Headache? Nausea? This need not necessarily be related to the today’s Valentine’s Day. Rather, it could be that yesterday’s night was the night of the year.The best party was a guest of the Komische Oper. The winner of the this year’s TEDDY AWARD’s were chosen yesterday. And what can I say, it was a glittering party again. Grand winners, great guest and a fantastic show! Of course, any good ceremony has an fantastic after show party as well. Therefore, many pepole went to the SchwuZ after the ceremony.
Who may have some memory gaps or would like to look at the best moments of the 2015 TEDDY again have to visit our YouTube channel. Here you can watch all winners, performances and background informations again. But the Teddy is not over. Even today, you can still watch TEDDY films.
Stories of Our Lives
Stories of Our Lives
Director: Jim Chuchu
Cast: Kelly Gichohi, Janice Mugo, Jimmy Wanjala, Tim Mutungi
Members of the multi-disciplinary art collective NEST spent several months travelling Kenya collecting stories of young LGBTI people – stories about their experiences and their lives in a country that is still extremely homophobic. Based on countless anonymous interviews, they developed five screenplays for short films which provide an insight into the current situation and the problems of these sexually marginalised young people. These short, unadorned scenes are presented by director Jim Chuchu in crisp, poetic black-and-white images and accompanied by a measured soundtrack. The episodes, which address topics such as the search for identity and self-determination, enforced heterosexualisation and the struggle for acceptance, have one thing in common: they all describe the need for love and the fear of fulfilling this love openly. Time and again, their fears prompt the question: it is better to hide away, resign oneself to the situation and leave the country, or to stay and fight openly for sexual diversity? In spite of the film being banned from public screenings in Kenya, the members of NEST have opted for the latter and are determined to continue their struggle for recognition.
12.00 pm, Zoo Palast 2
The Blue Hour
Director: Anucha Boonyawatana
Cast: Atthaphan Poonsawas, Oabnithi Wiwattanawarang, Duangjai Hirunsri, Panutchai Kittisatima
Tam, a timid loner, is bullied regularly by his fellow pupils at school. He is met with similar rejection and suspicion within the narrow confines of his parents’ dingy home, where his father beats him. One day Tam arranges online to meet Phum at a derelict swimming pool. They are both looking for sex, but their encounter leaves them with a feeling of comfort and security. A close bond develops between the two boys and, before long, they are roaming the rubbish heaps and dark corners of the city together, day and night. Phum opens a door for Tam, revealing a fantastical parallel universe full of spirits and dangerous encounters. Although he feels safe and loved for the first time in his life, Tam can no longer differentiate between dream and reality and finds himself increasingly drawn into a spiral of paranoia and violence.In his feature debut Boonyawatana leads his protagonist into an ambiguous microcosm full of chasms, at the same time cleverly toying with the conventions of different genres.
12.30 pm, CinemaxX 7
Director: Jannik Splidsboel
Tulsa, Oklahoma is a city in the midst of the USA’s Bible Belt with almost 400,000 inhabitants, over 4,000 churches and just one gay and lesbian youth centre. This is the meeting place for Larissa, Ben, ‘D’ and other youths who because of their decision to live gay, lesbian and transgender lives, are either not accepted or, on the contrary, have received strong support from their families and unconditional love.Jannik Splidsboel, whose film How Are You screened in Panorama in 2011, takes an almost entirely observational approach to his depiction of the lives of these three teenagers, their first love or their longing for love, their coming out, and their dreams for the future. In an unhurried, almost casual fashion, the film shows how ‘D’ manages step by step to improve his precarious existence and how Ben learns from his brother how to defend himself. Courtesy of Larissa and her girlfriend we are also are treated to one of the most dazzling and colourful lesbian kiss scenes in film history. Misfits portrays three basically ‘average’ young people as they try to live queer lives, find their gender identities, love and be loved in an environment pervaded by religious fundamentalism.
