{"id":1002,"date":"2015-02-14T23:59:53","date_gmt":"2015-02-14T21:59:53","guid":{"rendered":"http:\/\/blog.teddyaward.tv\/en\/?p=1002"},"modified":"2015-11-16T00:52:43","modified_gmt":"2015-11-15T22:52:43","slug":"day-11-after-the-teddy-is-before-the-teddy","status":"publish","type":"post","link":"https:\/\/blog.teddyaward.tv\/en\/2015\/02\/14\/day-11-after-the-teddy-is-before-the-teddy\/","title":{"rendered":"Day 11: After the Teddy is before the Teddy"},"content":{"rendered":"<p style=\"text-align: justify;\">Once again ten beautiful Teddy days find an end. At the Berlinale the final curtain will fall tonight and the bears go back to their caves. After all the stars, parties and movies, they need a time-out to gather new strength for the next year!<\/p>\n<p style=\"text-align: justify;\">But until then, you still have the chance to watch some TEDDY movies today \u2013 and especially the TEDDY Shorts, you shouldn\u2019t miss out on!<\/p>\n<p style=\"text-align: justify;\">We say good-bye and fare well, wish you a wonderful last day of the festival and hope to see you again next year!<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" class=\"decoded aligncenter\" src=\"http:\/\/31.media.tumblr.com\/tumblr_m4zc0hMyHr1rwcc6bo1_400.gif\" alt=\"http:\/\/31.media.tumblr.com\/tumblr_m4zc0hMyHr1rwcc6bo1_400.gif\" \/><\/p>\n<p style=\"text-align: right;\">Your TEDDY Team<\/p>\n<hr \/>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>TEDDY Rolle<\/strong><\/span><\/p>\n<p style=\"text-align: right;\"><strong>15.02.2015, 16:00, Kino International<\/strong><\/p>\n<p style=\"text-align: left;\"><span style=\"text-decoration: underline;\">mit:<\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=592\" target=\"_blank\"><strong>La Isla est\u00e1 Encantada con Ustedes<br \/>\n<\/strong><\/a><em>The Island is enchanted with You<strong><br \/>\n<\/strong><\/em><\/p>\n<p style=\"text-align: left;\">USA\/Switzerland\/Australia 2014<br \/>\n28&#8242;<br \/>\nDirector: Alexander Carver, Daniel Schmidt<br \/>\nCast: Raul De Nieves, Lydela Leonor, Lea Cetera, Carlos Solis-Keyser<\/p>\n<p><iframe loading=\"lazy\" title=\"La Isla est\u00e1 Encantada con Ustedes\" src=\"https:\/\/player.vimeo.com\/video\/107495672?dnt=1&amp;app_id=122963\" width=\"474\" height=\"267\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">In 1511, indigenous people in Puerto Rico seduced and murdered a representative of colonial power. Some 300 years later, a further chapter of colonial history: In 1803, by order of the Spanish Crown,<br \/>\na doctor named Francisco Javier de Balmis travelled to Puerto Rico with a number of orphans. They were carriers of the live vaccine with which Balmis executed one of the first mass immunisations<br \/>\nagainst smallpox. A glance to the present day: In 2014, Puerto Rico produced an enormous amount of pharmaceuticals with subsidies from the USA. By interweaving strands of colonial and postcolonial<br \/>\nhistory, the filmmakers of La Isla est\u00e1 Encantada con Ustedes have created a lyrical work that mirrors and completes the dynamics of power and lust. A modern roundelay, that restages the past<br \/>\nin the present. Lead by a gaze of sexual subtext, this is a comedy in which reality is subordinate to strategies of power \u2013while revealing the closely intertwined nature of health and economics, in the<br \/>\npast and present.<\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1452 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/la_isla_esta_encanatada_con_ustedes_b.jpg\" alt=\"la_isla_esta_encanatada_con_ustedes_b\" width=\"700\" height=\"394\" \/><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=577\" target=\"_blank\">San Crist\u00f3bal<\/a><br \/>\n<\/strong><em>Saint Christopher<strong><br \/>\n<\/strong><\/em><\/p>\n<p style=\"text-align: left;\">Chile 2015<br \/>\n29&#8242;<br \/>\nDirector: Omar Z\u00fa\u00f1iga Hidalgo<br \/>\nCast: Samuel Gonz\u00e1lez, Antonio Altamirano<\/p>\n<p><iframe loading=\"lazy\" title=\"Interview &#039;San Crist\u00f3bal&#039; with Omar Z\u00fa\u00f1iga Hidalgo and Ana Perera\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/wVZhHGKO-Dw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">Lucas and Antonio. Two young men meet and fall in love in a remote fishing village in the south of Chile. One lives there, the other is visiting. Sensuality dictates the pace of the narrative and the lives of both in the days to follow: Being one another\u2019s mirror. Recognising one another. Yielding to one another. When the village rebels against their love, the experience of this limitation marks a momentous step in Lucas\u2019 and Antonio\u2019s adulthood.A simple story of love and devotion, shot in the style of Direct Cinema. A not-so-simple setting, in Chile\u2019s Deep South, where anything that breaks out of the perceived norm is to be destroyed immediately, punished. The characters know of the limitations within the village. The romantic notion of resistance is brief; of greater importance are life and the love that is found. Going further. Going beyond the self.