{"id":3882,"date":"2020-01-24T11:12:58","date_gmt":"2020-01-24T09:12:58","guid":{"rendered":"http:\/\/blog.teddyaward.tv\/en\/?p=3882"},"modified":"2020-02-24T14:41:04","modified_gmt":"2020-02-24T12:41:04","slug":"teddy-2020-the-jury","status":"publish","type":"post","link":"https:\/\/blog.teddyaward.tv\/en\/2020\/01\/24\/teddy-2020-the-jury\/","title":{"rendered":"TEDDY 2020: THE JURY"},"content":{"rendered":"\r\n<p><br \/>We are very happy to announce and introduce to you the Jury of the 34th TEDDY AWARD, which will be awarded on February 28th in the VOLKSB\u00dcHNE BERLIN!<\/p>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" class=\"wp-image-3883\" src=\"http:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Cristian-Rodr\u00edguez-PIC-1024x1024.jpg\" alt=\"\" srcset=\"https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Cristian-Rodr\u00edguez-PIC-1024x1024.jpg 1024w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Cristian-Rodr\u00edguez-PIC-150x150.jpg 150w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Cristian-Rodr\u00edguez-PIC-300x300.jpg 300w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Cristian-Rodr\u00edguez-PIC-768x769.jpg 768w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Cristian-Rodr\u00edguez-PIC.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\r\n\r\n\r\n\r\n<p class=\"has-drop-cap\"><strong>Cristian Rodr\u00edguez <\/strong>(Santander, Spain, 1981) is a Journalist, holds a Masters in Comparative Literature Studies and was also trained in Film Editing. He has always focused on communication and cultural production related areas: for six years he was in charge of Grupo Sinnamon&#8217;s Contents Department (Barcelona), having also worked with clients such as Desigual (in Paris), festivals like <a href=\"https:\/\/www.walktalkazores.org\/\">Walk &amp; Talk<\/a> and Panazorean IFF (on Azores Islands), magazines (as a music critic for Playground, Rockdelux) and filmmakers like Zoraida Rosell\u00f3. He currently lives and works in Lisbon, where he is programmer and director of <a href=\"http:\/\/queerlisboa.pt\/\">Queer Lisboa<\/a> and Queer Porto &#8211; International Queer Film Festivals since 2015.<\/p>\r\n\r\n\r\n\r\n<p><a href=\"https:\/\/youtu.be\/c7EDdvl2O4M\">Interview with Cristian Rodr\u00edguez <\/a><\/p>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"874\" height=\"1024\" class=\"wp-image-3891\" src=\"http:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Sylva_Haeutle_QFFMm-1-874x1024.jpg\" alt=\"\" srcset=\"https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Sylva_Haeutle_QFFMm-1-874x1024.jpg 874w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Sylva_Haeutle_QFFMm-1-256x300.jpg 256w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Sylva_Haeutle_QFFMm-1-768x900.jpg 768w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Sylva_Haeutle_QFFMm-1.jpg 1234w\" sizes=\"auto, (max-width: 874px) 100vw, 874px\" \/><\/figure>\r\n\r\n\r\n\r\n<p class=\"has-drop-cap\"><strong>Sylva H\u00e4utle<\/strong> creates visibility for queer alternative lifestyles as director and curator of the QFFM Queer Film Festival Munich. Since its founding in 2015, she has directed the festival and made the QFFM a permanent institutional part of the Munich festival landscape. In 2011 she completed her studies of Social and Cultural Anthropology with a focus on Visual Anthropology at the LMU Munich. As a queer feminist political activist, she brings different groups together, forges networks and alliances, and creates cultural spaces for queer life and desire in Munich. In 2019, she was the first openly pansexual person to speak at the <a href=\"https:\/\/www.idahobit.org.au\/\">IDAHOBIT<\/a> demo in Munich, is a board member of <a href=\"http:\/\/www.queercn.de\/verein\">QueerCulture e.V.