Day 3: Chileee

Day three of the Berlinale and I am so cheeky by saying that the todays theme will be : South America. Or better: Chile. We have two films running in the cinema today who were shot in that beautiful country. Firstly we have “Rara”. The movies is told from the perspective of 13year old Sara, who is living with her sister, her mother and the girlfriend of her mother. The movie gently observes her rich world of emotions and how she deals with socal conventions, the struggle of growing-up and her belonging in the family. Kind of a Coming-of-Age with a queer content, which also reflects the social and political situation of queer people in Chile today. Worth watching!

The other one is about a father who lives with his 18year old gay son who becomes a victim of a violent neo nazi attack. The father finds himself in a reality of a homophob society. The film is vaguely based on true events which happened in 2012, when openly gay living … got violently attacked. Alex… who directed the movie is a well know musician in Chile and got to know about this story because this guy was a fun of his. So that’s why he decided his first feature film. An interesting story about a father-son relationship and an socia analysis at the same time!


A Boy Needs a Friend
A Boy Needs a Friend

Canada/ USA 2015
23´
Director: Steve Reinke

In this latest installment of his ongoing video essay, “Final Thoughts”, Steve Reinke ostensibly turns to the subject of friendship. A Boy Needs a Friend delves into its topic head on, in particular investigating the notion of queer Nietzschean friendship. Using his signature dry voice over monologue to tie together an eclectic array of disparate images, ranging from found footage collages to digital animation and cell phone video, Reinke sets forth theories about the identity of Stephen King and Joyce Carol Oates, needle point doodles, the upsides of owning both US and Canadian citizenship, and the ability of corpses to have sex. “Final Thoughts” was begun in 2004 as a life project: it will be complete upon Reinke’s death. It is a collection of video essays, a stream of ongoing thoughts and provocative engagements. Forum Expanded screened The Tiny Ventriloquist: Final Thoughts, Series Two in 2012. A Boy Needs a Friend is part of The genital is Superfluous: Final Thoughts, Series Four (2016).

A Boy Needs a Friend

21:30, Akademie der Künste


Antes o tempo nao acabava
Time Was Endless

Brazil/ Germany2016
85´
Director: Sérgio Andrade, Fábio Baldo
Cast:  Anderson Tikuna, Rita Carelli, Begê Muniz, Emanuel Aragão

Having been born into an indigenous tribe in the Amazon, Anderson is familiar with painful initiation rites. He is now living with his sister and her sick little girl in the city of Manaus. He has a mobile phone and takes on casual work, but must face the challenges posed by the incompatibility between modern life and shamanism. For him, the two worlds collide on a daily basis: when his niece is to be sacrificed, when a mythical monster appears to him in human form, or when he experiences a one-night stand in a doom metal night club. The shaman has another ancient ritual in store for Anderson, without which, according to the healer, he will be lost forever. With powerful images accompanied by electronic music, directors Sérgio Andrade and Fábio Baldo create a portrait of a wanderer between two worlds. One – endangered and fuelled by myths and legends – is fading away in the dwindling space accorded to it by the white conquerors. The other is loud and exhausting, but perhaps one in which Anderson will be able to develop in a better way. Eschewing didacticism, the film paints a dreamlike documentary portrait of a disappearing culture.

Antes o tempo não acabava

11:00, CineStar 8


Der Ost-Komplex
The GDR Complex

Germany 2016
90´
Director: Jochen Hick

Even now, twenty-five years after German reunification, historians are still debating whether the GDR was an illegitimate state. In his current work, Jochen Hick, several of whose films have screened in the Panorama, tells the story of ex-GDR citizen Mario Röllig. Hick accompanies him as he visits his parents and his former colleagues but also the sites of his attempted flight from the GDR and his incarceration. Röllig started a relationship with a politician from West Berlin back in 1985 and was arrested in Hungary in 1987 for attempting to flee the German Democratic Republic; in 1988 the Federal Republic of Germany purchased his freedom. Today he regularly talks about his experiences in schools; he also volunteers as a guide at the former Stasi prison in Hohenschönhausen in Berlin that is now a memorial. Hick stays close to his subject at all times but remains neutral, instead observing and asking questions from behind the camera. In confrontations with GDR-sympathisers Rölling is accused of distorting history and it becomes abundantly clear that the battle to have the last word on how the history of the GDR should be interpreted is riddled with taboos and fraught with individual traumas.

