{"id":2577,"date":"2019-01-29T12:18:01","date_gmt":"2019-01-29T10:18:01","guid":{"rendered":"http:\/\/blog.teddyaward.tv\/en\/?page_id=2577"},"modified":"2019-02-21T19:19:28","modified_gmt":"2019-02-21T17:19:28","slug":"panorama-40","status":"publish","type":"page","link":"https:\/\/blog.teddyaward.tv\/en\/panorama-40\/","title":{"rendered":"Panorama 40"},"content":{"rendered":"\r\n

The Attendant\u00a0<\/h2>\r\n\r\n\r\n\r\n

Director: Isaac Julien, United Kingdom, 1993<\/p>\r\n\r\n\r\n\r\n

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A young white man visits a gallery of old master paintings. When the museum closes, he stays behind, arousing the sexual fantasies of an older black museum attendant. READ MORE\u2026<\/a><\/p>\r\n\r\n\r\n\r\n

Blue Diary\u00a0<\/strong><\/h2>\r\n\r\n\r\n\r\n

Director: Jenni Olson, USA, 1997<\/p>\r\n\r\n\r\n\r\n

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A lesbian spends a night with a straight woman. The next morning, she faces her unfulfilled expectations. READ MORE\u2026<\/a><\/p>\r\n\r\n\r\n\r\n

Buddies<\/strong><\/h2>\r\n\r\n\r\n\r\n

Director: Arthur J. Bressan Jr.,USA, 1985<\/p>\r\n\r\n\r\n\r\n

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New York in the summer of 1985. What we now know to be the AIDS crisis is approaching its first peak. The realisation is a shock, albeit at this stage only for those affected. READ MORE\u2026<\/a><\/p>\r\n\r\n\r\n\r\n

Daddy and the Muscle Academy\u00a0<\/strong><\/h2>\r\n\r\n\r\n\r\n

Director: Ilppo Pohjola, Finland, 1991<\/p>\r\n\r\n\r\n\r\n

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In the late 1940s, the artist Tom of Finland began turning his sexual fantasies into drawings. He gained world renown with the publication of his work in American men\u2019s magazines. Gay men began to shape their bodies, look and entire self-image according to his idealised views of masculine-looking men dressed in leather or uniform.\u00a0 READ MORE…<\/a><\/p>\r\n\r\n\r\n\r\n

Das Ger\u00e4usch Rascher Erl\u00f6sung\u00a0(The\u00a0Sound\u00a0of\u00a0Fast\u00a0Relief)<\/strong><\/h2>\r\n\r\n\r\n\r\n

Director: Wieland Speck, Germany, 1982<\/p>\r\n\r\n\r\n\r\n

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After a flirtatious encounter, a young man finds it difficult to organise the hoped-for reunion with the object of his desire. Calls remain unanswered and he is left with only a drink, his bed and images of soldiers in combat to fill his inner void. READ MORE\u2026<\/a><\/p>\r\n\r\n\r\n\r\n

Fear of Disclosure\u00a0<\/strong><\/h2>\r\n\r\n\r\n\r\n

Directors: Phil Zwickler, David Wojnarowicz, USA, 1989<\/p>\r\n\r\n\r\n\r\n

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This was the first film to specifically address the difficulties in relationships between HIV-positive and HIV-negative men. Two go-go dancers assess each other\u2019s mortality while the world rotates and a gay man reflects on the psychosocial consequences of the disclosure of his HIV infection. READ MORE\u2026<\/a><\/p>\r\n\r\n\r\n\r\n

Jean Genet is Dead\u00a0<\/strong><\/h2>\r\n\r\n\r\n\r\n

Director: Constantine Giannaris,United Kingdom, 1987<\/p>\r\n\r\n\r\n\r\n

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Young men find themselves scattered and defencelessly exposed to a merciless sun. Their gaze moves off searchingly into the distance. Deserted places appear to offer vague promises of refuge. READ MORE\u2026<\/a><\/p>\r\n\r\n\r\n\r\n

Les Nuits Fauves\u00a0(Savage\u00a0Nights)<\/strong><\/h2>\r\n\r\n\r\n\r\n

Director: Cyril Collard, France\/ Italy, 1992<\/p>\r\n\r\n\r\n\r\n

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After a film shoot in Morocco, Jean, a thirty-year-old cameraman, returns to Paris and throws himself into his old excessive ways, despite his HIV infection. Roaring through the night in his sports car he relentlessly pursues quick sex with men on the banks of the Seine, at the same time as loving Laura and being in a relationship with Samy. READ MORE\u2026<\/a><\/p>\r\n\r\n\r\n\r\n

The Making of Monsters\u00a0<\/strong><\/h2>\r\n\r\n\r\n\r\n

Director: John Greyson, Canada, 1990<\/p>\r\n\r\n\r\n\r\n

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In 1985, gay teacher Kenneth Zellers was murdered by five teenage boys in High Park, Toronto. In his experimental musical, John Greyson, enfant terrible of Canadian cinema, undertakes a comprehensive, activist\u2019s analysis of the case. READ MORE\u2026<\/a><\/p>\r\n\r\n\r\n\r\n