14.00 pm, Kino International
Prison System 4614
Director: Jan Soldat
In the world of fetishes there’s a niche for every type of proclivity. Arwed caters to a special type of customer: he runs a private prison where he is happy to find all sorts of ways to bully and victimise his paying guests on the other side of the bars. As prison director he is master of ceremonies; during the course of one week, he and his partner Dennis help fulfil their prisoners’ wildest fantasies. The inmates treat the days and nights they spend in handcuffs and leg irons as a real holiday – here at last is a place they can finally switch off and relax. The role play looks a bit like improvised theatre, especially when director Arwed and his assistant Dennis plan the next day’s performance in the bare cells and corridors of their institution. But even when using the whip these ‘torturers’ never forget to be humane and, in spite of their tough prison warder guise, they are fully aware, in way that is almost caring, of their responsibility for those in ‘detention’. Director Jan Soldat poses his questions offscreen, in the same interview style that he adopted in his short films.
15.30 pm, Colosseum 2
Sueñan los androides
Director: Ion de Sosa
Cast: Manolo Marín, Moisés Richart, Marta Bassols, Coque Sánchez
The year may be 2052, yet this is a future with one foot in the past. Between the strangely artificial skyscrapers along the coastline and the neon-lined broadwalk, there’s nothing here to suggest it isn’t still 1975, 1995 or 2015. But there are fewer people around nowadays and many apartments lie empty, a tranquil wasteland of exposed wires, unfinished plasterwork and endless dust. Those that remain are at least house-proud, eager to show off their knickknacks and traditional costumes, when not meeting up for the occasional dance. Hardly the most obvious place for a bounty hunter, but the robots still need to be exterminated, particularly as they already look so much like you and me. Ion de Sosa’s spare, enigmatic adaptation of Philip K. Dick’s “Do Androids Dream of Electric Sheep?” is at once a minimalist genre piece, an oblique treatise on difference and an essayistic almost-documentary on the unreal status quo of contemporary Spain. And as the title suggests, these androids do indeed dream: of far-off places and new opportunities; of the songs of past summers; of a shared embrace, a sheep on a leash, as the towers and mountains open out beyond.
16.30 pm, CineStar 8
Czech Republic 2014
Director: Veronika Lišková
Daniel, a 25-year-old student of literature, lies in the bath. Off-screen we hear his voice: ‘Although I’ve never been with either a boy or a girl, I can’t say my life lacks love.’ But what is it like for a young man who loves boys; a man who, unable to ever fulfil his desire, either has to content himself with sexual fantasies or use medication to suppress his feelings? This film accompanies Daniel in his struggle to accept himself, and his desperate search for a partner. While we watch simple yet wellcomposed images of Daniel at the hairdressers, ice skating, or taking his mother’s dog out for a walk, his off-screen commentary continues to probe and find a way to handle both his coming out and his unfulfilled desires and live a fulfilled life. Not wanting to distort her protagonist’s voice, nor make his face unrecognisable, Veronika Lišková met over twenty paedophiles before choosing to work with Daniel who, in spite of being aware of how vulnerable he is making himself, is exceptionately open about his condition.
17.00 pm, CineStar 7
El hombre nuevo
The new man
Director: Aldo Garay
At the tender age of twelve, Roberto supported the Sandinista revolution in Nicaragua and fought for education and social reforms. He was to continue his political struggle fighting alongside the
communist Tupamaros in Uruguay. Thirty years later he is struggling to live his life as a woman named Stephanía and striving to be accepted by both society and his family. Documentary filmmaker
Aldo Garay has followed Stephanía for over twenty years. In El Hombre Nuevo he provides a personal and tender portrait of a woman who can look back on a tempestuous life in which violence,
drugs, prostitution and political commitment all found its place. Scenes from her day-to-day life are interspersed with interview material that includes conversations with old friends, fellow-travellers and siblings, as well as a passionate, heated exchange with her mother. The picture of society that emerges is as diverse as it is intimate, and spans a time of great political upheaval in the 1970s to
the present day.
