{"id":2751,"date":"2019-01-29T12:40:43","date_gmt":"2019-01-29T10:40:43","guid":{"rendered":"http:\/\/blog.teddyaward.tv\/en\/?page_id=2751"},"modified":"2019-02-21T19:16:04","modified_gmt":"2019-02-21T17:16:04","slug":"shorts","status":"publish","type":"page","link":"https:\/\/blog.teddyaward.tv\/en\/shorts\/","title":{"rendered":"Shorts"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Blue Boy<\/h2>\n\n\n\n<p>Director: Manuel Abramovich, Argentina\/Germany, 2019<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2019\/01\/X_BlueBoy_web-1024x576.jpg\" alt=\"\" class=\"wp-image-4087\" \/><\/figure>\n\n\n\n<p>Young men from all over the world have been meeting at the Blue Boy Bar in Berlin for forty years. According to their website, this is where the city\u2019s lonely hearts, business people and tourists go. One after another, several young men take a seat at the bar, look into the camera and listen to themselves. <a href=\"http:\/\/teddyaward.tv\/en\/archive\/?a-z=1&amp;select=&amp;id_film=789\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"READ MORE... (opens in a new tab)\">READ MORE&#8230;<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Entropia<\/h2>\n\n\n\n<p>Director: Anna Fl\u00f3ra Buda, Hungary, 2018<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2019\/01\/X_Entropia-201916458_1_web-1024x576.jpg\" alt=\"\" class=\"wp-image-4086\" \/><\/figure>\n\n\n\n<p>Three women, three lives in parallel worlds, until the moment a fly causes a bug in the system. The universe collapses, sex is in the air, bras are overrated and the stars twinkle! <a href=\"http:\/\/teddyaward.tv\/en\/archive\/?a-z=1&amp;select=&amp;id_film=790\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"READ MORE... (opens in a new tab)\">READ MORE&#8230;<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Four Quartets<\/h2>\n\n\n\n<p>Director: Marco Alessi, United Kingdom, 2018<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2019\/01\/Four-Quartets-\u00a9-Marco-Alessi-201910657_2_web-1024x576.jpg\" alt=\"\" class=\"wp-image-4085\" \/><\/figure>\n\n\n\n<p>He waves his arms in the air while his lithe body soaks up the beat and transfers it to his legs. Raf literally breathes in the music. At the same time he is constantly scanning the room. <a href=\"http:\/\/teddyaward.tv\/en\/archive\/?a-z=1&amp;select=&amp;id_film=819\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"READ MORE... (opens in a new tab)\">READ MORE&#8230;<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">H\u00e9ctor<\/h2>\n\n\n\n<p>Director: Victoria Giesen Carvajal, Chile, 2019<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2019\/01\/X_H\u00e9ctor-201911068_1_web-1024x576.jpg\" alt=\"\" class=\"wp-image-4088\" \/><\/figure>\n\n\n\n<p>A fishing cove on an island fallen out of time and space, almost like the rocky island in Michelangelo Antonionis L&#8217;Avventura (1960). Nature is not merely decoration, but an active force of events. <a href=\"http:\/\/teddyaward.tv\/en\/archive\/?a-z=1&amp;select=&amp;id_film=792\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"READ MORE... (opens in a new tab)\">READ MORE&#8230;<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Lid\u00e9rc \u00far (Mr. Mare)<\/h2>\n\n\n\n<p>Director: Luca T\u00f3th, Hungary\/France, 2019<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2019\/01\/LidercUr_web-1024x576.jpg\" alt=\"\" class=\"wp-image-4090\" \/><\/figure>\n\n\n\n<p>The nipple is the power button that gets the &#8216;cinema of the mind&#8217; rolling \u2013 or is it in fact a reality? An X-ray reveals it quite clearly: a little man nestled between the rib bones. There he lies and sleeps. <a href=\"http:\/\/teddyaward.tv\/en\/archive\/?a-z=1&amp;select=&amp;id_film=795\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"READ MORE... (opens in a new tab)\">READ MORE&#8230;<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Parsi<\/h2>\n\n\n\n<p>Director: Eduardo Williams, Argentina\/Switzerland, 2018<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2019\/01\/X_Parsi-\u00a9-Eduardo-Williams-und-Mariano-Blatt_web-1024x576.jpg\" alt=\"\" class=\"wp-image-4091\" \/><\/figure>\n\n\n\n<p>\u201cNo es\u201d (It isn\u2019t) is a cumulative poem by Mariano Blatt, which is constantly written over the course of a lifetime. The text of the poem, a list of \u201cwhat seems to be but isn\u2019t\u201d, to which verses are added over days, months, and years, can cover anything: images, people, memories, landscapes, phrases, ideas. <a href=\"http:\/\/teddyaward.tv\/en\/archive\/?a-z=1&amp;select=&amp;id_film=822\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"READ MORE... (opens in a new tab)\">READ MORE&#8230;<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Vivir en junio con la lengua afuera (To Live in June with Your Tongue Hanging out)<\/h2>\n\n\n\n<p>Director: Coco Fusco, USA\/Cuba, 2018<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2019\/01\/X_Vivir-en-junio-con-la-lengua-afuera-\u00a9-Coco-Fusco.jpg\" alt=\"\" class=\"wp-image-4173\" \/><\/figure>\n\n\n\n<p>Though he first supported the Cuban revolution as a young man, Reinaldo Arenas spent much of his adult life on the island as a persona non grata because of his open homosexuality and politically dissident views. While his work was banned inside the country, his manuscripts were smuggled out by friends and won prizes abroad. <a href=\"http:\/\/teddyaward.tv\/en\/archive\/?a-z=1&amp;select=&amp;id_film=821\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"READ MORE... (opens in a new tab)\">READ MORE&#8230;<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Yulia &amp; Juliet<\/h2>\n\n\n\n<p>Director: Zara Dwinger, Netherlands, 2018<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/blog.teddyaward.tv\/wp-content\/uploads\/2019\/01\/X_Yulia-_-Juliet-\u00a9-Douwe-Hennink-201912133_1_web-1024x576.jpg\" alt=\"\" class=\"wp-image-4174\" \/><\/figure>\n\n\n\n<p>At first it seems like Yulia and Juliet are meeting in the school corridor, but then we notice the ventilation grilles in the image, through which the two lovers have to talk to each other. Yulia and Juliet are in prison. Worse still, Juliet will soon be released. But what will happen to Yulia? <a href=\"http:\/\/teddyaward.tv\/en\/archive\/?a-z=1&amp;select=&amp;id_film=818\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"READ MORE... (opens in a new tab)\">READ MORE&#8230;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Blue Boy Director: Manuel Abramovich, Argentina\/Germany, 2019 Young men from all over the world have been meeting at the Blue Boy Bar in Berlin for forty years. According to their website, this is where the city\u2019s lonely hearts, business people and tourists go. One after another, several young men take a seat at the bar, &hellip; <a href=\"https:\/\/blog.teddyaward.tv\/en\/shorts\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Shorts<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":21,"featured_media":2899,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-2751","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/pages\/2751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/comments?post=2751"}],"version-history":[{"count":11,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/pages\/2751\/revisions"}],"predecessor-version":[{"id":3588,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/pages\/2751\/revisions\/3588"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/media\/2899"}],"wp:attachment":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/media?parent=2751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}