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/san_cristobal_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1462 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/san_cristobal_b.jpg\" alt=\"san_cristobal_b\" width=\"700\" height=\"394\" \/><\/a><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=590\" target=\"_blank\"><strong>Bad at Dancing<\/strong><\/a><br \/>\n<em>Bad at Dancing<\/em><\/p>\n<p>USA 2015<br \/>\n11&#8242;<br \/>\nDirector: Joanna Arnow<br \/>\nCast: Eleanore Pienta, Keith Poulson, Joanna Arnow<\/p>\n<p><iframe loading=\"lazy\" title=\"Interview Joanna Arnow &amp; Eleanore Pienta &#039;Bad at Dancing&#039;\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/v6PeY4jbE1k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">Interior, Day. Matt and Isabel lie in bed, naked. They have sex. She sits on top of him; they surrender to one another passionately. Joanna, the flatmate, enters the room and sits on the corner of the bed, close to them. Isabel and her boyfriend continue undeterred. Matt (after a while, without glancing sideways): What is she doing here?Joanna: &#8220;I can\u2019t sleep.&#8221;Isabel (without stopping having sex): &#8220;Were we too loud?&#8221;Joanna (without moving to leave): &#8220;No.&#8221; Bad at Dancing is a chamber piece and a comedy. A sex game. Isabel and Matt are together, Joanna would like to be with Matt. Joanna tries out various approaches to achieve her aim. The three move together, embracing from body to body \u2013 dressed and naked. Always introversive. Always direct. Envy and emotion are given a surreal context. The question of borders and their necessity is raised anew. A rickshaw always drives on three wheels.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/Bad_at_Dancing_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1426 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/Bad_at_Dancing_b.jpg\" alt=\"Bad_at_Dancing_b\" width=\"700\" height=\"394\" \/><\/a><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=622\" target=\"_blank\"><strong>Kumu Hina<\/strong><\/a><br \/>\n<em>A Place in the Middle<\/em><\/p>\n<p><iframe loading=\"lazy\" title=\"Interview Dean Hamer &amp; Joe Wilson &quot;Kumu Hina&quot;\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/knisMYx5LQU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: left;\">USA 2014<br \/>\n25&#8242;<br \/>\nDirector: Dean Hamer, Joe Wilson<\/p>\n<p><iframe loading=\"lazy\" title=\"A Place in the Middle Trailer Trailer\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/Xg_JRA6cp2s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">She feels more like a boy than even most boys. This documentary follows eleven-year-old Hawaiian girl Ho\u2019onani who dreams of leading her school\u2019s traditional hula group. Hula is a mixture of dance and theatrical performance that is central to the culture of the Hawaiian people and requires a lot of practice. Here too, Ho\u2019onani would like to dance on the boys\u2019 side. Normally she wouldn&#8217;t be allowed to do so but Ho\u2019onani is fortunate to have as her teacher the charismatic Kumu Hina, who assigns Ho\u2019onani a special place in the middle. In ancient Hawaii there was always a life between genders, and a place for those who embrace both men and women. Kumu Hina knows what she is talking about for, twenty years ago, she was a man. Kumu Hina uses her profound knowledge to convey to her pupils the culture of their ancestors \u2013 a culture that has not been forgotten, in spite of years of influence by Christian missionaries. The magic word is \u2018aloha\u2019, meaning a life in harmony with nature. It also means that every man and every woman should be loved, respected and valued.