Der Ost-Komplex(1)

17:00, International


Ja, Olga Hepnarova
I, Olga Hepnarova

Czech Republic/ Poland/ Slovakia/  France 2016
105´
Director: Tomas Weinreb, Petr Kazda
Cast: Michalina Olszanska, Martin Pechlat, Klara Meliskova, Marika Soposka

Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes. Meticulously composed and shot in elegiac black-and-white this film tells the story of the short life of an exceptionally lonely young woman who turns into a mass murderer when, on 10 July 1973 – as she has just turned 22 – she drives a rented truck into a group of people, killing eight. In a letter acknowledging her deed she writes that she sought to take revenge on the world and on those she felt hated her. In spite of clear indications that she was mentally ill she was executed – making her the last woman to be publicly executed in Czechoslovakia. After producing several documentaries and shorts together, this film marks the directors’ first drama. The film is based on a lengthy period of research which culminated initially in a documentary entitled Everything is Crap.

Jà, Olga Hepnarovà(1)
20:15, Cubix 7


Jonathan 
Jonathan

Germany 2016
99´
Director: Piotr J. Lewandowski
Cast: Jannis Niewöhner, André Hennicke, Julia Koschitz, Thomas Sarbacher, Barbara Auer

Jonathan is 23; he and his aunt, Martha, work on their farm. Jonathan also devotes himself to looking after his father Burghardt, who has cancer. But, railing against his own decrepitude that prevents him from a dignified end, his father stubbornly sabotages all of his son’s efforts. Jonathan finds it increasingly difficult to cope until they hire a young carer, Anka, to help. Jonathan and Anka fall in love; her experience of working at a hospice helps Jonathan to gain a new inroad into his father’s situation. When Burghardt’s long-lost boyhood friend Ron appears on the scene his health visibly improves and, although the family sees Ron as an intruder and is against it, Ron continues to stay on to be with Burghardt. Jonathan discovers that, many years ago, his father and Ron were deeply in love. All at once, the façade of cherished family beliefs crumbles and long-repressed secrets come to light – but Jonathan also learns how to let go of his father and to accept his death as something that will open up the path towards a self-determined life.

Jonathan(1)
20:15, CineStar 3


Jug-yeo-ju-neun Yeo-ja
The Bacchus Lady

South Corea 2016
110´
Director: E J-yong
Cast: Youn Yuh-jung, Chon Moo-song, Yoon Kye-sang, An A-zu, Choi Hyun-jun

Youn So-young has contracted gonorrhoea. ‘Make me well again quickly’ she tells her gynaecologist, because she wants to get back to work. In a park in Seoul, this senior citizen manages to scrape together just enough money as a ‘Bacchus lady’ to avoid begging. ‘Bacchus ladies’ are elderly women who sell a popular soft drink containing taurine known as ‘Bacchus’ and offer sexual services on the side. Korea’s rapidly ageing society barely has any money left for its pensioners and poverty among the elderly is soaring. When little Min-ho’s mother is detained by the police, So-young takes him in. The boy, who only speaks Filipino, experiences a rather unique sort of patchwork family in this courtyard peopled, alongside So-young, by her transgender neighbour and a one-legged young man. Many of So-young’s aged former clients and friends can no longer see a way out of their situation. One after the other, they ask this laconic lady, who for years has been harbouring a secret, for one last favour.