17.30 pm, Cubix 7
La Isla está Encantada con Ustedes
The Island is enchanted with You
Director: Alexander Carver, Daniel Schmidt
Cast: Raul De Nieves, Lydela Leonor, Lea Cetera, Carlos Solis-Keyser
In 1511, indigenous people in Puerto Rico seduced and murdered a representative of colonial power. Some 300 years later, a further chapter of colonial history: In 1803, by order of the Spanish Crown, a doctor named Francisco Javier de Balmis travelled to Puerto Rico with a number of orphans. They were carriers of the live vaccine with which Balmis executed one of the first mass immunisations
against smallpox. A glance to the present day: In 2014, Puerto Rico produced an enormous amount of pharmaceuticals with subsidies from the USA. By interweaving strands of colonial and postcolonial history, the filmmakers of La Isla está Encantada con Ustedes have created a lyrical work that mirrors and completes the dynamics of power and lust. A modern roundelay, that restages the past in the present. Lead by a gaze of sexual subtext, this is a comedy in which reality is subordinate to strategies of power –while revealing the closely intertwined nature of health and economics, in the past and present.
17.45 pm, Colosseum 1
The Mad Half Hour
The Mad Half Hour
Director: Leonardo Brzezicki
Cast: Julian Larquier, Diego Echegoyen, Laila Maltz, Martina Juncadella
Once a day, domestic cats go completely mad. A total burst of energy. It’s all over within half an hour. No one knows why. That’s just how it is.Juan is rather similar. He doesn’t know why, it just seizes him. The loss of commitment. Why should he bother to hit a ball over the net and wait for it to be returned, while making sure it stays within the white line? Does he still love Pedro, no, perhaps yes?
Pedro is used to it and takes him by the hand. They venture into the night together and stray, likes cats, through the streets of Buenos Aires. Far more than pursuing narrative logic, the film follows
human feelings without ever fully relinquishing the threads of the storyline.
17.45 pm, Colosseum 1
Director: Marco Berger
Cast: Ailín Salas, Javier De Pietro, Julián Infantino, Malena Villa
A butterfly, a creature symbolising rebirth and a new beginning, epitomises Romina’s and Javier’s world, a world that consists of two parallel realities. In one of them they grow up as siblings who desire each other and try to give shape to their love without sexual fulfilment; in the other they are a young man and woman who form an awkward friendship instead of succumbing to their feelings
for each other. Javier finds himself in a discordant relationship with Mariela. Mariela’s brother is interested in Bruno. Bruno is with Romina, but wants to be with Javier. Playfully alternating between
these two realities, the lovers find themselves drawn into ever new couplings in order to explore their intuitive feelings – cautiously, but at the same time prepared to lose everything.Marco Berger, who
won the 2011 Teddy Award, takes a fascinating film idea and turns it into an impressive universe of endlessly diverse approaches to friendship and love. This is an unusually dynamic space in which
emotional insecurity, sexual confusion, incest, self-deception, intuition and spiritual bonding all find their place.
19.00 pm, Zoo Palast 1
Fassbinder – lieben ohne zu fordern
Fassbindern – to love without demands
Director: Christian Braad Thomsen
Cast: Rainer Werner Fassbinder, Irm Hermann, Harry Baer, Andrea Schober
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the
enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical.
20.00 pm, CineStar 7
Director: Bitte Andersson
Cast: Peggy Sands, Alle Eriksson, M Wågensjö, Lina Kurttila
After scoring a huge hit with their first single, hip lesbian band Dyke Hard fall into the creative doldrums. When their front woman leaves it looks like curtains for the rest of the band, but then the girls hear of a battle of the bands in the big city in three days’ time and decide to participate and give their maudlin career a kick start. A road trip adventure full of danger, intrigue and all sorts of obstacles ensues. The women find themselves in a haunted house and soon after wind up unjustly accused on death row until a gay prison warder helps them escape. They find brief respite at the home of a sweet old lady with a hidden agenda who almost makes them forget where they’re going. But their luck turns again and, following a battle with cyborgs and ninjas they finally manage to make it to the competition, just in time. ‘Trash as trash can!’ is the ambitious motto of this camp and zany sexploitation-horror-trash-musical guaranteed to be lacking in anything resembling good taste. Told at breakneck speed, this is a tongue-in-cheek, perverse, polymorphic ride that has the potential to vie with cult offerings by the likes of John Waters and Russ Meyer, or the Austin Powers series.