<\/p>\n<p align=\"LEFT\"><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/kumu_hina_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1451 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/kumu_hina_b.jpg\" alt=\"kumu_hina_b\" width=\"700\" height=\"467\" \/><\/a><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=591\" target=\"_blank\">Blood Below the Skin<\/a><br \/>\n<\/strong><em>Blood Below the Skin<strong><br \/>\n<\/strong><\/em><\/p>\n<p style=\"text-align: left;\">USA 2015<br \/>\n32&#8242;<br \/>\nDirector: Jennifer Reeder<br \/>\nCast: Jennifer Estlin, Kelsey Ashby-Middleton, Morgan Reesh, Marissa Castillo<\/p>\n<p><iframe loading=\"lazy\" title=\"Interview Jennifer Reeder &#039;Blood Below the Skin &#039;\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/Ir0NPLUczEA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">&#8216;Blood Below the Skin&#8217; chronicles a week in the lives of three teenage girls who attend the same high school class. Coming from different social circles, the girls prepare for the most important night of their life \u2013 Prom Night. They have formed a dance group and rehearse the choreography. Two of the girls are drawn to one another and fall in love. The third is forced to take care of her distraught mother in the wake of her father\u2019s disappearance. Each girl finds refuge in her room and bed, comfort and a place to explore new feelings. The music blasting from the turntable provides a magical synchronicity between them all \u2013 the space-time continuum is expanded by the dimension of music.Jennifer Reeder tells everyday stories with stylistic elements of magic realism that recall Latin American cinema. All it takes is the power of thought in order to express your love to another.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/Blood_below_the_Skin_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1431 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/Blood_below_the_Skin_b.jpg\" alt=\"Blood_below_the_Skin_b\" width=\"700\" height=\"394\" \/><\/a><\/p>\n<hr \/>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Today&#8217;s programme<\/strong><\/p>\n<hr \/>\n<hr \/>\n<p style=\"text-align: center;\"><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=587\" target=\"_blank\"><strong>Beira-Mar<\/strong><\/a><br \/>\nS<em>eashore<\/em><\/p>\n<p style=\"text-align: left;\">Brazil 2015<br \/>\n83&#8242;<br \/>\nDirector: Filipe Matzembacher, Marcio Reolon<br \/>\nCast: Mateus Almada, Maur\u00edcio Jos\u00e9 Barcellos, Elisa Brites, Francisco Gick<\/p>\n<p><iframe loading=\"lazy\" title=\"Interview &#039;Beira-Mar&#039;\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/RniLbYS3-Vc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">Having been good friends for years, Martin and Tomaz now find themselves on the cusp of adulthood. Martin\u2019s father sends his son to southern Brazil, where the family is from, to sort out an inheritance matter. Tomaz accompanies him there. For both of them, the brief excursion to the coastal town becomes a journey into themselves. It\u2019s not just the sea that nearly reaches the doors of the country house which exerts a slow, yet relentless pull on them \u2013 the two friends have the same effect on one other. Filipe Matzembacher and Marcio Reolon\u2019s richly atmospheric, autobiographically inspired feature debut follows its two main characters on a weekend that will change their relationship forever. Beira-Mar is a wander through the borderlands between love and friendship, exploring sexual orientation and personal identity. The outstanding camerawork picks up on the protagonists\u2019 complex emotional states in the same way as the soundtrack captures the roaring of the sea: gentle and powerful in equal measure. Always on an equal footing with the subject and the characters, the film creates a moment of magic and tenderness. Looking for love and finding it are sometimes one and the same thing.<\/p>\n<p style=\"text-align: right;\"><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/seashore_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1428 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/seashore_b.jpg\" alt=\"seashore_b\" width=\"700\" height=\"467\" \/><\/a><\/p>\n<p style=\"text-align: right;\"><strong>15.02.2015, 13:00, HKW Kino 1<\/strong><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=598\" target=\"_blank\">Feelings are Facts: The Life of Yvonne Rainer<\/a><br \/>\n<\/strong><em>Feelings are Facts: The Life of Yvonne Rainer<strong><br \/>\n<\/strong><\/em><\/p>\n<p style=\"text-align: left;\">USA 2015<br \/>\n83&#8242;<br \/>\nDirector: Jack Walsh<\/p>\n<p><iframe loading=\"lazy\" title=\"Interview &#039;Feeling are Facts: &quot;The Live of Yvonne Rainer&quot;\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/pqIbCEKd6cA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">In 1966, Yvonne Rainer changed the world of modern dance with her performance \u2018Trio A\u2019 by analysing the repertoire of human movement in a radically unspectacular way. Influenced by Merce<br \/>\nCunningham and John Cage, she developed socio-political choreographies in which she explored on stage everyday movements in a way that deliberately thwarted audience expectations. Determined not to