<\/a> and a founding member of the queer network muQ*, whose goal is to break down the boundaries within the LGBTIQ+ scene. She does not own a single houseplant.<\/p>\r\n\r\n\r\n\r\n<p><a href=\"https:\/\/youtu.be\/TiJc91hGRhg\">Interview with Sylva H\u00e4utle<\/a><\/p>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"423\" height=\"493\" class=\"wp-image-3893\" src=\"http:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Nataleah-Hunter-Young-NEW-Copyright-Philippe-Nyirimihigo-1-1.jpg\" alt=\"\" srcset=\"https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Nataleah-Hunter-Young-NEW-Copyright-Philippe-Nyirimihigo-1-1.jpg 423w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Nataleah-Hunter-Young-NEW-Copyright-Philippe-Nyirimihigo-1-1-257x300.jpg 257w\" sizes=\"auto, (max-width: 423px) 100vw, 423px\" \/><\/figure>\r\n\r\n\r\n\r\n<p class=\"has-drop-cap\"><strong>Nataleah Hunter-Young<\/strong> is a film programmer and PhD candidate in Communication and Culture at<a href=\"https:\/\/www.ryerson.ca\/graduate\/programs\/comcult\/\"> Ryerson and York Universities<\/a> in Canada. She has supported festival programming for the<a href=\"https:\/\/www.tiff.net\/\">Toronto International Film Festival<\/a>, the <a href=\"https:\/\/www.hotdocs.ca\/\">Hot Docs Canadian<\/a> International Documentary Festival, and the <a href=\"https:\/\/durbanfilmfest.co.za\/index.php\">Durban International Film Festival<\/a> in South Africa. You can find recent writing by Nataleah with Xtra, Canadian Art Magazine, the Gardiner Museum, and issue 58 of PUBLIC: Arts| Culture | Ideas for which she also served as co-editor. She was born and raised in community.<\/p>\r\n\r\n\r\n\r\n<p>Int<a href=\"https:\/\/youtu.be\/8sAkoThUz-c\">erview with Nataleah Hunter-Young <\/a><\/p>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"427\" height=\"640\" class=\"wp-image-3886\" src=\"http:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Kseniya-Ilina.jpg\" alt=\"\" srcset=\"https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Kseniya-Ilina.jpg 427w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Kseniya-Ilina-200x300.jpg 200w\" sizes=\"auto, (max-width: 427px) 100vw, 427px\" \/><\/figure>\r\n\r\n\r\n\r\n<p class=\"has-drop-cap\"><strong>Ksenia Ilina<\/strong> is a film critic and curator based in Russia. She\u00a0has an MA in Film Theory and Art Criticism from St Petersburg State University. In her graduation thesis, she focused on the history of the cult film phenomenon through its queer component.\u00a0Since 2015, she\u00a0has worked as a film critic for<br \/>several film portals and magazines in Russia. At the same time, as a film journalist she closely collaborates with a Russian<a href=\"https:\/\/www.bok-o-bok.ru\/default.asp?lan=1\"> LGBT film festival Side by Side<\/a>. Ksenia is also a creator and curator of the <a href=\"http:\/\/invisiblefest.tilda.ws\/\">Invisible Film Festival<\/a> based in St Petersburg, specializing in different forms of videoart and queer<br \/>films.<\/p>\r\n\r\n\r\n\r\n<p><a href=\"https:\/\/youtu.be\/dfRF7-TX3UM\">Interview with Ksenia Ilina<\/a><\/p>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"995\" height=\"1024\" class=\"wp-image-3889\" src=\"http:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Heitor-Augusto4-photo-995x1024.jpg\" alt=\"\" srcset=\"https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Heitor-Augusto4-photo-995x1024.jpg 995w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Heitor-Augusto4-photo-292x300.jpg 292w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Heitor-Augusto4-photo-768x790.jpg 768w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Heitor-Augusto4-photo.jpg 1612w\" sizes=\"auto, (max-width: 995px) 100vw, 995px\" \/><\/figure>\r\n\r\n\r\n\r\n<p class=\"has-drop-cap\"><strong>Heitor