loss of livelihood in the wake of homophobia into a sensitive study of partnerships. Alfred Molina and John Lithgow embody the deep bond between George and Ben with a touchingly tender light-heartedness, giving us a couple which enchants each other and us with their love.

love_is_strange_1

Kino, Uhrzeit


PAPILIO BUDDHA
(Papilio Buddha)

Shankaran discovers a rare butterfly, the Papilio_Buddha_1Papilio Buddha, which is only found in the Western Ghats in India. It is a near perfect moment for him and his gay friend, Jack. The American accompanies Shankaran home where he witnesses an argument between Shankaran and his father which he fails to understand. His father is the Papilio_Buddha_2leader of a group of Dalits, or low caste ‘untouchables’ who are engaged in a brutal struggle for land rights in many places in India. Although their rights have been enshrined in the constitution since independence, the police regard Dalits as terrorists. Shankaran is put behind bars and Jack is soon expelled from the country on account of his association with him.

Kino, Uhrzeit


TEDDY Winner 2013

PIERROT  LUNAIRE
(Pierrot Lunaire)

A young woman that regularly dresses as Pierrot_Lunaire_2a man falls in love and seduces a young girl that has no clue that her lover is of the same sex. When the girl introduces ‘her boyfriend’ to her father he becomes skeptical and unmasks the fraud.   

   Kino, Uhrzeit


 PRAIA DO FUTURO
(Praia Do Futuro)

Water is lifeguard Donato’s element and Praia_do_futuro_1the sea is his home. When two men are caught by a dangerous current, Donato manages to save Konrad, a German tourist, but his best friend’s life is claimed by the sea. Konrad and his rescuer get to know each other and their initial physical attraction turns into an emotional bond. Praia_do_futuro_7Donato follows Konrad to Berlin, a city that may not be by the sea but which is nonetheless a place where he can reinvent himself. Years later, Donato is confronted with his past when his younger brother Ayrton appears at his door.
Berlin-based Brazilian director Karim Aïnouz follows those in search of love and identity who are prepared to risk everything to discover themselves.

 Kino, Uhrzeit


QUICK CHANGE
(Quick Change)

’You’ll be beautiful and it won’t even hurt!’ This is what Dorina promises dozens of her clients. She has come to Manila from Japan to help them realise their dream of winning a Miss Gay or Miss Amazing beauty contest. Decked out in the eccentric and colourful costumes of the show there’s no sign of the earlier injections into their cheeks, nose, lips, breasts, hips and behind. Until one day the dark side of this artificially created beauty comes to light.
With documentary precision and breathtaking speed director Eduardo Roj, Jr. follows his heroine as she moves through the harsh world of a community obsessed with beauty and with improving their chances of a career.

quick_change_2   quick_change_1

Kino, Uhrzeit


SEBASTIANE
(Sebastiane)

Sebastiane_2Saint Sebastian is at the centre of Jarman‘s first feature film, which he made in 1976. This is the story of the guardsman Sebastiane who is relegated to an outpost of the empire. There, the soldiers while away the time in the sweltering heat with sword exercises and erotic games. In Sebastiane_3this heated atmosphere, Sebastiane comes into conflict with the sadistic captain Severus, who’s secretly in love with him. Avowing himself a Christian, he gets killed by his comrades’ arrows. Saint Sebastian, a naked youth, bound, exposed to the gaze of the public, pierced by arrows. Jarman’s Sebastiane_1interpretation of the saint not only depicts him in the tradition of renaissance artists but also as a modern gay icon.

(A special recommendation of your Sebastian!)

Kino, Uhrzeit


TEST
(Test)

It’s 1985. The location is San Francisco, 100092_still_TitleFrameAmerica’s ‘gay mecca’. Introverted Frankie is an understudy in a prestigious modern dance company. Todd, an established dancer in the troupe, is openly homosexual. When one of the dancers falls ill one day, Frankie is asked to stand in and Todd helps him prepare. Could the illness be theDSC_3661 ‘gay plague’ as they are already vilifying AIDS? Ignorance, repression, panic, fear, prejudice and open homophobia are rife. The friendship between these two very different men deepens in these new circumstances.
Chris Mason Johnson’s richly atmospheric film is reminiscent of the first great films of the time depicting the challenges faced by the community.

Kino, Uhrzeit


THE DOG
(The Dog)

The_Dog_1Over ten years in the making, Allison Berg’s and Frank Keraudren’s powerful documentary THE DOG follows the life of John Wojtowicz, who spectacularly attempted to secure the money for his partner’s sex change by robbing a bank in Brooklyn in 1972. His attempted heist was made famous by Sidney The_Dog_2Lumet’s 1975 film DOG DAY AFTERNOON. Making use of copious archive footage, photographs and testimonials from contemporaries, the filmmakers follow not only Wojtowicz’s occasionally bizarre life and progression from lower-middle class right-winger The Dog_3to militant gay activist, but also provide an unconventional survey of gay culture in New York during the past forty years. The Dog is truly a labour of love with Wojtowicz as its fascinating anti-hero, captured here in all his humaneness.