appear biddable, she began experimenting with film \u2013 applying to the new medium the same<br \/>\nrevolutionary impetus that was to be found in her body work. At the age of fifty-six she came out as a lesbian, and in 1997 she won the Teddy Award with MURDER and murder.Making abundant use of<br \/>\nfilm excerpts, archive footage and reinterpretations of Rainer\u2019s choreographies, director Jack Walsh succeeds in illustrating the artistic development of an unswerving yet likeable avant-gardist \u2013 from the 1950s to the present day. Complementing Rainer\u2019s own recollections are contributions from dance experts and fellow-travellers such as Carolee Schneeman and B. Ruby Rich. Today, aged 80, she is still working on the stage, after Mikhail Baryshnikov persuaded her to make a belated comeback as a choreographer in the year 2000.<\/p>\n<p style=\"text-align: right;\"><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/feelings_are_facts_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1442 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/feelings_are_facts_b.jpg\" alt=\"feelings_are_facts_b\" width=\"700\" height=\"575\" \/><\/a><\/p>\n<p style=\"text-align: right;\"><strong>15.02.2015, 15:30, Colosseum 1<\/strong><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=593\" target=\"_blank\">The Mad Half Hour<\/a><br \/>\n<\/strong><em>The Mad Half Hour<strong><br \/>\n<\/strong><\/em><\/p>\n<p style=\"text-align: left;\">Argentina\/Denmark<br \/>\n22&#8242;<br \/>\nDirector: Leonardo Brzezicki<br \/>\nCast: Julian Larquier, Diego Echegoyen, Laila Maltz, Martina Juncadella<\/p>\n<p><iframe loading=\"lazy\" title=\"Interview with Leonardo Brzezicki, &#039;The Mad Half Hour&#039;\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/wWZ-Mmu9uSY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">Once a day, domestic cats go completely mad. A total burst of energy. It\u2019s all over within half an hour. No one knows why. That\u2019s just how it is.Juan is rather similar. He doesn\u2019t know why, it just seizes him. The loss of commitment. Why should he bother to hit a ball over the net and wait for it to be returned, while making sure it stays within the white line? Does he still love Pedro, no, perhaps yes?<br \/>\nPedro is used to it and takes him by the hand. They venture into the night together and stray, likes cats, through the streets of Buenos Aires. Far more than pursuing narrative logic, the film follows<br \/>\nhuman feelings without ever fully relinquishing the threads of the storyline.<\/p>\n<p style=\"text-align: right;\"><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/the_mad_half_hour_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1472 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/the_mad_half_hour_b.jpg\" alt=\"the_mad_half_hour_b\" width=\"700\" height=\"394\" \/><\/a><\/p>\n<p style=\"text-align: right;\"><strong>15.02.2015, 19:30, Zoo Palast 2<\/strong><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=601\" target=\"_blank\"> <strong>Je suis Annemarie Schwarzenbach<\/strong><\/a><br \/>\n<em>My name is Annemarie Schwarzenbach<\/em><\/p>\n<p style=\"text-align: left;\">France 2015<br \/>\n85&#8242;<br \/>\nDirector: V\u00e9ronique Aubouy<br \/>\nCast: Julia Perazzini, Nina Langensand, Megane Ferrat, Pauline Leprince<\/p>\n<p><iframe loading=\"lazy\" title=\"Interview V\u00e9ronique Aubouy &quot;Je suis Annemarie Schwarzenbach&quot;\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/nsdLI5bM8wc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">Annemarie Schwarzenbach was a shimmering figure of bohemian society of the 1920s. A talented writer, she was lesbian, addicted to drugs, a globetrotter, bewitchingly androgynous and \u2013 much to her domineering Nazi-loving mother\u2019s chagrin \u2013 also anti-fascist. Berlin photographer Marianne Breslauer described her as the most beautiful creature she had ever encountered. Schwarzenbach died young at the age of 34. She remained forgotten until the 1980s when her books began to be republished and her biography reconstructed. Director V\u00e9ronique Aubouy does more than merely save Annemarie Schwarzenbach from obscurity, she brings her into the present. Sixteen young actors of both genders slip into different roles in order to play Schwarzenbach, her friends and lovers.<\/p>\n<p style=\"text-align: justify;\">Increasingly fascinated by the pull of this figure, their oscillations between genders becomes a joint project. Something that begins as an audition in which the young actors are asked to attach their biographies to that of the writer, ends in a dance of relationships in which the borders between reality and dramatization are blurred.