Augusto<\/strong> works as a freelance programmer, film critic,<br \/>lecturer and translator and is based in Sao Paulo, Brazil. He curated the retrospective Black Brazilian Cinema: Episodes of a Fragmented History (Belo Horizonte Short Film Festival) and has programmed for <a href=\"http:\/\/www.festivaldebrasilia.com.br\/\">Festival de Bras\u00edlia<\/a>, <a href=\"https:\/\/www.institutotomieohtake.org.br\/\">Tomie Ohtake<\/a> (a leading museum for contemporary art), among other festivals, retrospectives and film clubs. He\u2019s the head programmer for NICHO 54, institute of which he is a co-founder, working for the promotion of film education to underrepresented segments of the Brazilian population. With more than a decade of experience in the film industry, his writing has been published in different outlets and he has used his experience in the field to hold workshops in critical writing. For the last six years he has also lectured on underrepresented events and players in the history of cinema. Through this his work has helped to uncover systemic invisibilization perpetuated by traditional approaches of film history, providing healing to historically shattered subjectivities, as well as being an integral part of forging his own identity. His recent curatorial projects have been focusing on experimental and queer expressions in Black film, as well as connecting the experiences from the African Diaspora.<\/p>\r\n\r\n\r\n\r\n<p><a href=\"https:\/\/youtu.be\/UfTx1M6t9hk\">Interview with Heitor Augusto <\/a><\/p>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"718\" height=\"1024\" class=\"wp-image-3884\" src=\"http:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Gao-Yitian-718x1024.jpg\" alt=\"\" srcset=\"https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Gao-Yitian-718x1024.jpg 718w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Gao-Yitian-210x300.jpg 210w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Gao-Yitian-768x1095.jpg 768w\" sizes=\"auto, (max-width: 718px) 100vw, 718px\" \/><\/figure>\r\n\r\n\r\n\r\n<p class=\"has-drop-cap\"><strong>Gao Yitian<\/strong> is a producer, senior film programmer and operation director at<a href=\"https:\/\/www.firstfilm.org.cn\/en\/\"> FIRST International Film Festival<\/a>. He joined <a href=\"https:\/\/www.firstfilm.org.cn\/en\/\">FIRST<\/a> since the year of 2013. Over the past years, he has partnered with many young Chinese talents and played an active role in the production of many award-winning Chinese language films, including <a href=\"https:\/\/www.berlinale.de\/en\/archive\/jahresarchive\/2017\/02_programm_2017\/02_filmdatenblatt_2017_201719583.html?openedFromSearch=true#tab=filmStills\">TASTE OF BETEL NUT<\/a> (dir. HU Jia, 2017), <a href=\"https:\/\/www.imdb.com\/title\/tt6389316\/\">WRATH OF SILENCE<\/a> (dir. XIN Yukun, 2017),<a href=\"https:\/\/www.imdb.com\/title\/tt9081510\/?ref_=fn_al_tt_1\"> ENIGMA OF ARRIVAL<\/a> (dir. SONG Wen, 2018) and<a href=\"https:\/\/www.berlinale.de\/en\/archive\/jahresarchive\/2018\/02_programm_2018\/02_filmdatenblatt_2018_201813696.html?openedFromSearch=true#tab=filmStills\"> AN ELEPHANT SITTING STILL<\/a> (dir. HU Bo, 2018), which have been enthusiastically acclaimed by domestic and international audiences.