Kino, Uhrzeit


THROUGH A LENS DARKLY
(Through a Lens Darkly)

In his impressive and artistically versatile through_a_lens_darkly_1documentary, Thomas Allen Harris chronicles the history of photography from an Afro-American perspective. With the aid of countless archive photographs he makes apparent how, from the beginnings of photography to the present day, the black community used the camera as a through_a_lens_darkly_2tool for social change. Making use of photographic arrangements, some of which are collage-like and others animated, the film introduces us to photographers of arthistorical importance like Roy De Carvava.
Harris once again makes use of personal material depicting his own family in order to reflect upon the emergence of a sense of photographic identity among African Americans in the USA.

Kino, Uhrzeit


TITS
(Tits)

Tits_1

Sam, 13, hopes to conceal his breasts with a tightly worn leather belt. This slender teenager is going through a particularly tough time at his authoritarian boys’ school on account of a hormonal disorder. Desperate, he tries everything he can to avoid swimming lessons, but his worst fears are confirmed when he discovers a pink bra hanging from his peg. Nonetheless, Sam manages to find the courage to face up to one of the ringleaders and refuses to be blackmailed. The film displays a great deal of empathy for its protagonist’s fears and anxieties but also exudes charm and subtle humour.

Tits_7

Kino, Uhrzeit


UNFRIEND
(Unfriend)

Unfriend_2David lives with his grandmother. She supports her grandchild’s gay life, but he prefers to withdraw into his Facebook world. David would do anything for Jonathan and shares his feelings with online friends. When Jonathan posts images of his new lover,  David struggles to overcome his Unfriend_1powerlessness with a feverish obsession to win back his friend. He finds himself in the grip of both real and virtual aspects of his unstable personality.
Altarejos melds real and virtual worlds into a sensual atmospheric arena that confronts us with his protagonist’s deep wounds.

Kino, Uhrzeit


VETRARMORGUN
(Winter Morning)

Maria hesitates when her best friend Birita Vertrarmorgun_2offers her some pills, but – what the hell? Her mother’s away and they are both desperate to have some fun tonight. They set off and, once the drug takes effect, start euphorically planning how they might finally escape their dreary island. But they only manage to wind up at a party whereVertrarmorgun_1small they continue celebrating. Maria’s pupils are wide open in her delicate face. She may be high, but she doesn’t feel at all well any more. It now transpires that Birita has plans for her friend: she wants Maria finally to have sex with a boy and put a stop to the stupid gossip about her being a lesbian.

Kino, Uhrzeit


VIHARSAROK
(Land of Storms)

Viharsarok_3Szabolcs, a young Hungarian footballer, plays for a German team and is good friends with his roommate Bernard. But Szabolcs decides to return to Hungary. In search of a new start in life, he decides to keep bees on his grandfather’s farm. But then Áron, a stonemason’s apprentice from the nearby Viharsarok_2village arrives on the scene. Together they renovate the farm and before long their matey relationship turns into a love affair. Bernard comes for a visit and tries to persuade Szabolcs to return to Germany. For a while, an idyllic ménage à trois ensues. But when Bernard leaves, Szabolcs decides to stay on with Áron: Viharsarok_1there’s no way he can leave him behind in such a repressed and intolerant environment.

Kino, Uhrzeit


VULVA 3.0
(Vulva 3.0)

Many women are still deeply prudish whenVulva_3.0_1 it comes to the relationship with their own body, while in public we see de-individualised anatomies which conform to the standards of attractiveness used by the porn industry. The resultant insecurity many women feel about their own bodies has proven to be a gold-mine for cosmetic genital surgery.
With their comprehensive research into the history of this particular aspect of the female anatomy in the 21st century, the directors shed light on it, from sex education to censorship, from the airbrushing of ‘misshapen’ labia in pornographic images to the work of activists against female genital mutilation – and in doing so celebrate the diversity of the female body.

Vulva_3.0_2

Kino, Uhrzeit


YA GAN BI HAENG
(Night Flight)

Yong-ju bumps into his ex-best friend, Ya_Gan_Bi_Haeng_2Gi-woong. They are in the same class but have long since gone their separate ways. Gi-woong’s gang is notorious for their cruel bullying of an eccentric classmate named Gi-taek. His attempts to regain their old friendship mean Yong-ju also runs the risk of becoming a target of this terrorising Ya_Gan_Bi_Haeng_1clan, but he refuses to give in. Instead, Yong-ju cleverly draws Gi-woong into a power game of mutual humiliation and burgeoning memories which triggers a dangerous emotional duel. The director of last year’s Panorama film WHITE NIGHT has chosen anonymous and abandoned urban spaces in which to depict the emotional turmoil gripping the two schoolboys.