Jug-yeo-ju-neun Yeo-ja
18:30, Il KINO & 22:45, CineStar 3


Kater
Tomcat

Austria 2016
114´
Director: Händl Klaus
Cast: Lukas Turtur, Philipp Hochmair, Toni, Thomas Stipsits

Andreas and Stefan live a blissful existence together with their tomcat, Moses. They inhabit a beautiful old house in the vineyards near Vienna and work in the same orchestra as manager and musician. Their passion for music, their large circle of friends and colleagues and their furry companion define the daily lives of the two men. But one morning an unexpected outburst of violence from Stefan shakes their harmonious relationship to its core. From this moment on, scepticism and alienation define their cohabitation and represent an almost insurmountable obstacle. While Stefan is losing the ground beneath his feet, Andreas struggles with his mistrust and his love for Stefan. Following his award-winning debut März (March), in his second film Händl Klaus portrays the expulsion of two lovers from paradise. Demonstrating exceptional sensitivity for the male psyche and for the blind spots in all our personalities, this artistic and poetic ballad tells of the fragility of love. Actors Philipp Hochmair and Lukas Turtur are both born theatre thespians and their naturalistic screen performances are impressive.

Kater

20:00, International


Kiki
Kiki

Sweden/ USA 2016
95´
Director: Sara Jordenö

Twenty-five years after Paris is Burning, the 1991 Teddy Award-winning film that brought Berlinale audiences closer to New York’s ballroom scene, Kiki provides an insight into the world of today’s young black LGBT community, by taking a look at the balls where participants of voguing competitions compete for trophies, and by listening to proponents talking about their dreams and their lives. In contrast to the time when Paris is Burning was made, these balls are no longer born of a subculture but are instead organised by queer youth welfare organisations. The enlightened manner in which the young people discuss gender-political questions today and how naturally they use terms such as heteronormativity and gender deconstruction is striking. The city, the social structures and the gender-political consciousness may have changed since the 1980s but what remains is the desire for acceptance and a safe place to celebrate one’s individuality. Even if coming out would seem to be easier today for some of the protagonists and same-sex marriages are now legalised in the US, co-writer Twiggy Pucci Garçon puts it straight: “There is so much left to fight for.”

Kiki
16:00, Colosseum 1


Little Men
Little Men

USA 2016
85´
Director: Ira Sachs
Cast: Greg Kinnear, Paulina Garcia, Jennifer Ehle, Theo Taplitz, Michael Barbieri

«Why they’re still mad on us?» · «Our parents are involved in a business matter and it’s getting ugly. So they’re taking it out on us.» Summer in Brooklyn. Jake’s parents have just moved into the house that used to belong to his grandfather. Tony’s mother has been renting the shop on the ground floor forever. The two 13-year-olds quickly discover their shared interest in art, computer games and girls. Together, they dream of transferring to the renowned La Guardia High School in the autumn. Soon they become allies, not only against the other boys on the block, but also when it comes to the rent dispute between their parents. Attempting to stem the inexorable effect the adult world is having on their genuine friendship, they stage a headstrong protest. Once again renowned Indie director Ira Sachs intuitively explores the family and moral conflicts with emotional depth.

Little Men

15:30, Zoo Palast 1


Mãe só há uma
Don´t Call me Son

Brazil 2016
82´
Director: Anna Muylaert
Cast: Naomi Nero, Dani Nefussi, Matheus Natchergaele, Daniel Botelho, Luciana Paes

Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. Overnight, his world falls apart and his mother Aracy is arrested. His biological parents Gloria and Matheus have spent seventeen years searching for him; they are now desperate to make up for the lost years and spend time with their eldest son, whom they call Felipe. Observed from a critical distance by his younger brother Joca, Pierre/Felipe moves in with his well-heeled new family, who are determined to mould him according to their ideals. But Pierre has his own designs for his life. Director Anna Muylaert won the Panorama Audience Award in 2015 for Que horas ela volta? (The Second Mother). In her new work she explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.