<\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/Je_suis_Annemarie_Schwarzenbach_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1450 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/Je_suis_Annemarie_Schwarzenbach_b.jpg\" alt=\"Je_suis_Annemarie_Schwarzenbach_b\" width=\"700\" height=\"394\" \/><\/a><\/p>\n<p style=\"text-align: right;\"><strong>15.02.2015, 17:00, Zoo Palast 2<\/strong><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=623\" target=\"_blank\">Wonderful World End<\/a><br \/>\n<\/strong><em>Wonderful World End<strong><br \/>\n<\/strong><\/em><\/p>\n<p style=\"text-align: left;\">Japan 2015<br \/>\n82&#8242;<br \/>\nDirector: Daigo Matsui<br \/>\nCast: Ai Hashimoto, Jun Aonami, Y\u00fb Inaba, G\u00f4 Rij\u00fb<\/p>\n<p><iframe loading=\"lazy\" title=\"Interview Daigo Matsui &#039;Wonderful World End&#039;\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/hJm9aioX54g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">In her Gothic Lolita guise 17-year-old Shiori attracts a lot of followers for her blogcast. Whenever she can she talks about herself, offers make-up tips and is delighted at the growing number of visitors to her site. After a music video shoot, confident Shiori meets a strange young girl named Ayumi. The girl is a big fan of Shiori\u2019s and tries to copy her style. She also seems to be rather distracted and monosyllabic, as if she had nothing of her own to say, but she has run away from home to be with Shiori. Hesitant, but also flattered, Shiori allows herself to be drawn in by this girl. This story of the odd friendship between these two girls is also a multi-coloured romp through the artificial world of Japanese teenagers. They do crazy things and dream of making it big. Their private thoughts are shared only in blogs. The film also reflects the disintegration of traditional forms of communication in its aesthetical approach: online chats pop up regularly over the proceedings. It\u2019s as if the smartphone display has been brought to the big screen. Based on two music videos by Seiko Oomori \u2013 Shiori\u2019s favourite female musician in the film \u2013 the drama ends like a comic book dream.<\/p>\n<p><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/wonderful_worldend_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1481 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/wonderful_worldend_b.jpg\" alt=\"wonderful_worldend_b\" width=\"700\" height=\"467\" \/><\/a><\/p>\n<p style=\"text-align: right;\"><strong>15.02.2015, 17:30, CinemaxX 1<\/strong><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=628\" target=\"_blank\"><strong>Al Bahr Min Ouaraikoum<\/strong><\/a><br \/>\nThe Sea is Behind<\/p>\n<p style=\"text-align: left;\">Marocco 2014<br \/>\n88&#8242;<br \/>\nDirector: Hicham Lasri<br \/>\nCast: Malek Akhmiss, Hassan Badida, Yassine Sekkal, Mohammed Aouragh<\/p>\n<p><iframe loading=\"lazy\" title=\"Berlinale 2015: Al bahr min ouaraikoum (The Sea Is Behind) - Teaser trailer\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/QMw4l4neGSQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">Tarik is unable to shed a tear about the loss of his children, or that his life is in ruins. Instead he shrouds his moustache under a veil and sways his hips to the music as the procession moves down the street. Tarik is a H\u2019Dya, a traditional dancer who appears in women\u2019s clothes. Tarik\u2019s father, who leads the parade down the empty Moroccan streets, bawls his eyes out when his beloved cart horse Larbi refuses to go on, and combs his mane lovingly with his dentures. Tarik\u2019s ex-wife\u2019s bruiser of a partner installs himself in Tarik\u2019s toilet. And Tarik\u2019s friend Murad is threatened and insulted on account of his homosexuality. Was there really something in the water, as everyone claims? Or is it all in Tarik\u2019s mind?In his third feature film, Hicham Lasri tells us, in surreally beautiful black-andwhite images, about traditions and trance, intolerance and violence, friendship and flesh and blood. And about animal love \u2013 albeit possibly inappropriate. Aided by raucous Moroccan rock music, Lasri composes a David Lynch-like state of intoxication to produce a truly modern Maghrebi cinematic experience.<\/p>\n<p><iframe loading=\"lazy\" title=\"Interview Hicham Lasri  about the film &#039;Al bahr min ouaraikoum&#039; (The Sea is Behind)\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/9Ri13jPyWSg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: right;\"><strong style=\"text-align: left; line-height: 1.5;\">15.02.2015, 17:45, CineStar 3<\/strong><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/the_sea_is_behind.