{"id":2772,"date":"2019-01-29T12:17:40","date_gmt":"2019-01-29T10:17:40","guid":{"rendered":"http:\/\/blog.teddyaward.tv\/en\/?page_id=2772"},"modified":"2019-02-21T19:21:31","modified_gmt":"2019-02-21T17:21:31","slug":"retro","status":"publish","type":"page","link":"https:\/\/blog.teddyaward.tv\/en\/retro\/","title":{"rendered":"Retro"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>Compartment&nbsp;<\/strong><\/h2>\n\n\n\n<p>Director: Eva C. Heldmann, Germany, 1990<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Compartment-\u00a9-Eva-Heldmann-May-not-be-used-for-Social-Media-201902039_1_web-1024x576.jpg\" alt=\"\" class=\"wp-image-2773\" srcset=\"https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Compartment-\u00a9-Eva-Heldmann-May-not-be-used-for-Social-Media-201902039_1_web-1024x576.jpg 1024w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Compartment-\u00a9-Eva-Heldmann-May-not-be-used-for-Social-Media-201902039_1_web-300x169.jpg 300w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Compartment-\u00a9-Eva-Heldmann-May-not-be-used-for-Social-Media-201902039_1_web-768x432.jpg 768w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Compartment-\u00a9-Eva-Heldmann-May-not-be-used-for-Social-Media-201902039_1_web.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Sex on the metro! The director has taken footage shot in a completely empty compartment on the London underground and married it to the off-camera reading of a pornographic text that includes detailed masturbation instructions for a female rider. <a href=\"http:\/\/teddyaward.tv\/en\/archive\/?a-z=1&amp;select=&amp;id_film=847\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"READ MORE... (opens in a new tab)\">READ MORE&#8230;<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Dress Rehearsal und Karola 2 (Dress Rehearsal and Karola 2)<\/strong><\/h2>\n\n\n\n<p>Director: Christine Noll Brinckmann, Federal Republic of Germany, 1979<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Dress-Rehearsal-und-Karola-2-\u00a9-Noll-Brinckmann-201901538_2_web-1024x576.jpg\" alt=\"\" class=\"wp-image-2774\" srcset=\"https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Dress-Rehearsal-und-Karola-2-\u00a9-Noll-Brinckmann-201901538_2_web-1024x576.jpg 1024w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Dress-Rehearsal-und-Karola-2-\u00a9-Noll-Brinckmann-201901538_2_web-300x169.jpg 300w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Dress-Rehearsal-und-Karola-2-\u00a9-Noll-Brinckmann-201901538_2_web-768x432.jpg 768w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Dress-Rehearsal-und-Karola-2-\u00a9-Noll-Brinckmann-201901538_2_web.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>A tie or lace? After trying on numerous treasures from New York\u2019s second-hand stores, and extravagant fashion accessories, Karola Gramann decides on a traditional dinner jacket with cummerbund and bow tie. <a href=\"http:\/\/teddyaward.tv\/en\/archive\/?a-z=1&amp;select=&amp;id_film=845\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"READ MORE... (opens in a new tab)\">READ MORE&#8230;<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Dorian Gray im Spiegel der Boulevardpresse (Dorian Gray in the Mirror of the Yellow Press)<\/strong><\/h2>\n\n\n\n<p>Director: Ulrike Ottinger, Federal Republic of Germany, 1984<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Dorian-Gray-im-Spiegel-der-Boulevardpresse-\u00a9-Ulrike-Ottinger-201901529_2_web-1024x576.jpg\" alt=\"\" class=\"wp-image-2775\" srcset=\"https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Dorian-Gray-im-Spiegel-der-Boulevardpresse-\u00a9-Ulrike-Ottinger-201901529_2_web-1024x576.jpg 1024w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Dorian-Gray-im-Spiegel-der-Boulevardpresse-\u00a9-Ulrike-Ottinger-201901529_2_web-300x169.jpg 300w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Dorian-Gray-im-Spiegel-der-Boulevardpresse-\u00a9-Ulrike-Ottinger-201901529_2_web-768x432.jpg 768w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Dorian-Gray-im-Spiegel-der-Boulevardpresse-\u00a9-Ulrike-Ottinger-201901529_2_web.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Frau Dr Mabuse, boss of an international media conglomerate, needs to boost circulation. She has decided to create an artificial character who will fulfil all her readers\u2019 dreams, only to then destroy him before their very eyes. <a href=\"http:\/\/teddyaward.tv\/en\/archive\/?a-z=1&amp;select=&amp;id_film=846\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"READ MORE... (opens in a new tab)\">READ MORE&#8230;<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Female Misbehavior&nbsp;<\/strong><\/h2>\n\n\n\n<p>Director: Monika Treut,Germany, 1992<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Female-Misbehavior-\u00a9-Edition-Salzgeber_-Hyena-Films-201902002_2_web-1024x576.jpg\" alt=\"\" class=\"wp-image-2776\" srcset=\"https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Female-Misbehavior-\u00a9-Edition-Salzgeber_-Hyena-Films-201902002_2_web-1024x576.jpg 1024w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Female-Misbehavior-\u00a9-Edition-Salzgeber_-Hyena-Films-201902002_2_web-300x169.jpg 300w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Female-Misbehavior-\u00a9-Edition-Salzgeber_-Hyena-Films-201902002_2_web-768x432.jpg 768w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Female-Misbehavior-\u00a9-Edition-Salzgeber_-Hyena-Films-201902002_2_web.