Mãe só há uma

22:00, Zoo Palast 2


Nunca vas a estar solo
You’ll Never Be Alone

Chile 2016
82´
Director: Alex Anwandter
Cast: With Sergio Hernandez, Andrew Bargsted, Jaime Leiva, Benjamin Westfall, Antonia Zegers

Introverted Juan, manager of a mannequin factory, lives alone with his eighteen-year-old gay son, Pablo. Whilst Pablo blithely studies dance, Juan is hoping that, after twenty-five years at the firm, his boss will consider him for a partnership. When Pablo is badly wounded in a brutal homophobic attack which sees him hospitalised, his father realises just how far they have become estranged. A lack of witnesses and expensive medical bills force Juan to leave the quiet stability of his life for good and reposition himself in a world where there is discrimination. Time and again his efforts come to nought, until one night on the streets of Santiago he makes up his own rules in order to save his son. In March 2012 the murder of an openly gay Chilean man, Daniel Zamudio, by neo-Nazis, shocked the whole of Latin America. This incident inspired Alex Anwandter to make his impressively multi-layered debut. Demonstrating great sensitivity, he traces in the figure of the reclusive father the enormous pressure that exists to adhere to the fixed norms of masculinity – only to dissolve these norms in Pablo’s dream of living a life that is vibrantly queer.

Nunca vas a estar solo

22:30, Cubix 7


O Pássaro da Noite
L’Oiseau de la Nuit

Portugal/ France 2015
20´
Director: Marie Losier
Cast: Cast: Fernando Santos aka Deborah Krystal, Cindy Scrash, Alda Cabrita, João Pedro Rodrigues

In the latest of her series of portraits of legendary underground performers, Marie Losier takes us into the world of Fernando, aka Deborah Krystal, the glittering and poetic performer of the Lisbon club Finalmente. Over the last thirty years, Fernando has been performing every night at Finalmente, dressed in golden gowns. O Pássaro da Noite reveals the many skins of Fernando that lay underneath the layers of his colorful fabrics, and – with the help of a large cast of friends and filmmaking colleagues – lets Lisbon’s legends come to life. Alternating and shape shifting between manifestations as mermaid, bird, and lion, Fernando takes us on a journey into the desires and dreams of metamorphosis and myth: From the bright sunlight of a colorful beach to the haunted shadows of a museum at night.

O Pássaro da Noite

21:30 , Akademie der Künste


Rara
Rara

Chile/ Argentinia 2016
88´
Director: Pepa San Martin
Cast: Mariana Loyola, Julia Lübbert, Agustina Muñoz, Emilia Ossandó

«So … do your Mom and Lia kiss in public?» · «Sometimes. Not that much.» Since their parents split up, Sara and her younger sister live with their mother, whose new partner is a woman. Everyday life for the four of them is hardly any different than it is for other families. The situation is actually totally fine with Sara. But not everyone sees it that way – her father in particular has his doubts. As Sara’s 13th birthday approaches, she’s feeling rather overwhelmed: her first crush, a body in the midst of changes and to top it off, conflicts over loyalty with her parents … Everything feels wrong. The empathetic feature-length debut of director Pepa San Martín is based on a true story.

Rara

12:30, Zoo Palast 1


San Fu Tian
Dog Days

Hong Kong, China 2016
95´
Director: Jordan Schiele
Cast: Huang Lu, Tian Mu Chen, Luo Lanshan, Xing Dan Wen

Endless dog days of summer weigh heavily on the impoverished suburb of Changsha where a young mother, Lulu, works as a dancer in a cheap nightclub. Coming home late one night, she discovers that her boyfriend Bai Long has disappeared with their baby. Her desperate search takes her to a transvestite bar where gay man Sunny is performing; he knows the whereabouts of the child’s father. A deal is struck between the odd couple whose lives are now fatefully intertwined: Lulu wants her child back and, in return, agrees to not stand in the way of Bai Long’s and Sunny’s homosexual relationship. In a hotel in Shanghai events come to a head as emotional and erotic trials and tribulations pile up. It transpires that, pretending the child’s mother had died, Bai Long has now sold his son to a wealthy couple, a doctor and his wife. What does the future hold for Lulu and her child?

