Today is the start of Berlinale’s “Publikumstag” (Audience Day), which usually only happens on the last Sunday of the festival. This year, there’s four days to catch up on all the movies you haven’t seen yet. 🎞
As always, you can find all the times and cinemas below.
And don’t forget: tomorrow at 9 pm CET you can watch the live ceremony of the TEDDY AWARDS via our livestream. You can find our fabulous lineup here.
Alis 17.02. / 15:30 Filmtheater am Friedrichshain
Bashtaalak sa’at (Shall I Compare You to a Summer’s Day?) 17.02. / 21:00 Cubix 7
Synopsis: Summer days in the quiet suburb are warm and shimmering. Still, between images of parties and intimate moments with his girlfriend, trans-teenager Noah is repeatedly plagued by flashbacks that arrive out of the blue. Though all is calm around him, the sound of the river is overwhelming inside his head. Noah’s best friend died in a sporting accident. The departed’s presence is still palpable, haunting what were supposed to be care-free days.
Directed by: Simon Maria Kubiena Germany, Austria 2022 17′
Synopsis: His T-shirt caked with mortar, Alex takes a thoughtful drag on his cigarette. The other apprentices are laughing, throwing punches and showing off their fighting moves. They try to draw him into their game, but his thoughts seem elsewhere – not even his girlfriend can get through to him. Alex is searching for answers and he withdraws from the expectations of those around him. He eventually finds himself, at ease among a group of complete strangers.
Synopsis: During the 2020 lockdown, Lucrecia Martel returns to her home in Salta, Argentina’s most conservative region. Here she follows Julieta Laso who, like a muse, introduces her to a group of female artists and defiant people who exchange glances and opinions around a fire. Perfectly attuned to a body of work that constructs stories from an amalgam of people and places and, four years after the beautiful Zama, Terminal Norte marks the return to the screen of Argentina’s greatest filmmaker. The result is a gripping tribute to a community that, temporary though it may be, serves as a magnificent antidote to the pandemic.
Synopsis: Dale is used to everybody wanting something from him. As a drug dealer in small-town West Virginia, it kind of goes with the territory. Nelly remains unimpressed, even when he does a little business on the side during their first date. The high school student exerts fascination on Dale. He can talk to her – about dreams, regrets and the fact that maybe it’s not so cool after all when your own life has become a rap anthem.
Synopsis: Transfixed, she follows the movements of a group of dancers rehearsing a routine. Watching two girls kiss, she longingly bites her lower lip – yet in the mirror, she studies her own reflection with disapproval. As feelings of desire vie with insecurity and dejection, the film reveals its 16-year-old protagonist’s emotions mainly through glances and facial expressions – her most explicit utterance being the one written on her forearm: TAKE ME DEMONS.
Synopsis: Set in the backdrop of the nationwide 2019–2020 student protests against the Citizenship Amendment Act in India—filmed in the city of Bangalore—Sab changa si is an intimate documentary on friendships, language, love, youth, resistance, and identity of class, caste, religion, and gender. In this film, the political is personal.
Synopsis: São Paulo, in a dystopian future not so very far from the present. A virus is circulating, one that mainly attacks the brain and the ability to remember. A state that has forgotten a past marked by colonialism and dictatorship desperately awaits some indeterminate “Golden Phase.” Three young queer people drift through a city bled dry by the pandemic and rampant capitalism, remembering each another’s late lovers, sharing their experiences with HIV, getting makeup tips for masked faces and ultimately coming together with others forgotten by society for an antique revue in the salon of a singer named Mirta. In Gustavo Vinagre’s affable, surrealist survey of a politically imposed amnesia, a queer era has dawned in which memories can only survive because they are shared collectively and passed on through affective relationships. Those who spread out in all directions do not collide. And those entirely unconcerned with dying rich and privileged are experiencing the Golden Phase right now. In Três tigres tristes, the margins of society glitter, forgotten by the pandemic.
Synopsis: It’s Friday night and just like every other week, best friends Rönkkö and Mimmi are busy beating back the darkness of the Finnish winter with an irrepressible lust for life and love. With her quirky wit, Rönkkö stands out at every party and has no trouble getting the boys’ attention – yet how do you turn desire into fulfilment? When Mimmi loses her temper, you might find yourself on the wrong end of her hockey stick. But when she falls in love with the graceful figure skater Emma, everything suddenly seems bright and easy. With its episodic narrative, Alli Haapasalo’s film tells a story of friendship, and of three exhilaratingly headstrong individuals trying to wrest dreams from reality and redefining relationships and sexuality along the way.
14.02. / 20:00 Urania
Bashtaalak sa’at (Shall I compare you to a summer’s day?) 14.02. / 14:35 Cubix 3 (Screening for industry professionals | With accreditation only)