Kino, Uhrzeit


YE
(The Night)

A young man stands in front of a mirror. Ye_2Every evening, he appraises his appearance, attired in a new shirt, leaves his apartment and waits in a poorly lit alleyway for his johns. One night he meets a female prostitute of his age who’s new in this part of town. They flirt and wander the streets and name themselves after flowers: he calls himself Tuberose and she, Narcissus. The strangers they follow remain faceless – until Rose, a one-night stand, falls in love with Tuberose. In his visually impressive, sensual debut film in which he also plays the leading role this 21-year-old director demonstrates all the poetic intensity of a Jean Genet in describing these three misfits’ mute search for intimacy.

Ye_1

Kino, Uhrzeit


YVES SAINT LAURENT
(Yves Saint Laurent)

At the age of 21 talented young designer Yves Saint Laurent takes up a position as assistant to couturier Christian Dior. After Dior’s death Saint Laurent is made artistic director of one of the world’s most renowned fashion houses. His first collection is a triumphant success and this shy fashion genius becomes famous overnight. In Pierre Bergé he finds the love of his life and together they found their own label: ‘Yves Saint Laurent’.
Jalil Lespert creates a monument to one of the most creative proponents the world of fashion has ever known. Saint Laurent’s innovative creations revolutionised haute couture and are still regarded as the epitome of French lifestyle.

Yves_Saint_Laurent_1 Yves_Saint_Laurent_3

Kino, Uhrzeit


Interviews 2014

Interview with Allison Berg and Frank Keraudren about their movie “The Dog”

Interview with the Crew of “Fucking Different”

Interview with Diego Araujo about his film “Feriado (Holiday)”

Interview with Marie Losier  about  her film “Bim, Bam, Boom Las Luchas Morenas”

Interview with Sakaris Stórá   about  his film “Vetrarmorgun”

Interview with  John Trengova  about  his film “iBhokhwe”

Interview with  Chris Mason Johnson  about  his film “Test”

Interview with Daniel Ribeiro about  “The Way he Looks”

Interview with Adam Csasci about his movie “Vihasarok” (Land of Storms)

Interview mit Roy Dib about his movie “Mondial 2010″

Interview mit Bruce LaBruce about his film “Pierrot Lunaire”

Interview with Jayan Cherian  about his film “Papilio Buddha”

Interview with Karim Ainouz about his film “Praia do Futuro”

Interview with Elfie Mikesch about her film “Fieber”

Interview with director Stefan Haupt and the crew of the film “Der Kreis”

Interview with the director and the crew of the film “Night Flight”

Interview with Director Diogo Amarante about his film “As Rosas Brancas

Interview with Director Ira Sachs about the Film “Love is Strange”

Interview with Sophie Hyde (director) and Tilda Cobham-Harvey (cast) about the film ”52 Tuesdays

Interview with Director Joselito Altarejos and Actor Sandino Martin about the film “Unfriend

Interview Gregory Warren Producer of ”Through A Lens Darkly

Interview ZhouHao ”Ye” (The Night)

Interview Davi Pretto “Castanha”

Interview John Maloof and Charlie Siskel “Finding Vivian Maier”

Interview Jury TEDDY AWARD Jury members 2014

Interview Wieland Speck, Director PANORAMA Berlin International Film Festival

 

Oversittings

If you create a blog for an international film festival, you also want a lot of people from all over the world to understand what you write about the movies, the events and the artists. German, even if it is the biggest language in the European Union by the number of mother tongue speakers, can only reach a limited amount of world’s population.  By now English has become the Lingua franca in international business, so that normally every text only needs to be translated into one language. That makes a lot of things easier.

At the same time you should never underestimate the vagaries of translating, because very easily you can get into unexpected troubles. For example a friend of mine was asked not to long ago in Sweden, if he knew the Swedish national anthem: “Ja, jag vill leva, jag vill dö i norden…” (Yes, I want to live, I want to die in the north…). For sure he learned this sentence before he went on the journey and so he said yes and said: “Jag vill leva, jag vill döda här i norden…” which sounds quite similar, but unfortunately it meant something rather different: I want to live, I want to kill here in the north. Later he told me, he didn’t succeed in making any friends during his trip.

Worse, it seems somehow, is the situation in Denmark though, where even Danes among each other hardly manage to communicate. But here we didn’t want to talk about translations from German to Swedish or from Danish to Danish, but about transferring German texts into English. Also this can be quite difficult: So, what do you do, if it makes total sense to a German if an acrobat makes a double screw in the air? A double twist sounds rather unfamiliar for the German ear. Also the “playjoy” of an actress who enjoys being on stage might be misleading. Some Germans would even ask the Dear Mr. Singingclub for some help.

And the other way around? How do you translate for example ‘queer’ into German? Do you use the German word for dizzy? Or even “to be spoiled”? Unexpected associations might appear in the reader’s mind. And what about “straight“? Maybe you could use the German word for “even“ or “smooth“? But also that could be misleading. Or, as a friend of mine suggested: “Just write boring! It’s the same anyways.“ Well, a German would say that she just wanted to take someone on her arm – instead of pulling a leg –, but on our blog this would be rather politically incorrect – then I wouldn’t be allowed to write anymore and all that would be left for me to say, would be: There we have the salad. So, I guess, I will simply stay lost in translation with my oversittings.

Up to now almost,
Seb