The Man Who Drove With Mandela\u00a0<\/strong><\/h2>\r\n\r\n\r\n\r\n

Director: Greta Schiller, United Kingdom\/ South Africa\/ USA\/ Netherlands, 1998<\/p>\r\n\r\n\r\n\r\n

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\u00a0In order to organise armed resistance against the apartheid regime in the early 1960s, Nelson Mandela travelled incognito through the country as the chauffeur of a renowned theatre director and committed freedom fighter. READ MORE…<\/a><\/p>\r\n\r\n\r\n\r\n

Max<\/h2>\r\n\r\n\r\n\r\n

Director: Monika Treut, Germany, 1992<\/p>\r\n\r\n\r\n\r\n

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This documentary – probably the first cinematic portrait of a trans man – is one of numerous pioneering works by Monika Treut, who is herself an icon of emancipation movements. In this work, Native American Max Wolf Valerio reveals his journey into becoming a different gender. READ MORE…<\/a><\/p>\r\n\r\n\r\n\r\n

Mitt liv som hund (<\/strong>My Life as a Dog)<\/h2>\r\n\r\n\r\n\r\n

Director: Lasse Hallstr\u00f6m, Sweden, 1985<\/p>\r\n\r\n\r\n\r\n

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A small Swedish town in 1959. Twelve-year-old Ingemar lives with a dog, his brother and his mother; she is suffering from tuberculosis and is at her wits\u2019 end on account of his escapades. When her health deteriorates, Ingemar is sent away to live with his uncle in the country. READ MORE…<\/a><\/p>\r\n\r\n\r\n\r\n

Self-Portrait in 23 Rounds: a Chapter in David Wojnarowicz\u2019s Life, 1989\u20131991\u00a0<\/strong><\/h2>\r\n\r\n\r\n\r\n

Director: Marion Scemama, France, 2018<\/p>\r\n\r\n\r\n\r\n

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Political artist, painter, writer, performer and photographer David Wojnarowicz was one of the leading personalities of the 1980s New York art scene. READ MORE…<\/a><\/p>\r\n\r\n\r\n\r\n

Split \u2013 William to Chrysis; Portrait of a Drag Queen\u00a0<\/strong><\/h2>\r\n\r\n\r\n\r\n

Director: Ellen Fisher Turk, Andrew Weeks, USA, 1992\u00a0<\/p>\r\n\r\n\r\n\r\n

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A cinematic tribute to transgender celebrity International Chrysis (1951-1990). Rejected by his parents, this effeminate Bronx boy was desperate to be more than just William, and so he created Chrysis. With bright red hair, a voluptuous bosom and disarming smile, she made a living as a sex worker and began conquering the stages of ever larger Manhattan nightclubs. READ MORE…<\/a><\/p>\r\n\r\n\r\n\r\n

Sto dnei do prikaza (100 Days Before the Command)<\/strong><\/h2>\r\n\r\n\r\n\r\n

Director: Khusein Erkenov, Russian Federation, 1990<\/p>\r\n\r\n\r\n\r\n

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Five young soldiers in the Soviet army find themselves exposed to a cycle of constant violence. Rebelling in various ways against humiliation and the assault on their dignity, they somehow manage to seize carefree moments of intimacy. READ MORE…<\/a><\/p>\r\n\r\n\r\n\r\n

Willkommen im Dom (Welcome to the Dome)<\/strong><\/h2>\r\n\r\n\r\n\r\n

Director: Jochen Hick, Germany, 1991<\/p>\r\n\r\n\r\n\r\n

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A rare record of the German Act-Up (Aids Coalition to Unleash Power) movement: At the closing prayer of the German Bishops\u2019 Conference on 26 September. READ MORE…<\/a><\/p>\r\n\r\n\r\n\r\n

YE (The Night)<\/h2>\r\n\r\n\r\n\r\n

Director: Zhou Hao, People’s Republic of China, 2014<\/p>\r\n\r\n\r\n\r\n

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A young man stands before his mirror. The night belongs to him. Self-love and longing. Every evening he admires himself in a different outfit before leaving his apartment and waiting for clients in a dimly lit alley. READ MORE…<\/a><\/p>\r\n","protected":false},"excerpt":{"rendered":"

The Attendant\u00a0 Director: Isaac Julien, United Kingdom, 1993 A young white man visits a gallery of old master paintings. When the museum closes, he stays behind, arousing the sexual fantasies of an older black museum attendant. READ MORE\u2026 Blue Diary\u00a0 Director: Jenni Olson, USA, 1997 A lesbian spends a night with a straight woman. The … Continue reading Panorama 40<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":28,"featured_media":2906,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-2577","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/pages\/2577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/comments?post=2577"}],"version-history":[{"count":22,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/pages\/2577\/revisions"}],"predecessor-version":[{"id":3590,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/pages\/2577\/revisions\/3590"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/media\/2906"}],"wp:attachment":[{"href":"https:\/\/blog.teddyaward.tv\/en\/wp-json\/wp\/v2\/media?parent=2577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}