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1469 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/the_sea_is_behind.jpg\" alt=\"Malek Akhmiss\" width=\"700\" height=\"290\" \/><\/a><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=592\" target=\"_blank\"><strong>La Isla est\u00e1 Encantada con Ustedes<br \/>\n<\/strong><\/a><em>The Island is enchanted with You<strong><br \/>\n<\/strong><\/em><\/p>\n<p style=\"text-align: left;\">USA\/Switzerland\/Australia 2014<br \/>\n28&#8242;<br \/>\nDirector: Alexander Carver, Daniel Schmidt<br \/>\nCast: Raul De Nieves, Lydela Leonor, Lea Cetera, Carlos Solis-Keyser<\/p>\n<p><iframe loading=\"lazy\" title=\"La Isla est\u00e1 Encantada con Ustedes\" src=\"https:\/\/player.vimeo.com\/video\/107495672?dnt=1&amp;app_id=122963\" width=\"474\" height=\"267\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">In 1511, indigenous people in Puerto Rico seduced and murdered a representative of colonial power. Some 300 years later, a further chapter of colonial history: In 1803, by order of the Spanish Crown,<br \/>\na doctor named Francisco Javier de Balmis travelled to Puerto Rico with a number of orphans. They were carriers of the live vaccine with which Balmis executed one of the first mass immunisations<br \/>\nagainst smallpox. A glance to the present day: In 2014, Puerto Rico produced an enormous amount of pharmaceuticals with subsidies from the USA. By interweaving strands of colonial and postcolonial<br \/>\nhistory, the filmmakers of La Isla est\u00e1 Encantada con Ustedes have created a lyrical work that mirrors and completes the dynamics of power and lust. A modern roundelay, that restages the past<br \/>\nin the present. Lead by a gaze of sexual subtext, this is a comedy in which reality is subordinate to strategies of power \u2013while revealing the closely intertwined nature of health and economics, in the<br \/>\npast and present.<\/p>\n<p><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/la_isla_esta_encanatada_con_ustedes_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1452 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/la_isla_esta_encanatada_con_ustedes_b.jpg\" alt=\"la_isla_esta_encanatada_con_ustedes_b\" width=\"700\" height=\"394\" \/><\/a><\/p>\n<p style=\"text-align: right;\"><strong>15.02.2015, 17:40, Colosseum 1<br \/>\n<\/strong><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=606\" target=\"_blank\"><strong>Sangail\u0117<\/strong><\/a><br \/>\n<em>The Summer of Sangail\u00e9<\/em><\/p>\n<p style=\"text-align: left;\">Lithuania\/France\/Netherlands 2015<br \/>\n88&#8242;<br \/>\nDirector: Alant\u00e9 Kava\u00eft\u00e9<br \/>\nCast: Julija Steponaityt\u00e9, Aist\u00e9<br \/>\nDurit\u00e9, Jurat\u00e9 Sodyt\u00e9, Martynas Budraitis<\/p>\n<p style=\"text-align: justify;\">Seventeen-year-old Sangaile is mesmerised by the dance-like loop-de-loop and pirouettes of acrobatic pilots. She herself suffers from vertigo and could never imagine sitting in a cockpit. A quiet and introverted girl, she is spending her summer in the countryside at her parents\u2019 holiday home where she tries to see the local air shows as often as she can. This is where she meets Auste, who lives out her days with impressive confidence and plenty of imagination. Sangail\u00e9 is fascinated by Auste\u2019s natural assertiveness. Together the girls sample everything that life in the country has to offer. They soon become close and, when Sangail\u00e9 shares with Auste her most intimate secret, it gives her a sense of security she has never known before and provides her with the courage to fly for the first time in her life. In buoyant, cinematic images suffused with light Alant\u00e9 Kava\u00eft\u00e9 brings together the isolated emotions of two very different girls in the universe that is young love. In her sensitive, intensely sensual film, she tells the story of their intimacy, their passionate devotion and delicate collisions; their vulnerability and sense of trust.<\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/The_summer_of_Sanile_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1463 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/The_summer_of_Sanile_b.jpg\" alt=\"The_summer_of_Sanile_b\" width=\"700\" height=\"467\" \/><\/a><\/p>\n<p style=\"text-align: right;\"><strong>15.02.2015, 19:00, Zoo Palast 1<br \/>\n<\/strong><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=593\" target=\"_blank\">The Mad Half Hour<\/a><br \/>\n<\/strong><em>The Mad Half Hour<strong><br \/>\n<\/strong><\/em><\/p>\n<p style=\"text-align: left;\">Argentina\/Denmark<br \/>\n22&#8242;<br \/>\nDirector: Leonardo Brzezicki<br \/>\nCast: Julian Larquier, Diego Echegoyen, Laila Maltz, Martina Juncadella<\/p>\n<p><iframe loading=\"lazy\" title=\"Interview with Leonardo Brzezicki, &#039;The Mad Half Hour&#039;\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/wWZ-Mmu9uSY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">Once a day, domestic cats go completely mad. A total burst of energy. It\u2019s all over within half an hour. No one knows why. That\u2019s just how it is.Juan is rather similar. He doesn\u2019t know why, it just seizes him. The loss of commitment. Why should he bother to hit a ball over the net and wait for it to be returned, while making sure it stays within the white line? Does he still love Pedro, no, perhaps yes?