Beloved Friends,
we are happy and proud to present you this years Trailer of the 31st TEDDY AWARD. Thank you Marion Habringer for the animation and cabine for the TEDDY Artwork 2017! we love it!
Save the date for our Award Ceremony and the Party on February 17th in the Haus der Berliner Festspiele.
Good News!!!!
We are happy to announce the participants of the 2017 TEDDY-Jury!
This Year Gizem Bayiksel (Turkey), Sachiko Imai (Japan), Hassan Kamoga (Uganda), Saadat Munir (Denmark), Marjo Pipinen (Finland) Carl Spence (USA) und Martin Wolkner (Germany) will be part of the TEDDY-Jury.
Gizem Bayiksel was born in Ankara in 1989. She has been working as a photographer and cinematographer in the film industry for over 5 years. Since 2012 she has also been working for numerous events and film festivals as a coordinator, programmer and film curator. Currently she is the festival coordinator and programmer of Pink Life QueerFest, the first and only queer film festival in Turkey. Pink Life QueerFest was launched in Ankara in 2011 and the festival is a space for LGBTQI individuals and artists to raise awareness for LGBTQI issues. Bayiksel’s personal interest in film and photography focuses on the female gaze and queer theory. She is currently working on her first feature film project, a sequel for her short “Child’s Play”, a lesbian couple’s story with Turkish politics on the background.
Sachiko Imai is the programming director of Rainbow Reel Tokyo (formerly known as Tokyo International Lesbian & Gay Film Festival), which is one of the longest-running LGBT film festivals in Asia. Sachiko studied screenwriting at Nihon University College of Art where she received a Bachelor Degree in Film. After working in publishing for a while, she started her career as a translator, specializing herself in subtitles. She has translated numerous films and TV shows in Japanese, including some queer masterpieces such as “Weekend”, “Stranger by the Lake” and Showtime’s “The L Word” series. Imai also works as a coordinator for various film festivals in Japan.
Hassan Kamoga is a young Ugandan human rights activist and filmmaker. In 2016 he founded the Queer Kampala International Film Festival (QKIFF), the first and only LGBTQ Film Festival in Uganda and the only gay film festival organized in a country where homosexuality is illegal. QKIFF offers a powerful platform to promote and progress LGBTIQ rights through film advocacy in homophobic Uganda. Kamoga has produced a number of short documentaries for non-profit organizations in Uganda, Rwanda, Malawi, Egypt, Mozambique and Swaziland. He believes that social justice film-making has the power to change hearts, minds, and laws. Currently Kamoga Hassan is in pre-production for his latest documentary entitled ‘Where is Home’ about Ugandans seeking asylum in other countries.
Saadat Munir was born into the dichotomy of European and Asian cultures. From childhood, he was blessed with the opportunity to experience both cultures equally, having been raised in Denmark by his Pakistani parents. His love for culture grew and led him to receiving a degree in Communications from South Denmark University. In his short time as a filmmaker, Munir has been awarded several honours for his work and has recently been an official Talent at Berlinale 2015. Presently, Munir is a creative director of Aks Film, Art and Dialogue, a bi-national film festival for minorities and marginalized communities that illuminate sociopolitical aspects of transgender, queer, people of color (POC) living in Pakistan and Denmark. The film festival has played a very important role in bringing forth the challenges transgender women face in Pakistan and this festival is first of its kind which is officially run and organised by transgender and queer community in Pakistan.
Marjo Pipinen is programmer for Love & Anarchy – Helsinki International Film Festival, the biggest film festival in Finland. In 2002–2009, she worked as programmer for Vinokino, the Finnish queer film festival. Pipinen holds a Master’s Degree in Film Studies from Stockholm University. In her Master’s thesis, she wrote about archival aesthetics in New Queer Cinema. After her studies, Pipinen took office at Media Desk Finland and the Finnish Film Foundation, and she currently works in communications at the National Audiovisual Institute in Finland (formerly the Finnish Film Archive). Pipinen keeps a queer-feminist film blog (HQFEB) focusing on events around Helsinki. She is interested in cinema on the margins and she prefers to see films on the big screen. Festivals are her passion and she is voluntarily involved in the organization of many kinds of cultural events.
Carl Spence began curating films and concerts during the grunge era in Seattle. He began his festival career at the Seattle International Film Festival in 1994, helping grow the Festival to become one of the largest film events in North America over the past two decades. He also led SIFF’s expansion into a year-round exhibition, making SIFF the leading independent arthouse exhibitor in Seattle by saving two historic cinemas along with the creation of a new flagship Film Center. He most recently held the the position of Festival Director and Chief Curator at SIFF prior to starting his own consulting film, CCS Arts in late 2016. He also held Director of Programming positions with the Palm Springs International Film Festival and with the San Francisco International Film Festival. In 2014, he helped create the Orcas Island Film Festival as a Festival co-director and the chief curator.
Martin Wolkner studied Linguistics and Film Studies and is the founder and head of homochrom Film Festival. Established in 2009 as a monthly film series in six cities in North Rhine Westphalia, homochrom 2011 was supplemented by a queer film festival in Cologne and Dortmund. Wolkner initiated and launched the debut film prize of the German festival co-operation QueerScope, which was first awarded in 2016. As a member of German Film Critics Association he writes for online magazines and since 2010 – for the gay magazine called Box. Martin Wolkner has previously worked for the International Women’s Film Festival Dortmund | Cologne and is translating and making subtitles for DVD productions. Currently he is developing his own film projects as a writer.
Dear moviegoers,
both on the national and international levels, on the silver screen and in real life, the queer community has claimed many victories during the past decades. Nevertheless, much needs to be accomplished! TEDDY has been the vitrine of many of these fights, setting the Berlinale’s spotlight on international queer cinema, broadening what it meant to fight for queer rights.
Just having turned 30 last year, TEDDY isn’t going to slow down! The fight continues and the 31st edition is paying respect to both the community past and present generations.
Already at the turn of the century, TEDDY recognized the importance of remembrance and praised Rob Epstein and Jeffrey Friedman’s “Paragraph 175”, an outstanding documentary about the dreadful German law criminalizing homosexuality. Almost two decades later, historians have shown how homosexuals suffered under National Socialism and many have fought for the memory of the victims. Lesser known is the fate of countless homosexuals after the war, the appalling story of the continuities of such an injustice into the success story of the Federal Republic.
This year’s focus is on the struggle of the members of our community who made it through these dark times, but also on the injustice of such a crime, still lingering like an open wound in German history. TEDDY is seizing the momentum of the present discussions on rehabilitation and reparations for the survivors and victims of paragraph 175. Our focus is on the unjust and unrighteous treatment of homosexuality in Germany after the war until the complete repeal of the law in the 1990s.
This year focus on paragraph 175 will allow TEDDY to educate the new generations, to remember the dead and to celebrate the future. It is necessary to draw the lines between the stories told by the award winners of the last 3o years, the task ahead of us as we demand justice, and the possible parallels to the stories voiced by our brother and sisters across the world.
Beloved movie aficionados, we have the responsibility to never forget the past victories, but also to reflect on the dark times in our history! Please join us as we applaud our living vibrant queer community and concentrate on the fights to come. For its 31st anniversary, TEDDY is more alive than ever and ready to dive into the current discussion. Like every year, you can expect top-notch movies, captivating stories, engaging events and one of the best audiences of the Berlinale.
Stay tuned!
We hope you’ve started well into the new year. The TEDDY AWARD team wishes you all the best for the upcoming year!
The artwork of the 31st TEDDY AWARD was designed by the designer team cabine.