San Fu Tian

19:30, CineStar IMAX


Uncle Howard
Uncle Howard

Great Britain/ USA 2016
96´
Director: Aaron Brookner
Cast: Jim Jarmusch, Sara Driver, Tom DiCillo, Brad Gooch, Frederic Mitterand

After Howard Brookner, director of two documentaries and a feature film, died from AIDS related illnesses at the age of 34 in 1989, his slender oeuvre was in danger of being forgotten – until his nephew Aaron decided to preserve his uncle’s legacy and to digitalise his first film, the cult classic Burroughs: The Movie (1983). This endeavour led to the discovery of a number of other gems stored in the godfather of Beat’s legendary ‘bunker’ in New York’s Bowery district. This rich archive of material, shot by film maniac Brookner from 1978 until the end of the 1980s, represents a unique document of the decade’s incredibly vibrant art and gay scene in downtown New York. Aaron Brookner’s film Uncle Howard takes us on an adventurous, artistic and very personal journey back in time, accompanied by conversations with both relatives and his uncle’s close friends (including Robert Wilson, Jim Jarmusch, Brad Gooch and James Grauerholz). The resulting film is a powerful and loving portrait of an artist who left this world far too soon.

Uncle Howard(1)

14:30, CineStar 7


Who’s Gonna Love Me Now?
Who’s Gonna Love Me Now?

Great Britain/ Israel 2016
84´
Director: Tomer Heymann, Barak Heymann, Alexander Bodin Saphir

Saar has never fulfilled his parents’ expectations. Ever since he defied the rules of his kibbutz and was barred from the settlement community seventeen years ago, as far as his family is concerned, he simply does not exist. He left Israel to live freely as a gay man in London. When a three-year relationship ended, he threw himself into an excess of sex and drugs until he was diagnosed with HIV and was forced to rethink his life. He has finally found a home singing in the London Gay Men’s Chorus where music is giving him the courage for a reunion with his family. This film provides a sensitive, humorous and charming record of how the now forty-year old protagonist and his estranged parents and siblings set off to confront their disagreements and fears. Unexpected warmth and deep rejection become equally challenging. Incidentally, Saar’s intensely personal story also illuminates the fascinating diversity of a communal way of life that is pervaded by culture and religion; he also inspires us with the sincerity of his search for his identity. The film’s numerous energetic and emotional choral scenes lend passionate expression to his message.

Who's Gonna Love Me Now

17:00, CineStar 7


Zona Norte
Zona Norte

Germany 2016
90´
Director: Monika Treut

Fifteen years after Monika Treut portrayed human rights activist Yvonne Bezerra de Mello working with street kids in Kriegerin des Lichts (Warrior of Light, Panorama 2002), she returns to Rio de Janeiro to document the development and sustainability of the alternative educational project, Uerê. Every day, de Mello provides meals for around 250 children in her institution and offers them a loving, secure and effective learning environment. Her alternative approach to teaching enables the children to overcome learning disabilities that have resulted from experiences of severe violence. In the meantime, the preparations for the Olympic Games and heavy military intervention against the inhabitants of the favelas have created conditions akin to a civil war. Staying very close to her protagonists and employing a sensitive visual approach, Treut examines the effects of urban sociological changes. In Zona Norte she sets off in search of the protagonists of her earlier film. The schoolchildren she portrayed in 2001 seemed to have no future, but her re encounter with them demonstrates how, in the long run, de Mello’s project has given these children a better chance in life.

Zona Norte

17:30, Cubix 7


Girl Talk
Girl Talk

USA 2015

Director:Wu Tsang
Cast: Fred Moten

Girl Talk features poet and critical theorist Fred Moten dancing in slow motion, or ‘dragged time’, to an a cappella rendition of Betty Carter’s jazz standard “Girl Talk”, here reinterpreted and performed by musician Josiah Wise. Wearing a velvet cloak covered in jewels, Moten turns euphorically in a sunlit garden as the crystals adorning his body refract pink, blue, and green rays. In exploring the figure of the drag queen and the mother, Moten and Tsang, poet and artist, remain unfixed in any one persona.

Girl Talk

10.02-22.0 2. / daily 19:00 – 21:00 Akademie der Künste as an Installation