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>In four short films, three women and a transgender man talk about their sexuality. In Bondage, Carol, a New York activist in the lesbian leather scene, explains her embrace of sadomasochism. <a href=\"http:\/\/teddyaward.tv\/en\/archive\/?a-z=1&amp;select=&amp;id_film=844\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"READ MORE... (opens in a new tab)\">READ MORE&#8230;<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Garden<\/h2>\n\n\n\n<p>Director: Derek Jarman, United Kingdom, 1990<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1021\" height=\"1024\" src=\"http:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/02\/The-Garden-\u00a9-Liam-Daniel-BasiliskCommunications-EditionSalzgeber-201919343_1-1021x1024.jpg\" alt=\"\u00a9 Liam Daniel\/Basilisk Communications\/Edition Salzgeber\" class=\"wp-image-2996\" srcset=\"https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/02\/The-Garden-\u00a9-Liam-Daniel-BasiliskCommunications-EditionSalzgeber-201919343_1-1021x1024.jpg 1021w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/02\/The-Garden-\u00a9-Liam-Daniel-BasiliskCommunications-EditionSalzgeber-201919343_1-150x150.jpg 150w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/02\/The-Garden-\u00a9-Liam-Daniel-BasiliskCommunications-EditionSalzgeber-201919343_1-300x300.jpg 300w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/02\/The-Garden-\u00a9-Liam-Daniel-BasiliskCommunications-EditionSalzgeber-201919343_1-768x770.jpg 768w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/02\/The-Garden-\u00a9-Liam-Daniel-BasiliskCommunications-EditionSalzgeber-201919343_1.jpg 1280w\" sizes=\"auto, (max-width: 1021px) 100vw, 1021px\" \/><figcaption>\u00a9 Liam Daniel\/Basilisk Communications\/Edition Salzgeber<\/figcaption><\/figure>\n\n\n\n<p>Derek Jarman had two gardens. One was in Dungeness, he started to work on it after being diagnosed with HIV. &#8221;The gardener digs in another time, without past or future, beginning or end,&#8221; he wrote in his journal. <a href=\"http:\/\/teddyaward.tv\/en\/archive\/?a-z=1&amp;select=&amp;id_film=852\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"READ MORE... (opens in a new tab)\">READ MORE&#8230;<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Z\u00e4rtlichkeiten (Tendernesses)<\/strong><\/h2>\n\n\n\n<p>Director: Maria Lang, Federal Republic of Germany, 1985<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Z\u00e4rtlichkeiten-\u00a9-Deutsche-Kinemathek-_-DFFB201901685_1_web-1024x576.jpg\" alt=\"\" class=\"wp-image-2777\" srcset=\"https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Z\u00e4rtlichkeiten-\u00a9-Deutsche-Kinemathek-_-DFFB201901685_1_web-1024x576.jpg 1024w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Z\u00e4rtlichkeiten-\u00a9-Deutsche-Kinemathek-_-DFFB201901685_1_web-300x169.jpg 300w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Z\u00e4rtlichkeiten-\u00a9-Deutsche-Kinemathek-_-DFFB201901685_1_web-768x432.jpg 768w, https:\/\/blog.teddyaward.tv\/en\/wp-content\/uploads\/sites\/4\/2019\/01\/Z\u00e4rtlichkeiten-\u00a9-Deutsche-Kinemathek-_-DFFB201901685_1_web.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Stories from the lesbian subculture in West Berlin, about being in love, clich\u00e9s, desire, and conflict\u2014\u201cshot as a narrative, with real lesbians at real locations about real feelings\u201d. <a href=\"http:\/\/teddyaward.tv\/en\/archive\/?a-z=1&amp;select=&amp;id_film=843\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"READ MORE... (opens in a new tab)\">READ MORE&#8230;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Compartment&nbsp; Director: Eva C. Heldmann, Germany, 1990 Sex on the metro! The director has taken footage shot in a completely empty compartment on the London underground and married it to the off-camera reading of a pornographic text that includes detailed masturbation instructions for a female rider. READ MORE&#8230; Dress Rehearsal und Karola 2 (Dress Rehearsal &hellip; <a href=\"https:\/\/blog.teddyaward.tv\/en\/retro\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Retro<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":28,"featured_media":2775,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-2772","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/pages\/2772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/comments?post=2772"}],"version-history":[{"count":15,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/pages\/2772\/revisions"}],"predecessor-version":[{"id":3593,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/pages\/2772\/revisions\/3593"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/media\/2775"}],"wp:attachment":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/media?parent=2772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}