<br \/>\nPedro is used to it and takes him by the hand. They venture into the night together and stray, likes cats, through the streets of Buenos Aires. Far more than pursuing narrative logic, the film follows<br \/>\nhuman feelings without ever fully relinquishing the threads of the storyline.<\/p>\n<p><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/the_mad_half_hour_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1472 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/the_mad_half_hour_b.jpg\" alt=\"the_mad_half_hour_b\" width=\"700\" height=\"394\" \/><\/a><\/p>\n<p style=\"text-align: right;\"><strong>15.02.2015, 19:30, Zoo Palast 2<\/strong><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=576\" target=\"_blank\"><strong>Eisenstein in Guanajuato<\/strong><\/a><br \/>\n<em>Eisenstein in Guanajuato<\/em><\/p>\n<p style=\"text-align: left;\">Netherlands\/Mexico\/Finland\/Belgium 2015<br \/>\n105&#8242;<br \/>\nDirector: Peter Greenaway<br \/>\nCast: Elmer B\u00e4ck, Luis Alberti, Rasmus Slatis, Jacob \u00d6hrmann<\/p>\n<p><iframe loading=\"lazy\" title=\"Interview Elmer B\u00e4ck &amp; Luis Alberti &#039;Eisenstein in Guanajuato&#039;\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/pcGHBc3EQe0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">In 1931 the Soviet director Sergei Eisenstein travels to Guanajuato to direct his film Que viva M\u00e9xico. There he encounters a new culture and its dealings with death; he also discovers another revolution &#8211; and his own body. Peter Greenaway depicts Eisenstein as an eccentric artist who travels to Mexico filled with the hubris of being an internationally celebrated star director. Once there, he gets into difficulties with his American financier, the novelist Upton Sinclair. At the same time he begins, in the simultaneously joyful and threatening foreign land, to re-evaluate his homeland and the Stalinist regime. And, in doing so, he undergoes the transition from a conceptual filmmaker into an artist fascinated by the human condition. Under his gaze, the signs, impressions, religious and pagan<br \/>\nsymbols of Mexican culture assemble themselves anew.Making use of extreme close-ups, splitscreens and a dramatic montage &#8211; all to enact the transformation of a hero who presents himself as a tragic clown &#8211; Greenaway deliberately quotes and modifies Eisenstein&#8217;s own cinematic tools. Scene by scene the film gets closer to Eisenstein the man, who finds himself surprised by an unexpected desire.<\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/Eisenstein_in_Guanjato_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1439 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/Eisenstein_in_Guanjato_b.jpg\" alt=\"Eisenstein_in_Guanjato_b\" width=\"700\" height=\"293\" \/><\/a><\/p>\n<p style=\"text-align: right;\"><strong>15.02.2015, 21:15, Friedrichstadtpalast<\/strong><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=599\" target=\"_blank\">How to Win at Checkers (Every Time)<\/a><br \/>\n<\/strong><em>How to Win at Checkers (Every Time)<strong><br \/>\n<\/strong><\/em><\/p>\n<p style=\"text-align: left;\">Thailand\/USA\/Indonesia 2015<br \/>\n80&#8242;<br \/>\nDirector: Josh Kim<br \/>\nCast: Thira Chutikul, Ingarat Damrongsakkul, Iirah Wimonchailerk, Arthur Navarat<\/p>\n<p><iframe loading=\"lazy\" title=\"Interview Josh Kim &#039;How To Win At Checkers (Every Time)&#039;\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/xvZI1djitMM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">The poor outlying districts of Bangkok are a world where you grow up very quickly. After both their parents die, eleven-year-old Oat, his little sister and his older brother Ek move in with their aunt. Ek<br \/>\nworks in a bar for male prostitutes and transvestites. His relationship with Jai, the son of rich parents, began when he was still at school. Their uneven love for one another is put to the test when the day of the annual conscription arrives; this is when a lottery decides who must do military service and who can stay at home. Young Oat steals money from the local mafia boss in order to buy their beloved brother and family breadwinner out of the army. His actions have dramatic and traumatic consequences.Told from the younger brother&#8217;s point of view, the film takes a refreshingly unadorned and impartial look at an essentially loving environment where social conditions are governed by venality, corruption and false ideals.