21.30 pm, Zoo Palast 1
Director: Sebastián Silva
Cast: Kristen Wiig, Sebastián Silva, Tunde Adebimpe, Agustin Silva
Freddy is an artist whose desire for a baby has become something of an obsession. He surrounds himself with photographs of his childhood and is working feverishly on a fresh piece about new-borns. He and his partner Mo have even managed to persuade their best friend Polly to have their baby. However, after numerous failed attempts to conceive, this proves to be more difficult than they first
envisaged. Freddy’s planned video installation also turns out to be rather more complicated than he thought. And then, when the ‘Bishop’, their rather deranged neighbour, begins tormenting them
with his serious chicanery, their hitherto carefree existence starts to go dangerously awry. A series of surprising events bring their frustrations to a head and before long, Freddy and his friends begin
to lose their grip on reality.Sebastiàn Silva’s savagely satirical film is an angry portrait of a group of presumptuous and self-absorbed bohemians. The director himself plays the role of Freddy, infusing
his performance with the complacency, doggedness, ignorance and egomania of a social circle which is in the process of becoming estranged from their original visions and dreams.
22.30 pm, CinemaxX 7
Director: Rosa von Praunheim
Cast: Hanno Koffler, Andreas Marquardt, Luise Heyer, Marion Erdmann
When karate champ Andreas Marquardt thinks about himself he feels nothing but bitterness: ‘I refused to feel anything. I was cold, like a block of ice, I couldn’t give a shit about anything.’ When he was two years old, his father poured water over him and put him outside on the balcony in subzero temperatures. Another time he crushed his hand. When he was six, his mother began to seduce him: ‘Your prick belongs to me, my little friend.’ Later, Andreas became a pimp and earned millions – until he wound up behind bars. Lovely Marion was the only one who stood by him, who went on the game for him, and gave him the courage to go on … Interspersing interviews with dramatized scenes from Andreas Marquardt’s biography, Rosa von Praunheim describes a life that veers from fear and humiliation to contempt, hatred and brutality. Filmed in stylised sets replete with photographic wallpaper that recall West Berlin décor at the time, the film provides a shocking insight into the deep wounds caused by domestic violence and one man’s desperate attempts at resistance. Is it possible to break out of such a vicious circle? And how does Andreas Marquardt cope with these experiences today?
22.30 pm, Colosseum 1
I am Michael
I am Michael
Director: Justin Kelly
Cast: James Franco, Zachary Quinto, Emma Roberts
San Francisco in 1998. Queer activist Michael is passionately committed to supporting gay and lesbian youths. His own deep longing to belong means that he is tirelessly engaged in redefining his own existence, absorbing with apparent ease young Tyler into his long term relationship with his friend Bennett. The trio decides to travel America to record on film the lives of gay teenagers. They subsequently manage to raise the cash to launch Michael’s own LGBT magazine. But Michael isn’t happy with the way he’s living his life. Following a suspected heart attack he strives to find a way to balance sexuality and spirituality and decides to leave his chosen family and friends. After engaging in meditative contemplation and heterosexual experiments, he firmly embraces Christianity.In his sensitive directorial debut, Justin Kelly deftly juxtaposes different periods of time to describe the unusual transformation of Michael Glatze, the co-founder of the magazine ‘Young Gay America’ and a one-time inspirational figure of the LGBT community who, after prolonged and persistent soulsearching, decided to reject homosexuality and become a preacher.
23:00 Uhr, Cubix 7 & 8