<\/p>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" class=\"wp-image-3974\" src=\"http:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Chris-Belloni-683x1024.jpg\" alt=\"\" srcset=\"https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Chris-Belloni-683x1024.jpg 683w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Chris-Belloni-200x300.jpg 200w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Chris-Belloni-768x1152.jpg 768w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2020\/01\/Chris-Belloni.jpg 1200w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\r\n\r\n\r\n\r\n<p class=\"has-drop-cap\"><strong>Chris\u00a0Belloni<\/strong>\u00a0(1980) is a documentary filmmaker, producer and director of the <a href=\"https:\/\/www.iqmf.nl\/\">International Queer &amp; Migrant Film Festival Amsterdam<\/a>, which he initiated in 2015. His debut film\u00a0<a href=\"https:\/\/www.imdb.com\/title\/tt2188912\/?ref_=fn_al_tt_1\">I am gay and Muslim<\/a>\u00a0screened at film festivals worldwide. In 2018, he initiated LGBT &amp; arts related projects in Azerbaijan and in the Western Balkans region. His most recent film\u00a0Up<br \/>Close &amp; Personal: LGBT Police\u00a0was released in 2019.\u00a0In 2020 he will launch a multiple year project on\u00a0activism\u00a0and human rights in the Caribbean region.\u00a0Recently, he was juror at <a href=\"https:\/\/www.oslofusion.no\/\">Oslo\/Fusion Festival<\/a>,\u00a0Festival\u00a0Internacional\u00a0de Cine\u00a0sobre\u00a0Diversidad\u00a0Sexual y de\u00a0G\u00e9nero\u00a0del Uruguay and <a href=\"http:\/\/prifest.org\/\">PriFest Prishtina International Film Festival<\/a>.\u00a0Also, Chris Belloni is nominated for most\u00a0influential Amsterdammer of the Year 2020, an award for a person who did<br \/>something\u00a0remarkable for the city of Amsterdam.<\/p>\r\n\r\n\r\n\r\n<p><a href=\"https:\/\/youtu.be\/YyIgxj5SKYE\">Interview with Chris Belloni<\/a><\/p>\r\n\r\n\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n\r\n\r\n<p>&nbsp;<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>We are very happy to announce and introduce to you the Jury of the 34th TEDDY AWARD, which will be awarded on February 28th in the VOLKSB\u00dcHNE BERLIN! Cristian Rodr\u00edguez (Santander, Spain, 1981) is a Journalist, holds a Masters in Comparative Literature Studies and was also trained in Film Editing. He has always focused on &hellip; <a href=\"https:\/\/blog.teddyaward.tv\/en\/2020\/01\/24\/teddy-2020-the-jury\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">TEDDY 2020: THE JURY<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":35,"featured_media":4063,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[661,662,201,19,646,666,663,658,641,642,640,643,644,659,669,660,668,667,664,645,258,158,639,665],"class_list":["post-3882","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general","tag-an-elephant-sitting-still","tag-belo-horizonte-short-film-festival","tag-berlin-international-film-festival","tag-berlinale","tag-cristian-rodriguez","tag-durban-international-film-festival","tag-festival-de-brasilia","tag-festival-internacional-de-cine-sobre-diversidad-sexual-y-de-genero-del-uruguay","tag-gao-yitian","tag-heitor-augusto","tag-jury-2020","tag-ksenia-ilina","tag-nataleah-hunter-young","tag-oslo-fusion-festival","tag-porto-international-queer-film-festival","tag-prifest-prishtina-international-film-festival","tag-queer-lisboa","tag-queerculture-e-v","tag-side-byside","tag-sylva-hautle","tag-taste-of-betel-nut","tag-teddy-award","tag-teddy-award-2020","tag-toronto-international-film-festival"],"_links":{"self":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/posts\/3882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/comments?post=3882"}],"version-history":[{"count":32,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/posts\/3882\/revisions"}],"predecessor-version":[{"id":4923,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/posts\/3882\/revisions\/4923"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/media\/4063"}],"wp:attachment":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/media?parent=3882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/categories?post=3882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/tags?post=3882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}