<\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/How_to_win_at_checkers_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1447 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/How_to_win_at_checkers_b.jpg\" alt=\"How_to_win_at_checkers_b\" width=\"700\" height=\"394\" \/><\/a><\/p>\n<p style=\"text-align: right;\"><strong>15.02.2015, 21:30, Zoo Palast 1<br \/>\n<\/strong><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><a href=\"http:\/\/news.teddyaward.tv\/en\/program\/?a-z=0&amp;id_film=579\" target=\"_blank\"><strong>Der letzte Sommer der Reichen<\/strong><\/a><br \/>\n<em>The Last Summer of the Rich<\/em><\/p>\n<p style=\"text-align: left;\">Austria 2015<br \/>\n91&#8242;<br \/>\nDirector: Peter Kern<br \/>\nCast: Amira Casar, Nicole Gerdon, Winfried Glatzeder, Heinz Trixner<\/p>\n<p><iframe loading=\"lazy\" title=\"Interview Winfried Glatzeder &#039;Der Letzte Sommer der Reichen&#039;\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/xz5DR_XFPc0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">Young and attractive company executive Hanna von Stezewitz (Amira Casar) has everything, and just takes whatever she doesn\u2019t. She\u2019s an arrogant and unscrupulous manipulator who has politicians<br \/>\nand banks in her pocket \u2013 she\u2019s a perfect example of predatory capitalism whose preferred sartorial look is patent leather and leather. To avoid boredom she seeks ever more extreme kicks and sees her abuse of a young girl with hopes of a career merely as collateral damage, nothing money can\u2019t fix. The only person who stands in her way is her bedridden grandfather, the family patriarch, and his reactionary worldview. Desperate to be rid of him, she hires a killer. When Hanna unexpectedly finds a lover who is her equal in the shape of Sarah, the nun who is her grandfather\u2019s nurse, her happiness seems complete. But does she really have everything under control? Peter Kern has succeededin creating an angry, opulent portrait of manners in which everyone \u2013 rich or poor \u2013 is corruptible or at least susceptible to seduction, and criminality and capital go hand in glove. A merry dance of corruption in which anyone who steps out of time is simply brushed aside.<\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/der_letzte_sommer_der_reichen_b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1437 size-full\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2015\/01\/der_letzte_sommer_der_reichen_b.jpg\" alt=\"A016_C022_1130WE\" width=\"700\" height=\"295\" \/><\/a><\/p>\n<p style=\"text-align: right;\"><strong>15.02.2015, 22:30, Colosseum 1<\/strong><\/p>\n<hr \/>\n","protected":false},"excerpt":{"rendered":"<p>Once again ten beautiful Teddy days find an end. At the Berlinale the final curtain will fall tonight and the bears go back to their caves. After all the stars, parties and movies, they need a time-out to gather new strength for the next year! But until then, you still have the chance to watch &hellip; <a href=\"https:\/\/blog.teddyaward.tv\/en\/2015\/02\/14\/day-11-after-the-teddy-is-before-the-teddy\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Day 11: After the Teddy is before the Teddy<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":1116,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,86,58],"tags":[96,19,36],"class_list":["post-1002","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general","category-teddy-2015","category-teddy-today-3","tag-29th-teddy-award","tag-berlinale","tag-teddy-today-2"],"_links":{"self":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/posts\/1002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/comments?post=1002"}],"version-history":[{"count":6,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/posts\/1002\/revisions"}],"predecessor-version":[{"id":1119,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/posts\/1002\/revisions\/1119"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/media\/1116"}],"wp:attachment":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/media?parent=1002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/categories?post=1002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/tags?post=1002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}